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Sting|Symphonicities (Bonus Track Version)

Symphonicities (Bonus Track Version)

Sting

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Given Sting’s far-reaching ambition and interests, it was merely a matter of time before he recorded an orchestral album, but 2010’s Symphonicities surprises by offering symphonic arrangements of his older songs instead of a new work. This is a canny move, for the common complaint lodged against rock-classical crossovers is against the quality of the material -- think Paul McCartney or Billy Joel -- a criticism that can’t be leveled here, as this is a selection of some of Sting’s best songs. By relying on his catalog, Sting wound up with an album that is pop, not classical, in structure, but the sound of Symphonicities is surely symphonic, with “Next to You” driven by sawing strings instead of buzzing guitars. Occasionally, this changes the impact of a song, but rarely does it alter its intent; indeed, there are a handful of tunes, like “Englishman in New York” and “When We Dance,” that feel unaltered in this larger setting. Naturally, it’s the Police songs that are changed most -- “Every Little Thing She Does Is Magic” bears a sprightly yet dreamy arrangement, “Roxanne” trades its reggae rhythm for a languid, seductive lilt -- and it’s also on these familiar songs where Sting’s engagement is palpable. He may not be radically reinventing these songs, but he’s certainly reinvigorated by this lush setting, and this energy prevents Symphonicities from falling into pretentious traps; it’s lively and fun, and it’s Sting’s most satisfying record in a long time.
© TiVo

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Symphonicities (Bonus Track Version)

Sting

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1
Next To You
00:02:29

ELLIOT SCHEINER, Recording Engineer, StudioPersonnel - Sting, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - ROB MATHES, Conductor, Producer, Piano, Recording Arranger, AssociatedPerformer - Claudius Mittendorfer, Mixer, StudioPersonnel - Steve Genewick, Recording Engineer, StudioPersonnel - David Finck, Double Bass, AssociatedPerformer - Joe Bonadio, Percussion, AssociatedPerformer - New York Chamber Consort, Chamber Ensemble, AssociatedPerformer - Tim Mitchell, Asst. Recording Engineer, StudioPersonnel - Jo Lawry, Background Vocalist, AssociatedPerformer - David Cossin, Percussion, AssociatedPerformer

℗ 2010 UMG Recordings, Inc.

2
Englishman In New York (Symphonicities Version)
00:04:22

ELLIOT SCHEINER, Recording Engineer, StudioPersonnel - Sting, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - ROB MATHES, Conductor, Producer, Piano, Recording Arranger, AssociatedPerformer - Steve Genewick, Recording Engineer, StudioPersonnel - David Finck, Double Bass, AssociatedPerformer - Joe Bonadio, Percussion, AssociatedPerformer - Aaron Heick, Clarinet, AssociatedPerformer - Royal Philharmonic Concert Orchestra, FeaturedArtist - New York Chamber Consort, Chamber Ensemble, AssociatedPerformer - Tim Mitchell, Asst. Recording Engineer, StudioPersonnel - Jo Lawry, Background Vocalist, AssociatedPerformer - David Cossin, Percussion, AssociatedPerformer

℗ 2010 UMG Recordings, Inc.

3
Every Little Thing She Does Is Magic
00:04:56

Jonathan Allen, Recording Engineer, StudioPersonnel - ELLIOT SCHEINER, Mixer, Recording Engineer, StudioPersonnel - Sting, Producer, MainArtist, ComposerLyricist - ROB MATHES, Conductor, Producer, Piano, Recording Arranger, AssociatedPerformer - David Finck, Double Bass, AssociatedPerformer - Alex Venguer, Recording Engineer, StudioPersonnel - Jo Lawry, Background Vocalist, AssociatedPerformer - David Cossin, Percussion, AssociatedPerformer

℗ 2010 UMG Recordings, Inc.

4
I Hung My Head
00:05:31

Lewis Jones, Asst. Recording Engineer, StudioPersonnel - Jonathan Allen, Recording Engineer, StudioPersonnel - ELLIOT SCHEINER, Mixer, StudioPersonnel - Sting, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - DOMINIC MILLER, Guitar, AssociatedPerformer - ROB MATHES, Producer - Ira Coleman, Double Bass, AssociatedPerformer - Steven Mercurio, Conductor - Royal Philharmonic Concert Orchestra, Orchestra - David Hartley, Recording Arranger, AssociatedPerformer - Jo Lawry, Background Vocalist, AssociatedPerformer - David Cossin, Percussion, AssociatedPerformer

℗ 2010 UMG Recordings, Inc.

5
You Will Be My Ain True Love
00:03:43

Lewis Jones, Asst. Recording Engineer, StudioPersonnel - Jonathan Allen, Recording Engineer, StudioPersonnel - ELLIOT SCHEINER, Mixer, StudioPersonnel - Sting, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - DOMINIC MILLER, Guitar, AssociatedPerformer - ROB MATHES, Producer - Ira Coleman, Double Bass, AssociatedPerformer - Steven Mercurio, Conductor, Recording Arranger, AssociatedPerformer - Royal Philharmonic Concert Orchestra, Orchestra - Jo Lawry, Background Vocalist, AssociatedPerformer - David Cossin, Percussion, AssociatedPerformer

℗ 2010 UMG Recordings, Inc.

6
Roxanne
00:03:36

Lewis Jones, Asst. Recording Engineer, StudioPersonnel - Jonathan Allen, Recording Engineer, StudioPersonnel - ELLIOT SCHEINER, Mixer, Recording Engineer, StudioPersonnel - Sting, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - ROB MATHES, Conductor, Producer, Piano, Recording Arranger, AssociatedPerformer - David Finck, Double Bass, AssociatedPerformer - Alex Venguer, Recording Engineer, StudioPersonnel - The London Players, Orchestra - Jo Lawry, Background Vocalist, AssociatedPerformer - David Cossin, Percussion, AssociatedPerformer

℗ 2010 UMG Recordings, Inc.

7
When We Dance
00:05:27

Lewis Jones, Asst. Recording Engineer, StudioPersonnel - Jonathan Allen, Recording Engineer, StudioPersonnel - ELLIOT SCHEINER, Mixer, StudioPersonnel - Sting, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - DOMINIC MILLER, Guitar, AssociatedPerformer - ROB MATHES, Producer - Ira Coleman, Double Bass, AssociatedPerformer - Steven Mercurio, Conductor, Recording Arranger, AssociatedPerformer - Royal Philharmonic Concert Orchestra, Orchestra - Jo Lawry, Background Vocalist, AssociatedPerformer - David Cossin, Percussion, AssociatedPerformer

℗ 2010 UMG Recordings, Inc.

8
The End Of The Game
00:06:06

Lewis Jones, Asst. Recording Engineer, StudioPersonnel - Jonathan Allen, Recording Engineer, StudioPersonnel - ELLIOT SCHEINER, Mixer, StudioPersonnel - Sting, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - DOMINIC MILLER, Guitar, AssociatedPerformer - ROB MATHES, Producer, Recording Arranger, AssociatedPerformer - Ira Coleman, Double Bass, AssociatedPerformer - Steven Mercurio, Conductor - Royal Philharmonic Concert Orchestra, Orchestra - Jo Lawry, Background Vocalist, AssociatedPerformer - David Cossin, Percussion, AssociatedPerformer

℗ 2010 UMG Recordings, Inc.

9
I Burn For You
00:04:02

ELLIOT SCHEINER, Recording Engineer, StudioPersonnel - Sting, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - ROB MATHES, Conductor, Producer, Recording Arranger, AssociatedPerformer - Steve Genewick, Recording Engineer, StudioPersonnel - Ben Wittman, Programming, AssociatedPerformer - Joe Bonadio, Percussion, AssociatedPerformer - New York Chamber Consort, Chamber Ensemble, AssociatedPerformer - Tim Mitchell, Asst. Recording Engineer, StudioPersonnel - Jo Lawry, Background Vocalist, AssociatedPerformer - David Cossin, Percussion, AssociatedPerformer

℗ 2010 UMG Recordings, Inc.

10
We Work The Black Seam
00:07:18

Jeff Nelson, Bass Trombone, AssociatedPerformer - Sting, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - ROB MATHES, Conductor, Producer, Recording Arranger, AssociatedPerformer - Steve Genewick, Recording Engineer, StudioPersonnel - Joe Bonadio, Percussion, AssociatedPerformer - Marcus Rojas, Tuba, AssociatedPerformer - Birch Johnson, Trombone, AssociatedPerformer - David Peel, French Horn, AssociatedPerformer - Alex Venguer, Recording Engineer, StudioPersonnel - Jeff Kievit, Trumpet, AssociatedPerformer - Jim Hynes, Trumpet, AssociatedPerformer - Dick Clark, Trombone, AssociatedPerformer - Dylan Schwab, Trumpet, AssociatedPerformer - Theo Primus, French Horn, AssociatedPerformer - James Delagarza, Trumpet, AssociatedPerformer - Larry DiBello, French Horn, AssociatedPerformer - Chad Yarborough, French Horn, AssociatedPerformer

℗ 2010 UMG Recordings, Inc.

11
She's Too Good For Me
00:03:02

ELLIOT SCHEINER, Recording Engineer, StudioPersonnel - Sting, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - DOMINIC MILLER, Electric Guitar, AssociatedPerformer - ROB MATHES, Conductor, Producer, Recording Arranger, AssociatedPerformer - Claudius Mittendorfer, Mixer, StudioPersonnel - Joe Bonadio, Percussion, AssociatedPerformer - New York Chamber Consort, Chamber Ensemble, AssociatedPerformer - Tim Mitchell, Asst. Recording Engineer, StudioPersonnel - Jo Lawry, Background Vocalist, AssociatedPerformer

℗ 2010 UMG Recordings, Inc.

12
The Pirate's Bride
00:05:02

ELLIOT SCHEINER, Recording Engineer, StudioPersonnel - Sting, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - ROB MATHES, Conductor, Producer, Recording Arranger, AssociatedPerformer - Ed Cherney, Mixer, StudioPersonnel - Steve Genewick, Recording Engineer, StudioPersonnel - Joe Bonadio, Percussion, AssociatedPerformer - New York Chamber Consort, Chamber Ensemble, AssociatedPerformer - Tim Mitchell, Asst. Recording Engineer, StudioPersonnel - Jo Lawry, Background Vocalist, AssociatedPerformer

℗ 2010 UMG Recordings, Inc.

13
Why Should I Cry For You?
00:05:46

Lewis Jones, Asst. Recording Engineer, StudioPersonnel - Jonathan Allen, Recording Engineer, StudioPersonnel - Sting, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - DOMINIC MILLER, Guitar, AssociatedPerformer - ROB MATHES, Producer, Recording Arranger, AssociatedPerformer - Ed Cherney, Mixer, StudioPersonnel - Ira Coleman, Double Bass, AssociatedPerformer - Steven Mercurio, Conductor - Royal Philharmonic Concert Orchestra, Orchestra - Jo Lawry, Background Vocalist, AssociatedPerformer - David Cossin, Percussion, AssociatedPerformer

℗ 2010 UMG Recordings, Inc.

Albumbeschreibung

Given Sting’s far-reaching ambition and interests, it was merely a matter of time before he recorded an orchestral album, but 2010’s Symphonicities surprises by offering symphonic arrangements of his older songs instead of a new work. This is a canny move, for the common complaint lodged against rock-classical crossovers is against the quality of the material -- think Paul McCartney or Billy Joel -- a criticism that can’t be leveled here, as this is a selection of some of Sting’s best songs. By relying on his catalog, Sting wound up with an album that is pop, not classical, in structure, but the sound of Symphonicities is surely symphonic, with “Next to You” driven by sawing strings instead of buzzing guitars. Occasionally, this changes the impact of a song, but rarely does it alter its intent; indeed, there are a handful of tunes, like “Englishman in New York” and “When We Dance,” that feel unaltered in this larger setting. Naturally, it’s the Police songs that are changed most -- “Every Little Thing She Does Is Magic” bears a sprightly yet dreamy arrangement, “Roxanne” trades its reggae rhythm for a languid, seductive lilt -- and it’s also on these familiar songs where Sting’s engagement is palpable. He may not be radically reinventing these songs, but he’s certainly reinvigorated by this lush setting, and this energy prevents Symphonicities from falling into pretentious traps; it’s lively and fun, and it’s Sting’s most satisfying record in a long time.
© TiVo

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