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Wet Wet Wet|High On The Happy Side

High On The Happy Side

Wet Wet Wet

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By the time High on the Happy Side was released, Wet Wet Wet had realized that their true strength lay in making soul-pop ballads. As a result, this album is more a return to their soul roots than an extension of the pop of Holding Back the River. This is not a perfect album by any means. The songwriting is flimsy, even by Wet Wet Wet's standards, and there are a number of tracks here that descend too far into syrupy ballad territory (especially the most successful single from the disc, "Goodnight Girl"). However, there are a number of surprises here. More than on previous outings, the band has let vocal harmonies come to the fore with great effect, although there is still no doubt that Marti Pellow's voice is the main focus. The other notable change here is that the synthesizers that were an integral part of their sound have largely been replaced, even to the point of the inclusion of acoustic songs. Again, this is a successful step forward for the band. There are fewer "rock" tracks here, with the band preferring to stick to the slow-paced pop of "Put the Light On" and "Make It Tonight." While this will undoubtedly make the album palatable to fewer listeners, there is still enough variation to show that, amazingly, a band like Wet Wet Wet can actually make their sound evolve. One of their better and more interesting albums.

© Jonathan Lewis /TiVo

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High On The Happy Side

Wet Wet Wet

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1
More Than Love (Album Version)
00:04:26

Ian Morrow, Programming, AssociatedPerformer - Wet Wet Wet, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Marti Pellow, ComposerLyricist - Tommy Cunningham, ComposerLyricist - Graeme Clark, ComposerLyricist - Neil Mitchell, ComposerLyricist - Eric Westfall, Mixer, StudioPersonnel

℗ 1991 Mercury Records Limited

2
Lip Service (Album Version)
00:04:59

Wet Wet Wet, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Marti Pellow, ComposerLyricist - Tommy Cunningham, ComposerLyricist - Graeme Clark, ComposerLyricist - Neil Mitchell, ComposerLyricist - Paula Jones, Mixer, StudioPersonnel - Axel Kröll, Producer, Additional Producer

℗ 1991 Mercury Records Limited

3
Put The Light On (Album Version)
00:03:59

Wet Wet Wet, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Marti Pellow, ComposerLyricist - Tommy Cunningham, ComposerLyricist - Graeme Clark, ComposerLyricist - Neil Mitchell, ComposerLyricist - Eric Westfall, Mixer, StudioPersonnel

℗ 1991 Mercury Records Limited

4
High On The Happy Side
00:04:39

Wet Wet Wet, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Marti Pellow, ComposerLyricist - Tommy Cunningham, ComposerLyricist - Graeme Clark, ComposerLyricist - Neil Mitchell, ComposerLyricist - Eric Westfall, Mixer, StudioPersonnel - Axel Kröll, Producer, Co-Producer

℗ 1991 Mercury Records Limited

5
Maybe Tomorrow
00:04:20

Wet Wet Wet, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Marti Pellow, ComposerLyricist - Tommy Cunningham, ComposerLyricist - Graeme Clark, ComposerLyricist - Neil Mitchell, ComposerLyricist - Eric Westfall, Mixer, StudioPersonnel - Axel Kröll, Producer, Co-Producer

℗ 1991 Mercury Records Limited

6
Goodnight Girl (Album Version)
00:03:41

Ian Morrow, Programming, AssociatedPerformer - Graeme Duffin, Guitar, AssociatedPerformer - Wet Wet Wet, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Marti Pellow, Vocalist, AssociatedPerformer, ComposerLyricist - Tommy Cunningham, Drums, AssociatedPerformer, ComposerLyricist - Graeme Clark, Bass Guitar, AssociatedPerformer, ComposerLyricist - Neil Mitchell, Keyboards, AssociatedPerformer, ComposerLyricist - Fiachra Terence W. Trench, String Arranger, AssociatedPerformer - Eric Westfall, Mixer, StudioPersonnel

℗ 1991 Mercury Records Limited

7
Celebration
00:02:51

Wet Wet Wet, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Marti Pellow, ComposerLyricist - Tommy Cunningham, ComposerLyricist - Graeme Clark, ComposerLyricist - Neil Mitchell, ComposerLyricist - Eric Westfall, Mixer, StudioPersonnel

℗ 1991 Mercury Records Limited

8
Make It Tonight (Album Version)
00:04:06

Wet Wet Wet, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Marti Pellow, ComposerLyricist - Tommy Cunningham, ComposerLyricist - Graeme Clark, ComposerLyricist - Neil Mitchell, ComposerLyricist - Matthew Kemp, Mixer, StudioPersonnel

℗ 1991 Mercury Records Limited

9
How Long
00:04:16

Albhy Galuten, Producer - Wet Wet Wet, Recording Arranger, MainArtist, AssociatedPerformer - Marti Pellow, ComposerLyricist - Tommy Cunningham, ComposerLyricist - Graeme Clark, ComposerLyricist - Neil Mitchell, ComposerLyricist - Eric "E.T." Thorngren, Mixer, StudioPersonnel

℗ 1991 Mercury Records Limited

10
Brand New Sunrise
00:03:01

Wet Wet Wet, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Marti Pellow, ComposerLyricist - Tommy Cunningham, ComposerLyricist - Graeme Clark, ComposerLyricist - Neil Mitchell, ComposerLyricist - Eric Westfall, Mixer, StudioPersonnel

℗ 1991 Mercury Records Limited

11
2 Days After Midnite
00:05:05

Wet Wet Wet, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Marti Pellow, ComposerLyricist - Tommy Cunningham, ComposerLyricist - Graeme Clark, ComposerLyricist - Neil Mitchell, ComposerLyricist - Eric Westfall, Mixer, StudioPersonnel

℗ 1991 Mercury Records Limited

Albumbeschreibung

By the time High on the Happy Side was released, Wet Wet Wet had realized that their true strength lay in making soul-pop ballads. As a result, this album is more a return to their soul roots than an extension of the pop of Holding Back the River. This is not a perfect album by any means. The songwriting is flimsy, even by Wet Wet Wet's standards, and there are a number of tracks here that descend too far into syrupy ballad territory (especially the most successful single from the disc, "Goodnight Girl"). However, there are a number of surprises here. More than on previous outings, the band has let vocal harmonies come to the fore with great effect, although there is still no doubt that Marti Pellow's voice is the main focus. The other notable change here is that the synthesizers that were an integral part of their sound have largely been replaced, even to the point of the inclusion of acoustic songs. Again, this is a successful step forward for the band. There are fewer "rock" tracks here, with the band preferring to stick to the slow-paced pop of "Put the Light On" and "Make It Tonight." While this will undoubtedly make the album palatable to fewer listeners, there is still enough variation to show that, amazingly, a band like Wet Wet Wet can actually make their sound evolve. One of their better and more interesting albums.

© Jonathan Lewis /TiVo

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