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Cinquecento|Johannes de Cleve: Missa Rex Babylonis & Other Works

Johannes de Cleve: Missa Rex Babylonis & Other Works

Cinquecento

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When it comes to the third quarter of the 16th century, it was the radicals (Luca Marenzio and his still wilder followers) and the conservatives (Palestrina and the Spanish school) who have received most of the ink, grooves, and bytes. However, there were also composers who followed in the mainstream of Franco-Flemish music flowing from Josquin and, after him, Nicolas Gombert and Giaches de Wert (once dubbed the Ert Brothers). Unlike those composers, Johannes de Cleve worked in Vienna, as evidenced by a German-language motet heard here. He was preceded by the similarly unknown Jacobus Vaet, whose motet Rex Babylonis he subjected to parody mass treatment: elaboration of the full sonorities of a model composition, not just a single cantus firmus line. Vaet's motet is included here, which is desirable, but it is placed at the end (less desirably). It's a dense piece in the Gombert mold, consisting of points of imitation with few holes, and when de Cleve elaborates it, the result is a very complex texture indeed, which makes it all the more affecting when de Cleve drops in a sparse and absolutely lovely Incarnatus and Crucifixus. The mass is the highlight here, but the motets, big two-section works, are all interesting polyphonic essays in which one can hear the influence of the Italian progressives in some pungent dissonances. The small vocal group Cinquecento specializes in this repertory; the one-voice-per-part performance is not ideal, but the individual singers are beautiful, and the group deserves credit for pulling this fine work off the scrap heap of history.

© TiVo

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Johannes de Cleve: Missa Rex Babylonis & Other Works

Cinquecento

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1
Carole qui veniens: I. Carole qui veniens a Caesare
00:02:25

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

2
Carole qui veniens: II. En tibi gratantes
00:03:09

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

3
Missa Rex Babylonis: Ia. Kyrie I
00:01:19

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

4
Missa Rex Babylonis: Ib. Christe
00:01:16

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

5
Missa Rex Babylonis: Ic. Kyrie II
00:01:45

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

6
Missa Rex Babylonis: IIa. Gloria in excelsis Deo
00:03:35

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

7
Missa Rex Babylonis: IIb. Qui tollis peccata mundi, miserere
00:03:18

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

8
Missa Rex Babylonis: IIIa. Credo in unum Deum
00:02:55

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

9
Missa Rex Babylonis: IIIb. Et incarnatus est
00:01:12

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

10
Missa Rex Babylonis: IIIc. Crucifixus
00:00:47

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

11
Missa Rex Babylonis: IIId. Et resurrexit tertia die
00:01:46

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

12
Missa Rex Babylonis: IIIe. Et iterum venturus est
00:04:55

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

13
Missa Rex Babylonis: IVa. Sanctus
00:01:34

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

14
Missa Rex Babylonis: IVb. Osanna I
00:01:07

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

15
Missa Rex Babylonis: Va. Benedictus
00:01:32

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

16
Missa Rex Babylonis: Vb. Osanna II
00:01:01

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

17
Missa Rex Babylonis: VIa. Agnus Dei I
00:02:24

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

18
Missa Rex Babylonis: VIb. Agnus Dei II
00:02:29

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

19
Es wel uns Gott genedig sein
00:02:38

Martin Luther, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

20
Laudate Dominum: I. Laudate Dominum omnes gentes
00:02:27

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

21
Laudate Dominum: II. Gloria Patri, et Filio
00:02:08

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

22
Timete Dominum: I. Timete Dominum omnes sancti eius
00:02:04

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

23
Timete Dominum: II. Divites eguerunt et esurierunt
00:02:38

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

24
Credo quod redemptor: I. Credo quod redemptor meus vivit
00:04:44

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

25
Credo quod redemptor: II. Reposita est haec spes mea
00:01:11

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

26
Carole cui nomen
00:05:19

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Johannes de Cleve, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

27
Rex Babylonis: I. Rex Babylonis venit ad lacum
00:04:24

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

28
Rex Babylonis: II. Tunc Rex ait
00:04:49

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2020 Hyperion Records Limited

Chronique

When it comes to the third quarter of the 16th century, it was the radicals (Luca Marenzio and his still wilder followers) and the conservatives (Palestrina and the Spanish school) who have received most of the ink, grooves, and bytes. However, there were also composers who followed in the mainstream of Franco-Flemish music flowing from Josquin and, after him, Nicolas Gombert and Giaches de Wert (once dubbed the Ert Brothers). Unlike those composers, Johannes de Cleve worked in Vienna, as evidenced by a German-language motet heard here. He was preceded by the similarly unknown Jacobus Vaet, whose motet Rex Babylonis he subjected to parody mass treatment: elaboration of the full sonorities of a model composition, not just a single cantus firmus line. Vaet's motet is included here, which is desirable, but it is placed at the end (less desirably). It's a dense piece in the Gombert mold, consisting of points of imitation with few holes, and when de Cleve elaborates it, the result is a very complex texture indeed, which makes it all the more affecting when de Cleve drops in a sparse and absolutely lovely Incarnatus and Crucifixus. The mass is the highlight here, but the motets, big two-section works, are all interesting polyphonic essays in which one can hear the influence of the Italian progressives in some pungent dissonances. The small vocal group Cinquecento specializes in this repertory; the one-voice-per-part performance is not ideal, but the individual singers are beautiful, and the group deserves credit for pulling this fine work off the scrap heap of history.

© TiVo

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