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Cinquecento|Isaac: Missa Wohlauff gut Gsell von hinnen & Other Works

Isaac: Missa Wohlauff gut Gsell von hinnen & Other Works

Cinquecento

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The music of Heinrich Isaac is much less well known than that of his contemporary Josquin Desprez, although, in his day, he was very highly regarded and had no trouble lining up job offers when the fundamentalist Savonarola put the brakes on Florence's flourishing music scene. He was extraordinarily prolific, and it's possible that the lack of exposure of his music is the result of performers simply not knowing where to start. Consider this release from the group Cinquecento, featuring the Missa Wohlauff gut Gsell von hinnen. This mass is based on a popular song that was also known in French as Comment peult avoir joye and set as a polyphonic chanson by Josquin; that piece is also included here. Isaac subjects it to an exceptionally complex atomization, breaking the mass up into small sections that each treats a small fragment of aspect of the song, many in scoring reduced from the full six-part complement. It's a bravura piece of writing that makes one understand why Anton Webern was fascinated by this composer, yet the tunefulness of the basic material pervades the mass and makes it attractive listening for anybody. The question for some listeners will be the madrigalistic, one-voice-per-part treatment here of music that was manifestly choral, but those willing to accept this leap will find a strong performance, with an international group of singers contributing varied vocal timbres, and an excellent sound environment from an Austrian monastery. The program is filled out by a group of Isaac motets that suggest other forms of the composer's mastery; for a wonderful piece in the somber Josquin mode, listen to the motet Parce, Domine, populo tuo. It is to be hoped that this release stimulates a new Isaac "Renaissance." Extra points to Hyperion for the truly striking Albrecht Altdorfer cover art.

© TiVo

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Isaac: Missa Wohlauff gut Gsell von hinnen & Other Works

Cinquecento

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1
Missa Wohlauff gut Gsell von hinnen: Ia. Kyrie I
00:01:11

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jan Petryka, Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

2
Missa Wohlauff gut Gsell von hinnen: Ib. Christe
00:02:36

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

3
Missa Wohlauff gut Gsell von hinnen: Ic. Kyrie II
00:01:18

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jan Petryka, Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

4
Missa Wohlauff gut Gsell von hinnen: IIa. Gloria in excelsis Deo
00:01:08

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

5
Missa Wohlauff gut Gsell von hinnen: IIb. Gratias agimus tibi
00:02:02

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jan Petryka, Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

6
Missa Wohlauff gut Gsell von hinnen: IIc. Qui tollis peccata mundi, miserere
00:02:32

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tim Scott Whiteley, Baritone, AssociatedPerformer - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

7
Missa Wohlauff gut Gsell von hinnen: IId. Qui sedes ad dexteram Patris
00:02:48

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jan Petryka, Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

8
Missa Wohlauff gut Gsell von hinnen: IIIa. Credo in unum Deum
00:01:26

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jan Petryka, Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2021 Hyperion Records Limited

9
Missa Wohlauff gut Gsell von hinnen: IIIb. Deum de Deo
00:02:36

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jan Petryka, Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

10
Missa Wohlauff gut Gsell von hinnen: IIIc. Crucifixus
00:01:56

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

11
Missa Wohlauff gut Gsell von hinnen: IIId. Et in Spiritum Sanctum
00:02:18

Anonymous, Author - Heinrich Isaac, Composer - Jan Petryka, Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

12
Missa Wohlauff gut Gsell von hinnen: IIIe. Confiteor unum baptisma
00:01:15

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jan Petryka, Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

13
Missa Wohlauff gut Gsell von hinnen: IVa. Sanctus
00:02:13

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jan Petryka, Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

14
Missa Wohlauff gut Gsell von hinnen: IVb. Pleni sunt caeli
00:01:49

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

15
Missa Wohlauff gut Gsell von hinnen: IVc. Osanna I
00:01:56

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jan Petryka, Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

16
Missa Wohlauff gut Gsell von hinnen: Va. Benedictus
00:02:32

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer

℗ 2021 Hyperion Records Limited

17
Missa Wohlauff gut Gsell von hinnen: Vb. Qui venit
00:01:58

Anonymous, Author - Heinrich Isaac, Composer - Jan Petryka, Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

18
Missa Wohlauff gut Gsell von hinnen: Vc. Osanna II
00:01:07

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jan Petryka, Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

19
Missa Wohlauff gut Gsell von hinnen: VIa. Agnus Dei I
00:01:47

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

20
Missa Wohlauff gut Gsell von hinnen: VIb. Agnus Dei II
00:02:47

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jan Petryka, Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

21
Missa Wohlauff gut Gsell von hinnen: VIc. Agnus Dei III
00:01:57

Anonymous, Author - Heinrich Isaac, Composer - Jan Petryka, Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

22
Comment peult avoir joye?
00:02:14

Anonymous, Author - Josquin des Prez, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2021 Hyperion Records Limited

23
Recordare, Jesu Christe
00:04:45

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

24
Quis dabit pacem populo timenti?: I. Quis dabit pacem populo timenti?
00:03:03

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

25
Quis dabit pacem populo timenti?: II. Quam tuas laudes
00:00:53

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

26
Quis dabit pacem populo timenti?: III. Maxima Phoebi soboles
00:02:01

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

27
Sive vivamus, sive moriamur
00:02:41

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2021 Hyperion Records Limited

28
Parce, Domine, populo tuo
00:01:55

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

29
O decus ecclesiae: I. O decus ecclesiae
00:04:54

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

30
O decus ecclesiae: II. Te laudant omnes
00:07:19

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

31
Judaea et Jerusalem: I. Judaea et Jerusalem
00:01:28

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

32
Judaea et Jerusalem: II. Cras egrediemini
00:02:14

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

33
Judaea et Jerusalem: III. Constantes estote
00:03:06

Anonymous, Author - Heinrich Isaac, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Achim Schulz, Tenor, AssociatedPerformer

℗ 2021 Hyperion Records Limited

Chronique

The music of Heinrich Isaac is much less well known than that of his contemporary Josquin Desprez, although, in his day, he was very highly regarded and had no trouble lining up job offers when the fundamentalist Savonarola put the brakes on Florence's flourishing music scene. He was extraordinarily prolific, and it's possible that the lack of exposure of his music is the result of performers simply not knowing where to start. Consider this release from the group Cinquecento, featuring the Missa Wohlauff gut Gsell von hinnen. This mass is based on a popular song that was also known in French as Comment peult avoir joye and set as a polyphonic chanson by Josquin; that piece is also included here. Isaac subjects it to an exceptionally complex atomization, breaking the mass up into small sections that each treats a small fragment of aspect of the song, many in scoring reduced from the full six-part complement. It's a bravura piece of writing that makes one understand why Anton Webern was fascinated by this composer, yet the tunefulness of the basic material pervades the mass and makes it attractive listening for anybody. The question for some listeners will be the madrigalistic, one-voice-per-part treatment here of music that was manifestly choral, but those willing to accept this leap will find a strong performance, with an international group of singers contributing varied vocal timbres, and an excellent sound environment from an Austrian monastery. The program is filled out by a group of Isaac motets that suggest other forms of the composer's mastery; for a wonderful piece in the somber Josquin mode, listen to the motet Parce, Domine, populo tuo. It is to be hoped that this release stimulates a new Isaac "Renaissance." Extra points to Hyperion for the truly striking Albrecht Altdorfer cover art.

© TiVo

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