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Ton Koopman|Buxtehude: Opera Omnia VIII - Organ Works III

Buxtehude: Opera Omnia VIII - Organ Works III

Ton Koopman

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Langue disponible : anglais

Ton Koopman's ongoing series of Buxtehude's complete works, with the organ music played by the master himself, continues to be a pleasure for the general listener as well as an entry in specialist discussions in issues of Buxtehude performance. Koopman's program is performed on an organ in the Jacobi Church in Hamburg, probably the nearest thing to an authentic instrument, for the organs used by Buxtehude himself at points farther north have been lost. It's an agile, colorful instrument, bright rather than massive, with sharp contrasts among its quite various registers. Annotator Christoph Wolff, who has a rare talent among musicologists for making unfamiliar material come alive for the general listeners, stresses the improvisatory roots of Buxtehude's keyboard style. The music sounds somewhat like Bach and can be made to sound a lot like Bach by performers who are reasoning from what came next. Koopman avoids this. You can compare his lively, somewhat fantastic reading of the the Praeludium in C major, BuxWV 137, a big piece that has been played by organists since E. Power Biggs, with other versions to get an idea of the flavor of his playing. Then go on to the rest of the album, which is consistently engaging in its lightness and colorful contrasts, with startling effects in the preludes and quietly lyrical chorale pieces and contrapuntal works. The organ is recorded with absolute clarity. Recommended for those following Koopman's series, and indeed for those looking for a place to start with it.
© TiVo

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Buxtehude: Opera Omnia VIII - Organ Works III

Ton Koopman

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Praeludium In G, BuxWV 149 (Dieterich Buxtehude)

1
Praeludium In G, BuxWV 149
00:07:02

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Auf meinen lieben Gott, BuxWV 179 (Dieterich Buxtehude)

2
Auf meinen lieben Gott, BuxWV 179
00:03:58

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Canzonetta in A, BuxWV 179 (Dieterich Buxtehude)

3
Canzonetta in A, BuxWV 179
00:01:56

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Praeludium in D, BuxWV 140 (Dieterich Buxtehude)

4
Praeludium in D, BuxWV 140
00:05:16

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Erhalt uns Herr bei deinem Wort, BuxWV 185 (Dieterich Buxtehude)

5
Erhalt uns Herr bei deinem Wort, BuxWV 185
00:01:29

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Ciacona in C, BuxWV 159 (Dieterich Buxtehude)

6
Ciacona in C, BuxWV 159
00:05:31

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Praeludium in G, BuxWV 148 (Dieterich Buxtehude)

7
Praeludium in G, BuxWV 148
00:05:45

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Es spricht der Unweisen Mund wohl, BuxWV 187 (Dieterich Buxtehude)

8
Es spricht der Unweisen Mund wohl, BuxWV 187
00:02:46

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Fuga in B, BuxWV 176 (Dieterich Buxtehude)

9
Fuga in B, BuxWV 176
00:04:03

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Praeludium in F, BuxWV 145 (Dieterich Buxtehude)

10
Praeludium in F, BuxWV 145
00:05:49

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Durch Adams Fall ist ganz verderbt, BuxWV 183 (Dieterich Buxtehude)

11
Durch Adams Fall ist ganz verderbt, BuxWV 183
00:02:45

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Nun lob mein Seel' den Herren, BuxWV 214/215/213 (Dieterich Buxtehude)

12
Nun lob mein Seel' den Herren, BuxWV 214/215/213
00:09:18

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Praeludium in C, BuxWV 137 (Dieterich Buxtehude)

13
Praeludium in C, BuxWV 137
00:04:28

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Her Jesu Christ, ich weiß gar wohl, BuxWV 193 (Dieterich Buxtehude)

14
Her Jesu Christ, ich weiß gar wohl, BuxWV 193
00:02:46

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Komm, heiliger Geist, Herre Gott, BuxWV 200 (Dieterich Buxtehude)

15
Komm, heiliger Geist, Herre Gott, BuxWV 200
00:03:20

Ton Koopman, MainArtist - Dieterich Buxtehude, Composer

(C) 2008 Challenge Classics (P) 2008 Challenge Classics

Chronique

Ton Koopman's ongoing series of Buxtehude's complete works, with the organ music played by the master himself, continues to be a pleasure for the general listener as well as an entry in specialist discussions in issues of Buxtehude performance. Koopman's program is performed on an organ in the Jacobi Church in Hamburg, probably the nearest thing to an authentic instrument, for the organs used by Buxtehude himself at points farther north have been lost. It's an agile, colorful instrument, bright rather than massive, with sharp contrasts among its quite various registers. Annotator Christoph Wolff, who has a rare talent among musicologists for making unfamiliar material come alive for the general listeners, stresses the improvisatory roots of Buxtehude's keyboard style. The music sounds somewhat like Bach and can be made to sound a lot like Bach by performers who are reasoning from what came next. Koopman avoids this. You can compare his lively, somewhat fantastic reading of the the Praeludium in C major, BuxWV 137, a big piece that has been played by organists since E. Power Biggs, with other versions to get an idea of the flavor of his playing. Then go on to the rest of the album, which is consistently engaging in its lightness and colorful contrasts, with startling effects in the preludes and quietly lyrical chorale pieces and contrapuntal works. The organ is recorded with absolute clarity. Recommended for those following Koopman's series, and indeed for those looking for a place to start with it.
© TiVo

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