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Ton Koopman|Five Great Suites for Harpsichord (London, 1720)

Five Great Suites for Harpsichord (London, 1720)

Ton Koopman

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Langue disponible : anglais

George Frideric Handel made a name for himself as a brilliant organist and harpsichordist early on in his career. As a young man, he travelled from Germany to Italy in 1707. We do not know exactly how much or what Handel composed for harpsichord while in Italy, but we know more starting from the time he settled in England. Handel composed all sorts of works for harpsichord in England. In November 1720, he published the Suites de Pièces pour le Clavecin, now known as the "Eight Great Suites", his most important work for harpsichord.

The spectacular Eight Great Suites show Handel the harpsichordist at his best. The suites are made up not only of newly composed movements, but also of improved versions of pieces he had written before and of harpsichord arrangements of his own compositions for other instruments. One theme central to interpreting Handel’s works for harpsichord (and the rest of his œuvre, for that matter) is what to do with the dotted rhythms. In Handel’s music, we regularly see a theme appearing in different rhythmic variants - sometimes dotted, sometimes not, or only partially, dotted. The question, therefore, is whether to perform these rhythms uniformly throughout the piece or to play them as they were written out in each instance by the composer. Koopmans has in large part chosen the latter. © Challenge Records

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Five Great Suites for Harpsichord (London, 1720)

Ton Koopman

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1
Suite No. 3 in D Minor - HWV 428: Prelude (Presto)
00:01:05

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

2
Suite No. 3 in D Minor - HWV 428: Allegro
00:03:05

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

3
Suite No. 3 in D Minor - HWV 428: Allemande
00:02:47

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

4
Suite No. 3 in D Minor - HWV 428: Courante
00:02:00

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

5
Suite No. 3 in D Minor - HWV 428: Air - Double 1 - Double 2 - Double 3 - Double 4 - Double 5
00:08:18

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

6
Suite No. 3 in D Minor - HWV 428: Presto
00:04:14

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

7
Suite No. 2 in F Major - HWV 427: Adagio I
00:02:04

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

8
Suite No. 2 in F Major - HWV 427: Allegro I
00:02:11

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

9
Suite No. 2 in F Major - HWV 427: Adagio II
00:01:26

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

10
Suite No. 2 in F Major - HWV 427: Allegro II
00:02:38

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

11
Suite No. 8 in F Minor - HWV 433: Prelude (Adagio)
00:02:16

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

12
Suite No. 8 in F Minor - HWV 433: Allegro
00:02:44

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

13
Suite No. 8 in F Minor - HWV 433: Allemande
00:02:41

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

14
Suite No. 8 in F Minor - HWV 433: Courante
00:01:26

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

15
Suite No. 8 in F Minor - HWV 433: Gigue
00:01:56

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

16
Suite No. 5 in E Major - HWV 430: Prelude
00:01:55

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

17
Suite No. 5 in E Major - HWV 430: Allemande
00:03:27

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

18
Suite No. 5 in E Major - HWV 430: Courante
00:01:37

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

19
Suite No. 5 in E Major - HWV 430: Air - Double 1 - Double 2 - Double 3 - Double 4 - Double 5
00:04:55

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

20
Suite No. 7 in G Minor - HWV 432: Ouverture (Largo - Presto - Lentement)
00:04:04

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

21
Suite No. 7 in G Minor - HWV 432: Andante
00:02:03

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

22
Suite No. 7 in G Minor - HWV 432: Allegro
00:01:44

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

23
Suite No. 7 in G Minor - HWV 432: Sarabande
00:02:28

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

24
Suite No. 7 in G Minor - HWV 432: Gigue
00:01:32

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

25
Suite No. 7 in G Minor - HWV 432: Passacaille
00:02:36

Ton Koopman, MainArtist - Georg Friedrich Händel, Composer

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

Chronique

George Frideric Handel made a name for himself as a brilliant organist and harpsichordist early on in his career. As a young man, he travelled from Germany to Italy in 1707. We do not know exactly how much or what Handel composed for harpsichord while in Italy, but we know more starting from the time he settled in England. Handel composed all sorts of works for harpsichord in England. In November 1720, he published the Suites de Pièces pour le Clavecin, now known as the "Eight Great Suites", his most important work for harpsichord.

The spectacular Eight Great Suites show Handel the harpsichordist at his best. The suites are made up not only of newly composed movements, but also of improved versions of pieces he had written before and of harpsichord arrangements of his own compositions for other instruments. One theme central to interpreting Handel’s works for harpsichord (and the rest of his œuvre, for that matter) is what to do with the dotted rhythms. In Handel’s music, we regularly see a theme appearing in different rhythmic variants - sometimes dotted, sometimes not, or only partially, dotted. The question, therefore, is whether to perform these rhythms uniformly throughout the piece or to play them as they were written out in each instance by the composer. Koopmans has in large part chosen the latter. © Challenge Records

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(C) 2022 Challenge Classics (P) 2022 Challenge Classics

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