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Pop - Uscito il 09 marzo 1993 | Virgin Catalog (V81)

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The cover indicates that Are You Gonna Go My Way is Lenny Kravitz's bid for rock stardom. Designed in the style of an early-'70s record, it features Kravitz in hippie clothing, apparently exposing himself to a photographer -- in other words, he's a dangerously sexy counterculture rebel. That may have been true in 1970, but in 1993, he simply sounds like a weird sideshow exhibit, the man who never lived past 1973. Of course, it's easy to make such potshots, but Kravitz opens himself up to such attacks. No other artist, especially a successful one, has been quite so devoted to the past and ignorant of the present. Since he has considerable talent for songcraft and production, Kravitz isn't nearly as bad as he could be, and Are You Gonna Go My Way is just as enjoyable and more accomplished than its predecessors. This time around, Hendrix is his chief influence, as evidenced by the roaring title track, and he does expand that with his traditional Lennon, Curtis Mayfield, and Prince obsessions. Song for song, it's his most consistent album, although by the end of the record, his painstaking reproduction of classic rock sounds begins to appear a bit too studied, suggesting that Kravitz may have hit a creative wall. Nevertheless, that does nothing to diminish the enjoyment of this record. © Stephen Thomas Erlewine /TiVo
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Rock - Uscito il 01 gennaio 1989 | Virgin Records

Riconoscimenti La discoteca ideale Qobuz
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Rock - Uscito il 01 gennaio 2000 | Virgin Records

Pubblicata per la prima volta nel 2000, la raccolta Greatest Hits offre un ottimo compendio del primo (e migliore) decennio della carriera di Lenny Kravitz. Include tutti i suoi grandi successi del periodo, come "Are You Gonna Go My Way" e "Let Love Rule", inoltre allo stupendo nuovo singolo "Again". © Stephen Thomas Erlewine /TiVo
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Rock - Uscito il 01 gennaio 1991 | Virgin Records

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Rock - Uscito il 07 settembre 2018 | BMG Rights Management (UK) Limited

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Il look non è cambiato. Nemmeno il cocktail di rock vintage, soul e funk. Eppure, Lenny Kravitz si aggiudica tutta quanta la posta ad ogni nuovo giro. L’undicesimo, autoprodotto, conferma il suo talento di compositore ma anche di musicista. Come sempre, il newyorkese convoca il retaggio dei suoi predecessori preferiti (Marvin Gaye, Prince, Curtis Mayfield, John Lennon, Bill Withers), assimilandolo pienamente per trasformarlo in vero e proprio Kravitz. Sia che si tratti di brani personali e molto introspettivi o apertamente impegnati che mettono in luce i mali del mondo, quelli del 2018 sanno destreggiarsi facilmente tra uppercut funky, inni da stadio e colonne sonore da dancefloor. E sul singolo Low, il nostro amico Lenny si avvale perfino di un celebre invitato (virtuale) di cui riconosciamo lo stridio: Michael Jackson! Niente di sorprendente ma sempre tanto efficace! Clotilde Maréchal/Qobuz
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5

Rock - Uscito il 01 gennaio 1999 | Virgin Records

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Rock - Uscito il 01 gennaio 2012 | Virgin Records

Libretto
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Rock - Uscito il 23 settembre 2014 | Roxie Records, Inc.

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Pop - Uscito il 01 gennaio 2004 | Virgin Records

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Rock - Uscito il 01 gennaio 2001 | Virgin Records

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Rock - Uscito il 01 settembre 1989 | Virgin Records

The title is a tip-off: Lenny Kravitz is a hippie, something that was commonplace 20 years before his debut, Let Love Rule, and was familiar five years later when he scaled the charts with Are You Gonna Go My Way, but was practically unheard of in 1989 when the Grateful Dead were reaping the benefits of hippies turning into establishment. Kravitz had yet to become a classic rock caricature and he could still surprise on this unformed, endearingly unwieldy first record, where he split the difference between John Lennon, Curtis Mayfield, David Bowie, and Prince, sometimes exhibiting too clear of a debt to his idols but more often getting by on a combination of chutzpah and pastiche, something that winds up as an enormously appealing guilty pleasure. Kravitz has a tendency to overreach lyrically, striving to speak deep truths about big themes from world peace to child abuse, but the winning thing about Let Love Rule is how it plays as sheer sound, evoking memories of the paisley-drenched '60s and the lush sounds of '70s soul, all filtered through the multicultural flowering of the late '80s. Remarkably for an album that's essentially the work of a one-man band, Let Love Rule never feels stiff or insular -- it feels roomy and open, testament to Kravitz's talents as a producer -- but the record remains one of his best because it also has one of his greatest collections of songs, chief among them the stately, psychedelic march of "I Build This Garden for Us," the hippie-funk of "Sittin' on Top of the World," the Hendrixian riffs of "Freedom Train," the urban groove of "Mr. Cab Driver," and the surging "Let Love Rule," songs that created Kravitz's sound and persona and remain among his most engaging work. © Stephen Thomas Erlewine /TiVo
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Pop - Uscito il 19 agosto 2011 | Atlantic Records - Roadrunner Records

Il nono album studio di Lenny Kravitz è il successore di It Is Time for a Love Revolution, del 2008. Per il suo tanto atteso album “funk”, in fase d'elaborazione da più di sette anni, il rocker scava a fondo negli anni '60 e '70 per produrre un lavoro che è senz'altro funky, ma che incorpora pure elementi del bubblegum pop e il suo consueto suono di chitarre di hard rock vecchia scuola. Kravitz si incarica anche della produzione e di suonare quasi tutti gli strumenti del disco, conferendogli così un sapore retro, caldo e analogico. © John D. Buchanan /TiVo
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Rock - Uscito il 01 gennaio 1995 | Virgin Records

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Pop - Uscito il 09 marzo 1993 | Virgin Catalog (V81)

Hi-Res Libretto
The cover indicates that Are You Gonna Go My Way is Lenny Kravitz's bid for rock stardom. Designed in the style of an early-'70s record, it features Kravitz in hippie clothing, apparently exposing himself to a photographer -- in other words, he's a dangerously sexy counterculture rebel. That may have been true in 1970, but in 1993, he simply sounds like a weird sideshow exhibit, the man who never lived past 1973. Of course, it's easy to make such potshots, but Kravitz opens himself up to such attacks. No other artist, especially a successful one, has been quite so devoted to the past and ignorant of the present. Since he has considerable talent for songcraft and production, Kravitz isn't nearly as bad as he could be, and Are You Gonna Go My Way is just as enjoyable and more accomplished than its predecessors. This time around, Hendrix is his chief influence, as evidenced by the roaring title track, and he does expand that with his traditional Lennon, Curtis Mayfield, and Prince obsessions. Song for song, it's his most consistent album, although by the end of the record, his painstaking reproduction of classic rock sounds begins to appear a bit too studied, suggesting that Kravitz may have hit a creative wall. Nevertheless, that does nothing to diminish the enjoyment of this record. © Stephen Thomas Erlewine /TiVo
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Pop - Uscito il 01 gennaio 2008 | Virgin Records

Libretto
La nuova ossessione di Lenny Kravitz con la schiera di chitarre di Jimmy Page rilancia la sua estetica troppo familiare, fornendogli un'altra tavolozza di colori per sguazzare attraverso le sue ricreazioni del passato. Questo nuovo strato di vernice aiuta It Is Time for a Love Revolution a sentirsi fresca, ma è anche utile che egli abbia scritto alcuni dei suoi migliori zibaldoni di rock classico con gli anni, canzoni alimentate da grandi motivetti musicali e armonie ancora più grandi. Come sculture sonore, essi sono dannatamente quasi irresistibili. Con il piacere del suono puro, It Is Time for a Love Revolution è una gloriosa festa dei paiceri del retro-rock -- una festa di calorie libere, forse, tuttavia talvolta il fast food è più gustoso di un pranzo di cinque portate. © Stephen Thomas Erlewine /TiVo
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Rock - Uscito il 24 giugno 2014 | Roxie Records, Inc.

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CD14,99 €

Rock - Uscito il 07 settembre 2018 | BMG Rights Management (UK) Limited

Il look non è cambiato. Nemmeno il cocktail di rock vintage, soul e funk. Eppure, Lenny Kravitz si aggiudica tutta quanta la posta ad ogni nuovo giro. L’undicesimo, autoprodotto, conferma il suo talento di compositore ma anche di musicista. Come sempre, il newyorkese convoca il retaggio dei suoi predecessori preferiti (Marvin Gaye, Prince, Curtis Mayfield, John Lennon, Bill Withers), assimilandolo pienamente per trasformarlo in vero e proprio Kravitz. Sia che si tratti di brani personali e molto introspettivi o apertamente impegnati che mettono in luce i mali del mondo, quelli del 2018 sanno destreggiarsi facilmente tra uppercut funky, inni da stadio e colonne sonore da dancefloor. E sul singolo Low, il nostro amico Lenny si avvale perfino di un celebre invitato (virtuale) di cui riconosciamo lo stridio: Michael Jackson! Niente di sorprendente ma sempre tanto efficace! Clotilde Maréchal/Qobuz
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CD2,29 €

Rock - Uscito il 25 maggio 2018 | BMG Rights Management (UK) Limited

A partire da:
CD21,99 €

Pop - Uscito il 01 gennaio 2013 | Virgin Catalog (V81)

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Rock - Uscito il 09 marzo 1993 | Virgin Records

The cover indicates that Are You Gonna Go My Way is Lenny Kravitz's bid for rock stardom. Designed in the style of an early-'70s record, it features Kravitz in hippie clothing, apparently exposing himself to a photographer -- in other words, he's a dangerously sexy counterculture rebel. That may have been true in 1970, but in 1993, he simply sounds like a weird sideshow exhibit, the man who never lived past 1973. Of course, it's easy to make such potshots, but Kravitz opens himself up to such attacks. No other artist, especially a successful one, has been quite so devoted to the past and ignorant of the present. Since he has considerable talent for songcraft and production, Kravitz isn't nearly as bad as he could be, and Are You Gonna Go My Way is just as enjoyable and more accomplished than its predecessors. This time around, Hendrix is his chief influence, as evidenced by the roaring title track, and he does expand that with his traditional Lennon, Curtis Mayfield, and Prince obsessions. Song for song, it's his most consistent album, although by the end of the record, his painstaking reproduction of classic rock sounds begins to appear a bit too studied, suggesting that Kravitz may have hit a creative wall. Nevertheless, that does nothing to diminish the enjoyment of this record. © Stephen Thomas Erlewine /TiVo