Franz Liszt
Liszt was the only contemporary whose music Richard Wagner gratefully acknowledged as an influence upon his own. His lasting fame was an alchemy of extraordinary digital ability -- the greatest in the history of keyboard playing -- an unmatched instinct for showmanship, and one of the most progressive musical imaginations of his time. Hailed by some as a visionary, reviled by others as a symbol of empty Romantic excess, Franz Liszt wrote his name across music history in a truly inimitable manner.
From his youth, Liszt demonstrated a natural facility at the keyboard that placed him among the top performing prodigies of his day. Though contemporary accounts describe his improvisational skill as dazzling, his talent as a composer emerged only in his adulthood. Still, he was at the age of eleven the youngest contributor to publisher Anton Diabelli's famous variation commissioning project, best remembered as the inspiration for Beethoven's final piano masterpiece. An oft-repeated anecdote -- first recounted by Liszt himself decades later, and possibly fanciful -- has Beethoven attending a recital given by the youngster and bestowing a kiss of benediction upon him.
Though already a veteran of the stage by his teens, Liszt recognized the necessity of further musical tuition. He studied for a time with Czerny and Salieri in Vienna, and later sought acceptance to the Paris Conservatory. When he was turned down there -- foreigners were not then admitted -- he instead studied privately with Anton Reicha. Ultimately, his Hungarian origins proved a great asset to his career, enhancing his aura of mystery and exoticism and inspiring an extensive body of works, none more famous than the Hungarian Rhapsodies (1846-1885).
Liszt soon became a prominent figure in Parisian society, his romantic entanglements providing much material for gossip. Still, not even the juiciest accounts of his amorous exploits could compete with the stories about his wizardry at the keyboard. Inspired by the superhuman technique -- and, indeed, diabolical stage presence -- of the violinist Paganini, Liszt set out to translate these qualities to the piano. As his career as a touring performer, conductor, and teacher burgeoned, he began to devote an increasing amount of time to composition. He wrote most of his hundreds of original piano works for his own use; accordingly, they are frequently characterized by technical demands that push performers -- and in Liszt's own day, the instrument itself -- to their limits. The "transcendence" of his Transcendental Etudes (1851), for example, is not a reference to the writings of Emerson and Thoreau, but an indication of the works' level of difficulty. Liszt was well into his thirties before he mastered the rudiments of orchestration -- works like the Piano Concerto No. 1 (1849) were orchestrated by talented students -- but made up for lost time in the production of two "literary" symphonies (Faust, 1854-1857, and Dante, 1855-1856) and a series of orchestral essays (including Les préludes, 1848-1854) that marks the genesis of the tone poem as a distinct genre.
After a lifetime of near-constant sensation, Liszt settled down somewhat in his later years. In his final decade he joined the Catholic Church and devoted much of his creative effort to the production of sacred works. The complexion of his music darkened; the flash that had characterized his previous efforts gave way to a peculiar introspection, manifested in strikingly original, forward-looking efforts like Nuages gris (1881). Liszt died in Bayreuth, Germany, on July 31, 1886, having outlived Wagner, his son-in-law and greatest creative beneficiary.
© TiVo
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Piano Works
Classica - Pubblicato da Pipeline Music il 7 giu 2006
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Liszt: 12 Études d'exécution transcendante
Classica - Pubblicato da Mezhdunarodnaya Kniga Musica il 1 gen 1989
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Ravel, Escaich, Liszt, Rachmaninoff & Ligeti: Works for Piano
Classica - Pubblicato da Claves Records il 30 giu 2017
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Piano Classics
Classica - Pubblicato da Heritage Records il 12 giu 2014
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Liszt: Grand Etude de Paganini No. 6 in A Minor, S. 141 (Digitally Remastered)
Classica - Pubblicato da EMG Classical il 3 set 2013
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Liszt: Piano Concerto No. 1, Hungarian Fantasy & Mephisto Waltz No. 1
Classica - Pubblicato da Everest Records il 2 ago 1960
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Romantic Piano
Frédéric Chopin, Franz Liszt, Felix Mendelssohn
Classica - Pubblicato da UME - Global Clearing House il 19 giu 2021
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Franz Liszt: Sonata in B Minor, S. 178 & Robert Schumann: Phantasie in C Major, Op. 17
Classica - Pubblicato da Tuxedo Music il 23 mag 2013
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Romantic dinner
Frédéric Chopin, Pyotr Illitch Tchaïkovski, Franz Liszt
Classica - Pubblicato da UME - Global Clearing House il 31 gen 2021
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Bohèmes
Isabel Villanueva, François Dumont
Classica - Pubblicato da IMM il 13 ott 2017
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Halloween At Home
Franz Liszt, Modeste Moussorgski, Antonín Dvořák
Classica - Pubblicato da UME - Global Clearing House il 19 ott 2020
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Lazar Berman plays Liszt
Classica - Pubblicato da UME - Global Clearing House il 12 gen 2023
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Elly Ney : The Complete Brunswick & Electrola Solo 78-RPM recordings
Classica - Pubblicato da APR il 7 giu 2019
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Grandi Pianisti Tamas Vasary
Tamás Vásáry, Franz Liszt, Frédéric Chopin
Classica - Pubblicato da UME - Global Clearing House il 11 giu 2021
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Liszt: Sonata in B Minor. Piano Pieces
Classica - Pubblicato da Mezhdunarodnaya Kniga Musica il 1 gen 1984
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Grandi Pianisti Jorge Bolet
Jorge Bolet, Franz Liszt, Serge Rachmaninoff
Classica - Pubblicato da UME - Global Clearing House il 7 mag 2021
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Liszt: The Art of Remembering
Classica - Pubblicato da Avie Records il 6 nov 2015
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Liszt: Piano Favourites
Classica - Pubblicato da CRD Records il 1 gen 1983
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A Romantic Melody
Johannes Brahms, Franz Liszt, Robert Schumann
Classica - Pubblicato da UME - Global Clearing House il 10 apr 2024
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Infinite Liszt
Classica - Pubblicato da UME - Global Clearing House il 11 lug 2020
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