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Miles Davis Quintet - Workin' With The Miles Davis Quintet

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Workin' With The Miles Davis Quintet

The Miles Davis Quintet, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones

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Workin' is the third in a series of four featuring the classic Miles Davis Quintet: Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), and Philly Joe Jones (drums). Like its predecessors Cookin' and Relaxin', Workin' is the product of not one -- as mythology would claim -- but two massively productive recording sessions in May and October of 1956, respectively. Contradicting the standard methodology of preparing fresh material for upcoming albums, Davis and company used their far more intimate knowledge of the tunes the quintet was performing live to inform their studio recordings. As was often the case with Davis, the antithesis of the norm is the rule. Armed with some staggering original compositions, pop standards, show tunes, and the occasional jazz cover, Workin' is the quintessence of group participation. Davis, as well as Coltrane, actually contributes compositions as well as mesmerizing performances to the album. The band's interaction on "Four" extends the assertion that suggests this quintet plays with the consistency of a single, albeit ten-armed, musician. One needs listen no further than the stream of solos from Davis, Coltrane, Garland, and Jones, with Paul Chambers chasing along with his rhythmic metronome. Beneath the smoldering bop of "Trane's Blues" are some challenging chord progressions that are tossed from musician to musician with deceptive ease. Chambers' solo stands as one of his defining contributions to this band. In sly acknowledgment to the live shows from which these studio recording sessions were inspired, Davis concludes both sets (read: album sides) with "The Theme" -- a brief and mostly improvised tune -- indicating to patrons that the tab must be settled. In this case, settling the tab might include checking out Steamin', the final Miles Davis Quintet recording to have been culled from these historic sessions. ~ Lindsay Planer

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Workin' With The Miles Davis Quintet

Miles Davis Quintet

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1
It Never Entered My Mind 00:05:25

Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - The Miles Davis Quintet, MainArtist

℗ 2016 Concord Music Group, Inc.

2
Four 00:07:15

Miles Davis, ComposerLyricist - The Miles Davis Quintet, MainArtist

℗ 2016 Concord Music Group, Inc.

3
In Your Own Sweet Way 00:05:45

Dave Brubeck, ComposerLyricist - The Miles Davis Quintet, MainArtist

℗ 2016 Concord Music Group, Inc.

4
The Theme 00:02:00

Miles Davis, ComposerLyricist - The Miles Davis Quintet, MainArtist

℗ 2016 Concord Music Group, Inc.

5
Trane's Blues 00:08:34

John Coltrane, ComposerLyricist - The Miles Davis Quintet, MainArtist

℗ 2016 Concord Music Group, Inc.

6
Ahmad's Blues 00:07:26

Ahmad Jamal, ComposerLyricist - The Miles Davis Quintet, MainArtist

℗ 2016 Concord Music Group, Inc.

7
Half Nelson 00:04:47

Miles Davis, ComposerLyricist - The Miles Davis Quintet, MainArtist

℗ 2016 Concord Music Group, Inc.

8
The Theme (Take 2) 00:01:02

Miles Davis, ComposerLyricist - The Miles Davis Quintet, MainArtist

℗ 2016 Concord Music Group, Inc.

Descrizione dell'album

Workin' is the third in a series of four featuring the classic Miles Davis Quintet: Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), and Philly Joe Jones (drums). Like its predecessors Cookin' and Relaxin', Workin' is the product of not one -- as mythology would claim -- but two massively productive recording sessions in May and October of 1956, respectively. Contradicting the standard methodology of preparing fresh material for upcoming albums, Davis and company used their far more intimate knowledge of the tunes the quintet was performing live to inform their studio recordings. As was often the case with Davis, the antithesis of the norm is the rule. Armed with some staggering original compositions, pop standards, show tunes, and the occasional jazz cover, Workin' is the quintessence of group participation. Davis, as well as Coltrane, actually contributes compositions as well as mesmerizing performances to the album. The band's interaction on "Four" extends the assertion that suggests this quintet plays with the consistency of a single, albeit ten-armed, musician. One needs listen no further than the stream of solos from Davis, Coltrane, Garland, and Jones, with Paul Chambers chasing along with his rhythmic metronome. Beneath the smoldering bop of "Trane's Blues" are some challenging chord progressions that are tossed from musician to musician with deceptive ease. Chambers' solo stands as one of his defining contributions to this band. In sly acknowledgment to the live shows from which these studio recording sessions were inspired, Davis concludes both sets (read: album sides) with "The Theme" -- a brief and mostly improvised tune -- indicating to patrons that the tab must be settled. In this case, settling the tab might include checking out Steamin', the final Miles Davis Quintet recording to have been culled from these historic sessions. ~ Lindsay Planer

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