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Rosanne Cash|SEVEN YEAR ACHE

SEVEN YEAR ACHE

Rosanne Cash

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Lingua disponibile: inglese

The bottom line is that Rosanne Cash's masterpiece Seven Year Ache paved the way for Garth Brooks, Shania Twain, Mary Chapin Carpenter, Shawn Colvin, and then some. Proclaimed by Cash and her husband/producer/collaborator, Rodney Crowell, as "punktry," the album adds an entirely new twist on the Nashville sound. Perhaps it is because this is L.A. country and reflects the cocaine bliss in the sound of the era as well as Fleetwood Mac's Tusk does. Utilizing everything from synthesizers and rock arrangements to pop ballad-styled charts and plenty of attitude, Seven Year Ache yielded three number one singles and songs by rock musicians such as Tom Petty and singer/songwriters like Keith Sykes and Steve Forbert. Of the singles, Cash penned two; the title track, which is a sorrowful indictment of her husband's philandering ways, and the shattering ballad "Blue Moon With Heartache." The third, the smash "My Baby Thinks He's a Train," was written by Asleep at the Wheel's Leroy Preston. Musically, the band included many of the same players from the Right or Wrong sessions, with the emerging vocal talent of former Pure Prairie League member Vince Gill. Forbert's "What Kinda Girl" is almost rockabilly in its shuffling intensity and punk bravado. It dares the listener to define the protagonist just to shatter the preconception. There's also a nod to tradition here in Cash's beautifully updated read of the Merle Haggard/Red Simpson nugget "You Don't Have Very Far to Go," complete with whinnying pedal steels and a honky tonk backbeat. In "My Baby Thinks He's a Train," Cash and Crowell very consciously offer a new generation interpretation of dad Johnny's sound. This rocks harder yet is smooth as silk and full of that desolate want Johnny offered in his delivery. But unlike her father's, this isn't a forlorn yearning want, it's a pissed off anthemic want. For the ambulance chasers, this record with its songs of infidelity and broken promises may indeed be the first crack in a marriage and collaboration that ended a decade later. The tempo borrows the old Tennessee Three rhythm, but sped up into the stratosphere, with a shifting Western swing line near the refrain. Over 20 years after it was first issued, Seven Year Ache sounds as fresh and revolutionary as it did when it was issued. Any album that stands that test of time in a field like country deserves to be regarded as a classic. Yes, this is the one that changed everything.

© Thom Jurek /TiVo

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SEVEN YEAR ACHE

Rosanne Cash

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1
Rainin'
00:02:52

Rosanne Cash, Associated Performer, Main Artist, Associated Performer - K. Sykes, Composer, Lyricist - Hank DeVito, Electric Guitar - Jerry McGee, Electric Guitar - Frank Ricard, Electric Guitar - Larrie Londin, Drums - Emory Gordy, Jr., Bass - Rodney Crowell, Producer

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

2
Seven Year Ache
00:03:16

Rosanne Cash, Associated Performer, Main Artist, Associated Performer - Rodney Crowell, Producer - R. Cash, Composer, Lyricist - Jerry McGee, Electric Guitar - Hank DeVito, Steel Guitar - Glen D. Hardin, Piano - Emory Gordy, Piano

(P) 1981 Sony Music Entertainment

3
Blue Moon With Heartache
00:04:28

Rosanne Cash, Associated Performer, Main Artist, Associated Performer - Rodney Crowell, Producer - R. Cash, Composer, Lyricist - Emory Gordy, Jr., Arranger, Guitar - Hank DeVito, Steel Guitar - Larrie Londin, Drums - Tony Brown, Piano

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

4
What Kinda Girl?
00:02:47

Rosanne Cash, Associated Performer, Main Artist, Associated Performer - S. Forbert, Composer, Lyricist - Hank DeVito, Slide Guitar - Larrie Londin, Drums - Tony Brown, Piano - Booker T.Jones, Organ - Emory Gordy, Jr., Bass - Rodney Crowell, Producer

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

5
You Don't Have Very Far To Go
00:02:35

Rosanne Cash, Associated Performer, Main Artist, Associated Performer - M. Haggard, Composer, Lyricist - R. Simpson, Composer, Lyricist - Rosemary Butler - Ricky Skaggs - Jerry McGee, Electric Guitar - Hank DeVito, Steel Guitar - Larrie Londin, Drums - Tony Brown, Piano - Emory Gordy, Bass - Mickey Raphael, Harmonica - Rodney Crowell, Producer

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

6
My Baby Thinks He's A Train
00:03:13

Rosanne Cash, Associated Performer, Main Artist, Associated Performer - L. Preston, Composer, Lyricist - Albert Lee, Electric Guitar - Larrie Londin, Drums - Emory Gordy, Jr., Bass - Rodney Crowell, Producer

(P) 1981 Sony Music Entertainment Inc.

7
Only Human
00:04:01

Rosanne Cash, Associated Performer, Main Artist, Associated Performer - K. Sykes, Composer, Lyricist - Jerry McGee, Electric Guitar - Frank Reckard, Electric Guitar - Larrie Londin, Drums - Tony Brown, Piano - Booker T.Jones, Organ - Emory Gordy, Bass - Rodney Crowell, Producer

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

8
Where Will The Words Come From?
00:02:45

Rosanne Cash, Associated Performer, Main Artist, Associated Performer - G.D. Hardin, Composer, Lyricist - S. Curtis, Composer, Lyricist - Rodney Crowell, Producer - Emmylou Harris - Emory Gordy, Bass, Mandolin - Albert Lee, Acoustic Guitar - Hank DeVito, Steel Guitar - Larrie Londin, Drums - Tony Brown, Piano

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

9
Hometown Blues
00:02:58

Rosanne Cash, Associated Performer, Main Artist, Associated Performer - T. Petty, Composer, Lyricist - Jerry McGee, Electric Guitar - Hank DeVito, Electric Guitar - Larrie Londin, Drums - Tony Brown, Piano - Booker T.Jones, Organ - Emory Gordy, Bass - Rodney Crowell, Producer

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

10
I Can't Resist
00:03:27

Rosanne Cash, Associated Performer, Main Artist, Associated Performer - H. Devito, Composer, Lyricist - Rodney Crowell, Composer, Lyricist, Producer - Emory Gordy, Acoustic Guitar, Electric Guitar - Hank DeVito, Electric Guitar - Larrie Londin, Drums - Tony Brown, Piano - Phil Kenzie, Saxophone

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

Approfondimenti

The bottom line is that Rosanne Cash's masterpiece Seven Year Ache paved the way for Garth Brooks, Shania Twain, Mary Chapin Carpenter, Shawn Colvin, and then some. Proclaimed by Cash and her husband/producer/collaborator, Rodney Crowell, as "punktry," the album adds an entirely new twist on the Nashville sound. Perhaps it is because this is L.A. country and reflects the cocaine bliss in the sound of the era as well as Fleetwood Mac's Tusk does. Utilizing everything from synthesizers and rock arrangements to pop ballad-styled charts and plenty of attitude, Seven Year Ache yielded three number one singles and songs by rock musicians such as Tom Petty and singer/songwriters like Keith Sykes and Steve Forbert. Of the singles, Cash penned two; the title track, which is a sorrowful indictment of her husband's philandering ways, and the shattering ballad "Blue Moon With Heartache." The third, the smash "My Baby Thinks He's a Train," was written by Asleep at the Wheel's Leroy Preston. Musically, the band included many of the same players from the Right or Wrong sessions, with the emerging vocal talent of former Pure Prairie League member Vince Gill. Forbert's "What Kinda Girl" is almost rockabilly in its shuffling intensity and punk bravado. It dares the listener to define the protagonist just to shatter the preconception. There's also a nod to tradition here in Cash's beautifully updated read of the Merle Haggard/Red Simpson nugget "You Don't Have Very Far to Go," complete with whinnying pedal steels and a honky tonk backbeat. In "My Baby Thinks He's a Train," Cash and Crowell very consciously offer a new generation interpretation of dad Johnny's sound. This rocks harder yet is smooth as silk and full of that desolate want Johnny offered in his delivery. But unlike her father's, this isn't a forlorn yearning want, it's a pissed off anthemic want. For the ambulance chasers, this record with its songs of infidelity and broken promises may indeed be the first crack in a marriage and collaboration that ended a decade later. The tempo borrows the old Tennessee Three rhythm, but sped up into the stratosphere, with a shifting Western swing line near the refrain. Over 20 years after it was first issued, Seven Year Ache sounds as fresh and revolutionary as it did when it was issued. Any album that stands that test of time in a field like country deserves to be regarded as a classic. Yes, this is the one that changed everything.

© Thom Jurek /TiVo

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