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One of a group of discs from the Carpe Diem label exploring Italian music from the early seventeenth century, this release draws on the talents of a group of mostly German younger players who have studied the performance practice of this music in depth. The composers represented here are little known, and music of the period is usually played, when it is played at all, on a homogeneous consort of modern brass instruments. The Ensemble Badinerie restores something of the original sound to the music with period instruments -- the cornett (a smooth-toned, curved, or even serpent-shaped wind), the dulcian (the bassoon's direct ancestor), a variety of keyboards and lutes for continuo, and, on this disc, recorders. Few of these pieces specify instrumental forces; those that do so rarely include a recorder, but annotator (and recorder player, natch) Rahel Stoellger argues that the recorder was a commonplace instrument of the time, one for which other music would have been arranged. Whatever the truth of this contention, the music is varied and attractive. The pieces are called sonata, capriccio, or fantasia, or they may have the name of a bass pattern or dance; they experiment imaginatively with the dances, the improvisatory forms, the larger multi-sectional forms out of which grew the instrumental genres of the mature Baroque. The instrumental sounds are distinctive and a lot of fun even for those with little familiarity with music of this period; sample Bartolomeo di Selma's Fantasia per fagotto, track 10, for a taste of the dulcian and its buzzy sound. The dances of Maurizio Cazzati (1620-1677) are an appealingly diverse lot, with the mysterious Ballo del Ombre (Dance of the Shadows, track 18) and subsequently hearty Ballo de Contadini (Farmers' Dance) forming an especially sharp contrast that will snare the ear of anyone who has sat through too many dull brass quintet recitals. The musicians of this circle are bringing an obscure repertory to life, with a relaxed, in-control attitude replacing a false grandeur. Listen and enjoy.
© TiVo
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Sonata 18 sopra La Novella (Giuseppe Scarani)
Giuseppe Scarani, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Capriccio detto Il Bovio (Maurizio Cazzati)
Maurizio Cazzati, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Gagliarda detta La Magnani (Maurizio Cazzati)
Maurizio Cazzati, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Corrente francese detta La Grassa (Maurizio Cazzati)
Maurizio Cazzati, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Canzona 11, soprano e basso (Bartolomé de Selma y Salaverde)
Bartolomé de Selma y Salaverde, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Sonata 16 per due Soprani (Giuseppe Scarani)
Giuseppe Scarani, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Capriccio detto Il Fantuzzi (Maurizio Cazzati)
Maurizio Cazzati, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
La suave melodia y su corrente (Andrea Falconieri)
Andrea Falconieri, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Folias echa para mi Senora Dona Tarolilla de Carallenos (Andrea Falconieri)
Andrea Falconieri, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Fantasia per Fagotto solo (Bartolomé de Selma y Salaverde)
Bartolomé de Selma y Salaverde, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Capriccio detto Il Cospi (Maurizio Cazzati)
Maurizio Cazzati, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Allemanda detta La Ghisilardi (Maurizio Cazzati)
Maurizio Cazzati, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Giga detta La Marsiglia (Maurizio Cazzati)
Maurizio Cazzati, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Canzona 17, Soprano e basso (Bartolomé de Selma y Salaverde)
Bartolomé de Selma y Salaverde, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Sonata tertia per due soprani (Giuseppe Scarani)
Giuseppe Scarani, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Passacaille - Ciacona i Passacaille - Ciacona (Andrea Falconieri)
Andrea Falconieri, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Capriccio sopra 12 Notte (Maurizio Cazzati)
Maurizio Cazzati, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Ballo delle Ombre (Maurizio Cazzati)
Maurizio Cazzati, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Ballo de Contadini (Maurizio Cazzati)
Maurizio Cazzati, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Passacaglio (Maurizio Cazzati)
Maurizio Cazzati, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Ciacona (Tarquinio Merula)
Tarquinio Merula, Composer - Badinerie Ensemble, Ensemble
2008 Accent 2008 Accent
Approfondimenti
One of a group of discs from the Carpe Diem label exploring Italian music from the early seventeenth century, this release draws on the talents of a group of mostly German younger players who have studied the performance practice of this music in depth. The composers represented here are little known, and music of the period is usually played, when it is played at all, on a homogeneous consort of modern brass instruments. The Ensemble Badinerie restores something of the original sound to the music with period instruments -- the cornett (a smooth-toned, curved, or even serpent-shaped wind), the dulcian (the bassoon's direct ancestor), a variety of keyboards and lutes for continuo, and, on this disc, recorders. Few of these pieces specify instrumental forces; those that do so rarely include a recorder, but annotator (and recorder player, natch) Rahel Stoellger argues that the recorder was a commonplace instrument of the time, one for which other music would have been arranged. Whatever the truth of this contention, the music is varied and attractive. The pieces are called sonata, capriccio, or fantasia, or they may have the name of a bass pattern or dance; they experiment imaginatively with the dances, the improvisatory forms, the larger multi-sectional forms out of which grew the instrumental genres of the mature Baroque. The instrumental sounds are distinctive and a lot of fun even for those with little familiarity with music of this period; sample Bartolomeo di Selma's Fantasia per fagotto, track 10, for a taste of the dulcian and its buzzy sound. The dances of Maurizio Cazzati (1620-1677) are an appealingly diverse lot, with the mysterious Ballo del Ombre (Dance of the Shadows, track 18) and subsequently hearty Ballo de Contadini (Farmers' Dance) forming an especially sharp contrast that will snare the ear of anyone who has sat through too many dull brass quintet recitals. The musicians of this circle are bringing an obscure repertory to life, with a relaxed, in-control attitude replacing a false grandeur. Listen and enjoy.
© TiVo
Dettagli della registrazione originale : 68:09 - DDD - Enregistré en avril 2000 à Berlin - Notes en français, anglais et allemand
A proposito dell'album
- 1 disco(i) - 21 traccia(e)
- Durata totale: 01:07:54
- 2 Libretti digitali
- Artisti principali: Badinerie Ensemble
- Compositore: Various Composers
- Etichetta: Accent
- Zona: Italie
- Genere: Classica
- Periodo: Musica barocca
- Collana: Accent Plus
2008 Accent 2008 Accent
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