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Houston Grand Opera Orchestra|Jake Heggie: It's a Wonderful Life (Live)

Jake Heggie: It's a Wonderful Life (Live)

Patrick Summers, Houston Grand Opera Orchestra, Houston Grand Opera Chorus, William Burden

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Composer Jake Heggie and librettist Gene Scheer knew before they ever wrote a note or a line of It’s a Wonderful Life that there are challenges in adapting a treasured classic for the operatic stage. After all, Heggie and Scheer’s hit 2010 opera Moby-Dick raised the same challenges: how could they remain faithful to the source material and still create something new, which emphasized the story’s innate operatic qualities?

For It’s a Wonderful Life, Heggie and Scheer responded by keeping the basic plot and characters from the beloved Frank Capra film version but changing the perspective. As in the film, an angel—changed in the opera from Clarence to Clara—is assigned to help a man named George Bailey, who is despondent and contemplating taking his own life on Christmas Eve; if Clara succeeds, she will earn her wings. But in a departure from the film, all the action takes place from Clara’s perspective and in her realm. Seventy mirrored doors represent portals in time and space, which Clara uses to piece together the events of George’s life in an effort to understand what has brought him to this moment of despair.

How well did Heggie and Scheer succeed? Critics said the “feel good” work (Opera Warhorses) “dispels any notion that you may have about expecting the opera to duplicate the film [and has a] crazy-quilt score that may be Heggie’s most delightful concoction” (Theater Jones). As the Houston Chronicle critic summed up, “George Bailey would be proud.”

“What a great joy, privilege, and immense challenge it was to take the beloved story of It’s a Wonderful Life and compose the music for the people of Bedford Falls. The emotional journey of George Bailey and Clara allowed me to call on musical styles of the 1920s, ’30s and ’40s, contrasted with music from the heavens. The project of a lifetime.” —Jake Heggie

“From the moment I began work on the libretto, I believed that George Bailey’s journey from despair to redemption was something that music could thrillingly illuminate. I also believed, with all my heart, that this story’s message of the value of every life was essential for our own time. Working on this project has been a profound privilege.” —Gene Scheer
© Pentatone

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Jake Heggie: It's a Wonderful Life (Live)

Houston Grand Opera Orchestra

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It's a Wonderful Life (Jake Heggie)

1
Prelude
Houston Grand Opera Orchestra
00:02:15

Jake HEGGIE, Composer - Patrick Summers, Conductor - Houston Grand Opera Orchestra, Orchestra, MainArtist

(C) 2017 PentaTone (P) 2017 PentaTone

It's a Wonderful Life, Act I (Jake Heggie)

2
Act I: Christmas Eve: Clara in the Heavens (Clara, A Voice, George, Angels)
Talise Trevigne
00:10:36

Patti LuPone, Artist - Jake HEGGIE, Composer - Patrick Summers, Conductor - William Burden, Artist - Talise Trevigne, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra - D'ana Lombard, Artist - Zoie Reams, Artist - Yongzhao Yu, Artist - Ben Edquist, Artist

(C) 2017 PentaTone (P) 2017 PentaTone

3
Act I Scene 1: George Bailey's Childhood (Clara, Angels, Young George Bailey, Young Sam Wainwright, Young Mary Hatch, Young Mary, Young Harry Bailey, Gower, Children)
Talise Trevigne
00:08:41

Stephen Thomas, Artist - Jake HEGGIE, Composer - Patrick Summers, Conductor - Levi Smith, Artist - Talise Trevigne, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra - Rod Gilfry, Artist - D'ana Lombard, Artist - Zoie Reams, Artist - Yongzhao Yu, Artist - Ben Edquist, Artist - C.J. Friend, Artist - Jack Townsend, Artist

(C) 2017 PentaTone (P) 2017 PentaTone

4
Act I Scene 2: The Bailey Family Attic: Bedford Falls's Aladdin (Clara, George, Harry, Young George, Gower, Uncle Billy, Mother Bailey)
Talise Trevigne
00:02:56

Jake HEGGIE, Composer - Patrick Summers, Conductor - Anthony Dean Griffey, Artist - William Burden, Artist - Talise Trevigne, Artist, MainArtist - Joshua Hopkins, Artist - Houston Grand Opera Orchestra, Orchestra

(C) 2017 PentaTone (P) 2017 PentaTone

5
Act I Scene 2: Quartet: Goodbye Bedford Falls
Joshua Hopkins
00:05:30

Jake HEGGIE, Composer - Patrick Summers, Conductor - Anthony Dean Griffey, Artist - William Burden, Artist - Talise Trevigne, Artist - Joshua Hopkins, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra - Frankie Hickman, Artist

(C) 2017 PentaTone (P) 2017 PentaTone

6
Act I Scene 3: The High School Dance (Mary, Students, Harry, George, Mother Bailey)
Andrea Carroll
00:04:05

Jake HEGGIE, Composer - Patrick Summers, Conductor - William Burden, Artist - Houston Grand Opera Orchestra, Orchestra - Houston Grand Opera Chorus, Choir - Andrea Carroll, Artist, MainArtist

(C) 2017 PentaTone (P) 2017 PentaTone

7
Act I Scene 4: The Old Granville House: I'm Gonna See the World (Mary, George)
Andrea Carroll
00:06:31

Jake HEGGIE, Composer - Patrick Summers, Conductor - Anthony Dean Griffey, Artist - William Burden, Artist - Houston Grand Opera Orchestra, Orchestra - Andrea Carroll, Artist, MainArtist

(C) 2017 PentaTone (P) 2017 PentaTone

8
Act I Scene 5: Mr. Potter's Office: Wait and Save (Mr. Potter, Uncle Billy, George, Ernie, Mary, Angels)
Rod Gilfry
00:06:26

Jake HEGGIE, Composer - Patrick Summers, Conductor - Anthony Dean Griffey, Artist - William Burden, Artist - Talise Trevigne, Artist - Joshua Hopkins, Artist - Houston Grand Opera Orchestra, Orchestra - Rod Gilfry, Artist, MainArtist - D'ana Lombard, Artist - Zoie Reams, Artist - Yongzhao Yu, Artist - Ben Edquist, Artist - Heath Martin, Artist

(C) 2017 PentaTone (P) 2017 PentaTone

9
Act I Scene 6: Mary and Harry at College: Four Years (Angels, Mary, Harry, Uncle Billy, George)
Talise Trevigne
00:03:40

Jake HEGGIE, Composer - Patrick Summers, Conductor - Anthony Dean Griffey, Artist - William Burden, Artist - Talise Trevigne, Artist, MainArtist - Joshua Hopkins, Artist - Houston Grand Opera Orchestra, Orchestra - Andrea Carroll, Artist - D'ana Lombard, Artist - Zoie Reams, Artist - Yongzhao Yu, Artist - Ben Edquist, Artist

(C) 2017 PentaTone (P) 2017 PentaTone

10
Act I Scene 7: Harry's Homecoming (Uncle Billy, Harry, Helen)
Anthony Dean Griffey
00:00:28

Jake HEGGIE, Composer - Patrick Summers, Conductor - Anthony Dean Griffey, Artist, MainArtist - Joshua Hopkins, Artist - Houston Grand Opera Orchestra, Orchestra

(C) 2017 PentaTone (P) 2017 PentaTone

11
Act I Scene 7: Duet: A Rainbow at Midnight (Uncle Billy, Harry)
Anthony Dean Griffey
00:06:10

Jake HEGGIE, Composer - Patrick Summers, Conductor - Kate Smith, Artist - Anthony Dean Griffey, Artist, MainArtist - William Burden, Artist - Joshua Hopkins, Artist - Houston Grand Opera Orchestra, Orchestra

(C) 2017 PentaTone (P) 2017 PentaTone

12
Act I Scene 8: Mary's House: I'm Gonna Love You 'til the Day I Die (Mary, George, Clara)
Andrea Carroll
00:06:26

Jake HEGGIE, Composer - Patrick Summers, Conductor - William Burden, Artist - Talise Trevigne, Artist - Houston Grand Opera Orchestra, Orchestra - Andrea Carroll, Artist, MainArtist

(C) 2017 PentaTone (P) 2017 PentaTone

DISCO 2

It's a Wonderful Life, Act II (Jake Heggie)

1
Act II Scene 1: George and Mary's Wedding Day (Mary, Mother Bailey, George, Ernie, Clara, Chorus)
Talise Trevigne
00:03:50

Jake HEGGIE, Composer - Patrick Summers, Conductor - William Burden, Artist - Talise Trevigne, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra - Houston Grand Opera Chorus, Choir - Andrea Carroll, Artist - Frankie Hickman, Artist - Heath Martin, Artist

(C) 2017 PentaTone (P) 2017 PentaTone

2
Act II Scene 2: The Bank Run of 1929 (George, Clara, Uncle Billy, Mr. Potter, Ed, Mrs. Thompson, A Woman, A Man, Mary, Mr. Delgado Randall, Mrs. Thompson, Angels, Chorus)
Talise Trevigne
00:05:37

Jake HEGGIE, Composer - Patrick Summers, Conductor - Anthony Dean Griffey, Artist - William Burden, Artist - Talise Trevigne, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra - Houston Grand Opera Chorus, Choir - D'ana Lombard, Artist - Zoie Reams, Artist - Yongzhao Yu, Artist - Ben Edquist, Artist

(C) 2017 PentaTone (P) 2017 PentaTone

3
Act II Scene 3: George and Mary's Home: Changes and Blessings (Mary, George, Children, Clara, Zuzu, Mr. Potter)
Talise Trevigne
00:03:20

Jake HEGGIE, Composer - Patrick Summers, Conductor - William Burden, Artist - Talise Trevigne, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra

(C) 2017 PentaTone (P) 2017 PentaTone

4
Act II Scene 3: A Letter: Thank You, Mr. Bailey
Talise Trevigne
00:01:11

Jake HEGGIE, Composer - Patrick Summers, Conductor - Talise Trevigne, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra

(C) 2017 PentaTone (P) 2017 PentaTone

5
Act II Scene 4: Mr. Potter's Office: I Want to Hire You, George (George, Mr. Potter)
William Burden
00:05:15

Jake HEGGIE, Composer - Patrick Summers, Conductor - William Burden, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra - Rod Gilfry, Artist

(C) 2017 PentaTone (P) 2017 PentaTone

6
Act II Scene 5: World War II: One Country, One Dream (Clara, Angels, Chorus)
Talise Trevigne
00:04:16

Jake HEGGIE, Composer - Patrick Summers, Conductor - Talise Trevigne, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra - Houston Grand Opera Chorus, Choir - D'ana Lombard, Artist - Zoie Reams, Artist - Yongzhao Yu, Artist - Ben Edquist, Artist

(C) 2017 PentaTone (P) 2017 PentaTone

7
Act II Scene 6: Christmas Eve: What a Day! (George, Clara, Ernie, Martini)
Talise Trevigne
00:01:20

Jake HEGGIE, Composer - Patrick Summers, Conductor - William Burden, Artist - Talise Trevigne, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra

(C) 2017 PentaTone (P) 2017 PentaTone

8
Act II Scene 7: Uncle Billy Loses the Bank Deposit (Uncle Billy, Mr. Potter, Clara, George)
Talise Trevigne
00:04:20

Jake HEGGIE, Composer - Patrick Summers, Conductor - William Burden, Artist - Talise Trevigne, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra

(C) 2017 PentaTone (P) 2017 PentaTone

9
Act II Scene 8: George and Mary's Home: Zuzu's Petals (Mary, Janie, Tommy, Zuzu, George)
Levi Smith
00:05:09

Jake HEGGIE, Composer - Patrick Summers, Conductor - Levi Smith, Artist, MainArtist - William Burden, Artist - Houston Grand Opera Orchestra, Orchestra - C.J. Friend, Artist

(C) 2017 PentaTone (P) 2017 PentaTone

10
Act II Scene 9: Mr. Potter's Office: You're Worth More Dead than Alive (George, Mr. Potter, Clara, Mary, Uncle Billy, Harry, Chorus)
Talise Trevigne
00:03:47

Jake HEGGIE, Composer - Patrick Summers, Conductor - William Burden, Artist - Talise Trevigne, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra - Houston Grand Opera Chorus, Choir

(C) 2017 PentaTone (P) 2017 PentaTone

11
Act II Scene 10: The Bridge: I Wish I'd Never Been Born (George, Mr. Potter, Clara, Uncle Billy, Harry, Mary, Chorus)
Talise Trevigne
00:05:06

Jake HEGGIE, Composer - Patrick Summers, Conductor - William Burden, Artist - Talise Trevigne, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra - Houston Grand Opera Chorus, Choir

(C) 2017 PentaTone (P) 2017 PentaTone

12
Act II Scene 11: The World without George Bailey (George, Clara, Ernie, Mr. Potter, Mother Bailey)
Talise Trevigne
00:08:12

Jake HEGGIE, Composer - Patrick Summers, Conductor - William Burden, Artist - Talise Trevigne, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra

(C) 2017 PentaTone (P) 2017 PentaTone

13
Act II Scene 12: George's Homecoming: Christmas Morning (George, Zuzu, Ernie, Mary, Uncle Billy, Martini, Ed, Mrs. Delgado, Mrs. O'Malley)
William Burden
00:04:39

Jake HEGGIE, Composer - Patrick Summers, Conductor - William Burden, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra

(C) 2017 PentaTone (P) 2017 PentaTone

14
Act II Scene 12: Clara's Wings: A Wonderful Life (Clara, George, Angels, Ruffino, Harry, Mary)
Talise Trevigne
00:05:23

Jake HEGGIE, Composer - Patrick Summers, Conductor - William Burden, Artist - Talise Trevigne, Artist, MainArtist - Houston Grand Opera Orchestra, Orchestra - D'ana Lombard, Artist - Zoie Reams, Artist - Yongzhao Yu, Artist - Ben Edquist, Artist

(C) 2017 PentaTone (P) 2017 PentaTone

15
Act II Scene 12: Auld Lang Syne (All)
Patti LuPone
00:01:28

Patti LuPone, Artist, MainArtist - Stephen Thomas, Artist - Jake HEGGIE, Composer - Patrick Summers, Conductor - Anthony Dean Griffey, Artist - Levi Smith, Artist - William Burden, Artist - Talise Trevigne, Artist - Joshua Hopkins, Artist - Houston Grand Opera Orchestra, Orchestra - Houston Grand Opera Chorus, Choir - Andrea Carroll, Artist - Rod Gilfry, Artist - D'ana Lombard, Artist - Zoie Reams, Artist - Yongzhao Yu, Artist - Ben Edquist, Artist - C.J. Friend, Artist - Jack Townsend, Artist - Frankie Hickman, Artist - Heath Martin, Artist - Grace Graper, Artist

(C) 2017 PentaTone (P) 2017 PentaTone

Approfondimenti

Composer Jake Heggie and librettist Gene Scheer knew before they ever wrote a note or a line of It’s a Wonderful Life that there are challenges in adapting a treasured classic for the operatic stage. After all, Heggie and Scheer’s hit 2010 opera Moby-Dick raised the same challenges: how could they remain faithful to the source material and still create something new, which emphasized the story’s innate operatic qualities?

For It’s a Wonderful Life, Heggie and Scheer responded by keeping the basic plot and characters from the beloved Frank Capra film version but changing the perspective. As in the film, an angel—changed in the opera from Clarence to Clara—is assigned to help a man named George Bailey, who is despondent and contemplating taking his own life on Christmas Eve; if Clara succeeds, she will earn her wings. But in a departure from the film, all the action takes place from Clara’s perspective and in her realm. Seventy mirrored doors represent portals in time and space, which Clara uses to piece together the events of George’s life in an effort to understand what has brought him to this moment of despair.

How well did Heggie and Scheer succeed? Critics said the “feel good” work (Opera Warhorses) “dispels any notion that you may have about expecting the opera to duplicate the film [and has a] crazy-quilt score that may be Heggie’s most delightful concoction” (Theater Jones). As the Houston Chronicle critic summed up, “George Bailey would be proud.”

“What a great joy, privilege, and immense challenge it was to take the beloved story of It’s a Wonderful Life and compose the music for the people of Bedford Falls. The emotional journey of George Bailey and Clara allowed me to call on musical styles of the 1920s, ’30s and ’40s, contrasted with music from the heavens. The project of a lifetime.” —Jake Heggie

“From the moment I began work on the libretto, I believed that George Bailey’s journey from despair to redemption was something that music could thrillingly illuminate. I also believed, with all my heart, that this story’s message of the value of every life was essential for our own time. Working on this project has been a profound privilege.” —Gene Scheer
© Pentatone

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