Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
Lingua disponibile: inglese
Genuinely novel in an age where it's been said that all the great themes have been used up and turned into theme parks, the three pieces by Argentine-American composer Florencio Asenjo recorded here are generally similar in style. They're tonal, or at least not particularly dissonant, and they're written for conventional orchestral instruments. Each is based on a work of literature, which it follows closely, in the time-honored manner of program music. So what's the novelty? Asenjo's music follows a unique principle that he names maximalism, although what he means by the word is very different from the way serial composers have used it as a pejorative contrast to "minimalism." Asenjo's maximalism entails, as far as possible, an avoidance of repetition, but that doesn't mean his works have a pastiche-like effect. Instead he derives each new theme or passage of music from the preceding one, much as the second theme of a Classical sonata forms a contrast with the first but also follows naturally from it. The themes are often linked by a short motive or some other common element, and each work or section might be described as a chain of musical statements successively linked to one another but never repeating or circling back to a starting point. The tonality is almost irrelevant. The conception is original, and this album may present Asenjo's work in the best light of the various recordings of his music that have appeared: the literary program interacts with his style in a very intriguing way. Each of these pieces -- based on an ancient Greek satirical poem called the "Batrachomyomachia," a set of short stories by Japanese writer Yasunari Kawabata, and tales from the Pentameron of Italian Renaissance writer Giambattista Basile -- has its own quite detailed character to which Asenjo's fixed procedure is tailored. The result is music with an uncanny narrative sense that's not quite like anything else out there, sympathetically interpreted by the Slovak National Symphony Orchestra under Kirk Trevor. Strongly recommended.
© TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Kirk Trevor, Conductor - Slovak National Symphony Orchestra, MainArtist - Florencio Asenjo, Composer
(C) 2011 Albany Records (P) 2011 Albany Records
Approfondimenti
Genuinely novel in an age where it's been said that all the great themes have been used up and turned into theme parks, the three pieces by Argentine-American composer Florencio Asenjo recorded here are generally similar in style. They're tonal, or at least not particularly dissonant, and they're written for conventional orchestral instruments. Each is based on a work of literature, which it follows closely, in the time-honored manner of program music. So what's the novelty? Asenjo's music follows a unique principle that he names maximalism, although what he means by the word is very different from the way serial composers have used it as a pejorative contrast to "minimalism." Asenjo's maximalism entails, as far as possible, an avoidance of repetition, but that doesn't mean his works have a pastiche-like effect. Instead he derives each new theme or passage of music from the preceding one, much as the second theme of a Classical sonata forms a contrast with the first but also follows naturally from it. The themes are often linked by a short motive or some other common element, and each work or section might be described as a chain of musical statements successively linked to one another but never repeating or circling back to a starting point. The tonality is almost irrelevant. The conception is original, and this album may present Asenjo's work in the best light of the various recordings of his music that have appeared: the literary program interacts with his style in a very intriguing way. Each of these pieces -- based on an ancient Greek satirical poem called the "Batrachomyomachia," a set of short stories by Japanese writer Yasunari Kawabata, and tales from the Pentameron of Italian Renaissance writer Giambattista Basile -- has its own quite detailed character to which Asenjo's fixed procedure is tailored. The result is music with an uncanny narrative sense that's not quite like anything else out there, sympathetically interpreted by the Slovak National Symphony Orchestra under Kirk Trevor. Strongly recommended.
© TiVo
A proposito dell'album
- 1 disco(i) - 16 traccia(e)
- Durata totale: 00:58:38
- Artisti principali: Slovak National Symphony Orchestra
- Compositore: Florencio Asenjo
- Etichetta: Albany Records
- Genere: Classica
(C) 2011 Albany Records (P) 2011 Albany Records
Migliorare le informazioni sugli albumPerché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.