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Blonde On Blonde|Contrasts  (Bonus Tracks Edition)

Contrasts (Bonus Tracks Edition)

Blonde On Blonde

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Lingua disponibile: inglese

Blonde on Blonde's 1969 album is from the period when progressive rock, or more so pop, was new and fresh. Years before the likes of Emerson, Lake & Palmer, Yes, and Genesis made the genre a dirty word and punk evolved in order to destroy it, Blonde on Blonde were taking their pop and psychedelic roots that little bit further. Progressive, in the sense that the term was originally conceived: a new catchall name to describe the emerging form of music that arose from Sgt. Pepper, filled the Middle Earth Club, and by 1969, was increasingly getting more diverse than the quaint psychedelic form from which it was spurned. Blonde on Blonde had the then contemporary match of folky vocals (which could easily turn it up a gear into rock territory), fuzz guitar leads galore, and some interesting material, which veered from an almost cinematic version of "Eleanor Rigby" to the post-mod (think U.S. garage meets the Small Faces) snotty strut of "Conversationally Making the Grade," the archetypal heavy rock jam "Ride With Captain Max," and the slightly old-styled ballad "Goodbye." Of course, more dynamic musical interplay crept into the fold: classical-intoned aspirations, acoustic folk, ornate pop, and full-on rock. Contrasts is indeed an album that is characteristic of the music that was being bandied around the music press in 1969 as progressive, not the preposterous entity that it became.

© Jon "Mojo" Mills /TiVo

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Contrasts (Bonus Tracks Edition)

Blonde On Blonde

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1
Ride with Captain Max
00:05:22

Richard Hopkins, Bass Guitar - Blonde On Blonde, MainArtist - Les Hicks, Drums - Ralph Denyer, Vocals - Gareth Johnson, Guitar - Barry Murray, Producer

© 2010 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

2
Spinning Wheel
00:02:46

Richard Hopkins, Bass Guitar - Blonde On Blonde, MainArtist - Les Hicks, Drums - Ralph Denyer, Vocals - Gareth Johnson, Guitar - Barry Murray, Producer

© 2010 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

3
No Sleep Blues
00:03:22

Richard Hopkins, Bass Guitar - Blonde On Blonde, MainArtist - Les Hicks, Drums - Ralph Denyer, Vocals - Gareth Johnson, Guitar - Barry Murray, Producer

© 2010 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

4
Goodbye
00:02:12

Richard Hopkins, Bass Guitar - Blonde On Blonde, MainArtist - Les Hicks, Drums - Ralph Denyer, Vocals - Gareth Johnson, Guitar - Barry Murray, Producer

© 2010 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

5
I Need My Friend
00:03:12

Richard Hopkins, Bass Guitar - Blonde On Blonde, MainArtist - Les Hicks, Drums - Ralph Denyer, Vocals - Gareth Johnson, Guitar - Barry Murray, Producer

© 2010 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

6
Mother Earth
00:05:01

Richard Hopkins, Bass Guitar - Blonde On Blonde, MainArtist - Les Hicks, Drums - Ralph Denyer, Vocals - Gareth Johnson, Composer, Guitar - Barry Murray, Producer

© 2010 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

7
Eleanor Rigby
00:03:16

John Lennon, Composer - Paul Mccartney, Composer - Richard Hopkins, Bass Guitar - Blonde On Blonde, MainArtist - Les Hicks, Drums - Ralph Denyer, Vocals - Gareth Johnson, Guitar - Barry Murray, Producer

© 2010 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

8
Conversationally Making the Grade
00:04:13

Richard Hopkins, Bass Guitar - Blonde On Blonde, MainArtist - Les Hicks, Drums - Ralph Denyer, Composer, Vocals - Gareth Johnson, Guitar - Barry Murray, Producer

© 2010 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

9
Regency
00:01:56

Richard Hopkins, Bass Guitar - Blonde On Blonde, MainArtist - Les Hicks, Drums - Ralph Denyer, Vocals - Gareth Johnson, Guitar - Barry Murray, Producer

© 2010 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

10
Island on an Island
00:03:02

Richard Hopkins, Bass Guitar - Blonde On Blonde, MainArtist - Les Hicks, Drums - Ralph Denyer, Vocals - Gareth Johnson, Guitar - Barry Murray, Producer

© 2010 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

11
Don't Be Too Long
00:02:35

Richard Hopkins, Bass Guitar - Blonde On Blonde, MainArtist - Les Hicks, Drums - Ralph Denyer, Vocals - Gareth Johnson, Guitar - Barry Murray, Producer

© 2010 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

12
Jeanette Isabella
00:03:50

Richard Hopkins, Bass Guitar - Blonde On Blonde, MainArtist - Les Hicks, Drums - Ralph Denyer, Vocals - Gareth Johnson, Guitar - Barry Murray, Producer

© 2010 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

13
All Day, All Night
00:03:34

Richard Hopkins, Bass Guitar - Blonde On Blonde, MainArtist - Les Hicks, Drums - Ralph Denyer, Vocals - Gareth Johnson, Guitar - Barry Murray, Producer - Simon Lawrence, Composer

© 2010 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

14
Country Life
00:03:37

Richard Hopkins, Bass Guitar - Blonde On Blonde, MainArtist - Les Hicks, Drums - Ralph Denyer, Vocals - Gareth Johnson, Guitar - Barry Murray, Producer

© 2010 Sanctuary Records Group Ltd., a BMG Company ℗ 1967 Sanctuary Records Group Ltd., a BMG Company

Approfondimenti

Blonde on Blonde's 1969 album is from the period when progressive rock, or more so pop, was new and fresh. Years before the likes of Emerson, Lake & Palmer, Yes, and Genesis made the genre a dirty word and punk evolved in order to destroy it, Blonde on Blonde were taking their pop and psychedelic roots that little bit further. Progressive, in the sense that the term was originally conceived: a new catchall name to describe the emerging form of music that arose from Sgt. Pepper, filled the Middle Earth Club, and by 1969, was increasingly getting more diverse than the quaint psychedelic form from which it was spurned. Blonde on Blonde had the then contemporary match of folky vocals (which could easily turn it up a gear into rock territory), fuzz guitar leads galore, and some interesting material, which veered from an almost cinematic version of "Eleanor Rigby" to the post-mod (think U.S. garage meets the Small Faces) snotty strut of "Conversationally Making the Grade," the archetypal heavy rock jam "Ride With Captain Max," and the slightly old-styled ballad "Goodbye." Of course, more dynamic musical interplay crept into the fold: classical-intoned aspirations, acoustic folk, ornate pop, and full-on rock. Contrasts is indeed an album that is characteristic of the music that was being bandied around the music press in 1969 as progressive, not the preposterous entity that it became.

© Jon "Mojo" Mills /TiVo

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