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Warsaw Philharmonic Choir|Brahms: Ein deutsches Requiem

Brahms: Ein deutsches Requiem

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Ein deutsches Requiem was Johannes Brahms' most important choral work, and its place in his oeuvre is comparable to the ranking of the Mass in B minor in Bach's and the Missa Solemnis in Beethoven's. This 2014 release by Antoni Wit and the Warsaw Philharmonic Orchestra and Choir is a fairly standard interpretation that offers an expansive performance and focused recording where the counterpoint can clearly be heard. Wit is careful to convey the peaceful mood Brahms intended, so very little in this performance can be taken as dramatic or ostentatious. On the whole, Wit's tempos are unhurried and steadily paced, and the ensemble's size and sound are conventional, without any attempt to streamline the forces or treat the music to Romantic period practices. Featuring baritone Thomas E. Bauer in "Herr, lehre doch mich" and soprano Christiane Libor in "Ihr habt nun Traurigkeit," the solo singing is warm and expressive, and the choir's performance in all the movements is well-balanced and evenly blended, which lends a comforting richness to the work. While this performance may seem a bit old-fashioned when compared to several historically informed versions, it is a fine reading that will please traditionalists.

© TiVo

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Brahms: Ein deutsches Requiem

Warsaw Philharmonic Choir

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Ein deutsches Requiem, Op. 45 (Johannes Brahms)

1
I. Selig sind, die da Leid tragen
Warsaw Philharmonic Choir
00:12:10

Johannes Brahms, Composer - Antoni Wit, Conductor - Warsaw Philharmonic Orchestra, Orchestra - Warsaw Philharmonic Choir, Choir, MainArtist

(C) 2014 Naxos (P) 2014 Naxos

2
II. Denn alles Fleisch es ist wie Gras
Warsaw Philharmonic Choir
00:14:53

Johannes Brahms, Composer - Antoni Wit, Conductor - Warsaw Philharmonic Orchestra, Orchestra - Warsaw Philharmonic Choir, Choir, MainArtist

(C) 2014 Naxos (P) 2014 Naxos

3
III. Herr, lehre doch mich
Thomas E. Bauer
00:10:09

Johannes Brahms, Composer - Antoni Wit, Conductor - Warsaw Philharmonic Orchestra, Orchestra - Warsaw Philharmonic Choir, Choir - Thomas E. Bauer, Artist, MainArtist

(C) 2014 Naxos (P) 2014 Naxos

4
IV. Wie lieblich sind deine Wohnungen
Warsaw Philharmonic Choir
00:05:29

Johannes Brahms, Composer - Antoni Wit, Conductor - Warsaw Philharmonic Orchestra, Orchestra - Warsaw Philharmonic Choir, Choir, MainArtist

(C) 2014 Naxos (P) 2014 Naxos

5
V. Ihr habt nun Traurigkeit
Christiane Libor
00:07:27

Johannes Brahms, Composer - Antoni Wit, Conductor - Warsaw Philharmonic Orchestra, Orchestra - Warsaw Philharmonic Choir, Choir - Christiane Libor, Artist, MainArtist

(C) 2014 Naxos (P) 2014 Naxos

6
VI. Denn wir haben hie keine bleibende Statt
Thomas E. Bauer
00:12:27

Johannes Brahms, Composer - Antoni Wit, Conductor - Warsaw Philharmonic Orchestra, Orchestra - Warsaw Philharmonic Choir, Choir - Thomas E. Bauer, Artist, MainArtist

(C) 2014 Naxos (P) 2014 Naxos

7
VII. Selig sind die Toten
Warsaw Philharmonic Choir
00:12:27

Johannes Brahms, Composer - Antoni Wit, Conductor - Warsaw Philharmonic Orchestra, Orchestra - Warsaw Philharmonic Choir, Choir, MainArtist

(C) 2014 Naxos (P) 2014 Naxos

Approfondimenti

Ein deutsches Requiem was Johannes Brahms' most important choral work, and its place in his oeuvre is comparable to the ranking of the Mass in B minor in Bach's and the Missa Solemnis in Beethoven's. This 2014 release by Antoni Wit and the Warsaw Philharmonic Orchestra and Choir is a fairly standard interpretation that offers an expansive performance and focused recording where the counterpoint can clearly be heard. Wit is careful to convey the peaceful mood Brahms intended, so very little in this performance can be taken as dramatic or ostentatious. On the whole, Wit's tempos are unhurried and steadily paced, and the ensemble's size and sound are conventional, without any attempt to streamline the forces or treat the music to Romantic period practices. Featuring baritone Thomas E. Bauer in "Herr, lehre doch mich" and soprano Christiane Libor in "Ihr habt nun Traurigkeit," the solo singing is warm and expressive, and the choir's performance in all the movements is well-balanced and evenly blended, which lends a comforting richness to the work. While this performance may seem a bit old-fashioned when compared to several historically informed versions, it is a fine reading that will please traditionalists.

© TiVo

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