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Ann Richards|Two Much! (Remastered 2004)

Two Much! (Remastered 2004)

Ann Richards, Stan Kenton

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Ann Richards never received the same acclamation as her more famous vocal predecessors with the Stan Kenton Orchestra, Anita O'Day, June Christy, and Chris Connor. While these three went on to carve out successful careers as singles, Richards, after her divorce from Kenton, slowly sank into obscurity. With a style closer in style to O'Day's, Richards could swing out a tune with the best of them and could scat with vim and verve. She demonstrates these talents on "It's a Wonderful World" and "All or Nothing at All." She could also credibly deliver on blues tunes as on "The Morning After (The Night Before)." Richards could move to a lower range and get torchy, which she does on "My Kinda Love." Then she slow-drags "I Got Rhythm," riding atop the doleful tones of the trombone section and a muted trumpet. While he didn't have the big names that peppered earlier bands, this Kenton group could swing and play as a cohesive group. Like all Kenton bands, it featured the high note blaring trumpet. Here it's Bud Brisbois that supplied the upper atmospheric notes on the horn. There are a couple of selections where Richards is backed by just a small group, as on "No Moon at All," where she doesn't have to compete with the larger aggregation, showing off her voice to its full advantage. With a slim discography, this album is an important contribution to the legacy of a good singer whose career was far too short.

© Dave Nathan /TiVo

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Two Much! (Remastered 2004)

Ann Richards

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1
It's A Wonderful World (Remastered 2004)
00:03:56

Stan Kenton, MainArtist - Andy Pearce, Mastering Engineer, StudioPersonnel - JAN SAVITT, Composer - Stan Kenton Orchestra, Ensemble - Ann Richards, Vocals, MainArtist, AssociatedPerformer - Barry Adamson, Composer - Johnny Guitar Watson, Composer - Ed Yelin, Producer

℗ 2004 Capitol Records, LLC

2
The Morning After (The Night Before) (Remastered 2004)
00:04:01

Stan Kenton, MainArtist - Andy Pearce, Mastering Engineer, StudioPersonnel - Hal Winn, Composer - Stan Kenton Orchestra, Ensemble - Ann Richards, Vocals, MainArtist, AssociatedPerformer - Ethel Gould, Composer - Ed Yelin, Producer

℗ 2004 Capitol Records, LLC

3
I Was The Last One To Know (Remastered 2004)
00:03:54

Stan Kenton, MainArtist - Andy Pearce, Mastering Engineer, StudioPersonnel - Stan Kenton Orchestra, Ensemble - Ann Richards, Vocals, MainArtist, AssociatedPerformer - Hub Atwood, Composer - Ruth Bourne, Composer - Ed Yelin, Producer

℗ 2004 Capitol Records, LLC

4
My Kinda Love (Remastered 2004)
00:04:36

Stan Kenton, MainArtist - Andy Pearce, Mastering Engineer, StudioPersonnel - Louis Alter, Composer - Stan Kenton Orchestra, Ensemble - Ann Richards, Vocals, MainArtist, AssociatedPerformer - Jo Trent, Composer - Ed Yelin, Producer

℗ 2004 Capitol Records, LLC

5
I Got Rhythm (Remastered 2004)
00:04:06

Marvin Stamm, Trumpet, AssociatedPerformer - George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist - Stan Kenton, Conductor, Piano, MainArtist, AssociatedPerformer - Andy Pearce, Mastering Engineer, StudioPersonnel - Gabe Baltazar, Alto Saxophone, AssociatedPerformer - Bob Fitzpatrick, Trombone, AssociatedPerformer - Stan Kenton Orchestra, Ensemble - Ann Richards, Vocals, MainArtist, AssociatedPerformer - Jim Amlotte, Bass Trombone, AssociatedPerformer - Dee Barton, Trombone, AssociatedPerformer - Bob Rolfe, Trumpet, AssociatedPerformer - Buddy Arnold, Tenor Saxophone, AssociatedPerformer - Dave Wheeler, Tuba, Bass Trombone, AssociatedPerformer - Dalton Smith, Trumpet, AssociatedPerformer - Pat Senatore, AssociatedPerformer, Bass (Vocal) - Bud Parker, Trombone, AssociatedPerformer - Norman Baltazar, Trumpet, AssociatedPerformer - Jerry Lestock McKenzie, Drums, AssociatedPerformer - Bob Behrendt, Trumpet, AssociatedPerformer - Allan Beutler, Baritone Saxophone, AssociatedPerformer - Ed Yelin, Producer

℗ 2004 Capitol Records, LLC

6
No Moon At All (Remastered 2004)
00:04:36

Stan Kenton, MainArtist - Andy Pearce, Mastering Engineer, StudioPersonnel - REDD EVANS, ComposerLyricist - Dave Mann, ComposerLyricist - Stan Kenton Orchestra, Ensemble - Ann Richards, Vocals, MainArtist, AssociatedPerformer - Ed Yelin, Producer

℗ 2004 Capitol Records, LLC

7
Don't Be That Way (Remastered 2004)
00:03:48

Mitchell Parish, Composer - Benny Goodman, Composer - Edgar Sampson, Composer - Stan Kenton, MainArtist - Andy Pearce, Mastering Engineer, StudioPersonnel - Stan Kenton Orchestra, Ensemble - Ann Richards, Vocals, MainArtist, AssociatedPerformer - Ed Yelin, Producer

℗ 2004 Capitol Records, LLC

8
Suddenly I'm Sad (Remastered 2004)
00:04:09

Karen O'Hara, Composer - Stan Kenton, MainArtist - Andy Pearce, Mastering Engineer, StudioPersonnel - Stan Kenton Orchestra, Ensemble - Ann Richards, Vocals, MainArtist, AssociatedPerformer - Bill Cody, Composer - Ed Yelin, Producer

℗ 2004 Capitol Records, LLC

9
Nobody Like My Baby (Remastered 2004)
00:03:12

Gene Roland, Composer - Stan Kenton, MainArtist - Andy Pearce, Mastering Engineer, StudioPersonnel - Stan Kenton Orchestra, Ensemble - Ann Richards, Vocals, MainArtist, AssociatedPerformer - Ed Yelin, Producer

℗ 2004 Capitol Records, LLC

10
All Or Nothing At All (Remastered 2004)
00:03:54

Arthur Altman, Composer - Jack Lawrence, Composer - Stan Kenton, MainArtist - Andy Pearce, Mastering Engineer, StudioPersonnel - Stan Kenton Orchestra, Ensemble - Ann Richards, Vocals, MainArtist, AssociatedPerformer - Ed Yelin, Producer

℗ 2004 Capitol Records, LLC

Chronique

Ann Richards never received the same acclamation as her more famous vocal predecessors with the Stan Kenton Orchestra, Anita O'Day, June Christy, and Chris Connor. While these three went on to carve out successful careers as singles, Richards, after her divorce from Kenton, slowly sank into obscurity. With a style closer in style to O'Day's, Richards could swing out a tune with the best of them and could scat with vim and verve. She demonstrates these talents on "It's a Wonderful World" and "All or Nothing at All." She could also credibly deliver on blues tunes as on "The Morning After (The Night Before)." Richards could move to a lower range and get torchy, which she does on "My Kinda Love." Then she slow-drags "I Got Rhythm," riding atop the doleful tones of the trombone section and a muted trumpet. While he didn't have the big names that peppered earlier bands, this Kenton group could swing and play as a cohesive group. Like all Kenton bands, it featured the high note blaring trumpet. Here it's Bud Brisbois that supplied the upper atmospheric notes on the horn. There are a couple of selections where Richards is backed by just a small group, as on "No Moon at All," where she doesn't have to compete with the larger aggregation, showing off her voice to its full advantage. With a slim discography, this album is an important contribution to the legacy of a good singer whose career was far too short.

© Dave Nathan /TiVo

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