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Clelia Iruzun|Treasures from the New World

Treasures from the New World

Clelia Iruzun, Coull Quartet

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Langue disponible : anglais

Somm Recordings presents "Treasures from the New World" – a compelling collection of late-Romantic and contemporary works for piano and string quartet from the Americas brimming with all the colour, energy, and emotion of that great continent. Clélia Iruzun teams up with the Coull Quartet for a varied and vital programme championing the music of her Brazilian compatriots Henrique Oswald and Marlos Nobre and the pioneering American Amy Beach.
Influenced by Brahms and Schumann, Beach’s Piano Quintet in F-sharp minor (1908) is stamped through with a lyrically melancholic and pensive signature all its own. For her Romance for Violin and Piano (1893), a work of hypnotic gracefulness and aching emotions, Iruzun partners with the Coull Quartet’s first violinist, Roger Coull. Receiving its first recording outside of Brazil, Henrique Oswald’s Piano Quintet in C major (1895) was composed in Florence. Imprinted with the European influences he absorbed there, it is lit up by his own gift for heartfelt melody. Marlos Nobre’s Poema XXI – here in its premiere recording – carries itself with a distinctive character drawing on traditional South American dances to produce something effusive, elegant and exotic in equal measure. © Somm Recordings

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Treasures from the New World

Clelia Iruzun

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Piano Quintet in F-Sharp Minor, Op. 67 (Amy Beach)

1
I. Adagio
Clelia Iruzun
00:09:43

Amy Beach, Composer - Clelia Iruzun, Artist, MainArtist - Coull Quartet, Ensemble

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

2
II. Adagio espressivo
Clelia Iruzun
00:09:29

Amy Beach, Composer - Clelia Iruzun, Artist, MainArtist - Coull Quartet, Ensemble

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

3
III. Allegro agitato
Clelia Iruzun
00:10:09

Amy Beach, Composer - Clelia Iruzun, Artist, MainArtist - Coull Quartet, Ensemble

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Piano Quintet in C Major, Op. 18 (Henrique Oswald)

4
I. Allegro moderato
Clelia Iruzun
00:08:02

Clelia Iruzun, Artist, MainArtist - Coull Quartet, Ensemble - Henrique Oswald, Composer

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

5
II. Scherzo
Clelia Iruzun
00:04:01

Clelia Iruzun, Artist, MainArtist - Coull Quartet, Ensemble - Henrique Oswald, Composer

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

6
III. Molto adagio
Clelia Iruzun
00:07:19

Clelia Iruzun, Artist, MainArtist - Coull Quartet, Ensemble - Henrique Oswald, Composer

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

7
IV. Molto allegro
Clelia Iruzun
00:07:30

Clelia Iruzun, Artist, MainArtist - Coull Quartet, Ensemble - Henrique Oswald, Composer

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Poema XXI, Op. 94 No. 21 (Marlos Nobre)

8
Poema XXI, Op. 94 No. 21
Clelia Iruzun
00:03:54

Clelia Iruzun, Artist, MainArtist - Marlos Nobre, Composer - Coull Quartet, Ensemble

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Romance for Violin & Piano, Op. 23 (Amy Beach)

9
Romance for Violin & Piano, Op. 23
Roger Coull
00:06:32

Amy Beach, Composer - Clelia Iruzun, Artist - Roger Coull, Artist, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Chronique

Somm Recordings presents "Treasures from the New World" – a compelling collection of late-Romantic and contemporary works for piano and string quartet from the Americas brimming with all the colour, energy, and emotion of that great continent. Clélia Iruzun teams up with the Coull Quartet for a varied and vital programme championing the music of her Brazilian compatriots Henrique Oswald and Marlos Nobre and the pioneering American Amy Beach.
Influenced by Brahms and Schumann, Beach’s Piano Quintet in F-sharp minor (1908) is stamped through with a lyrically melancholic and pensive signature all its own. For her Romance for Violin and Piano (1893), a work of hypnotic gracefulness and aching emotions, Iruzun partners with the Coull Quartet’s first violinist, Roger Coull. Receiving its first recording outside of Brazil, Henrique Oswald’s Piano Quintet in C major (1895) was composed in Florence. Imprinted with the European influences he absorbed there, it is lit up by his own gift for heartfelt melody. Marlos Nobre’s Poema XXI – here in its premiere recording – carries itself with a distinctive character drawing on traditional South American dances to produce something effusive, elegant and exotic in equal measure. © Somm Recordings

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