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Scanners|Submarine

Submarine

Scanners

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Scanners’ 2006 debut album, Violence Is Golden, showed that they were capable of pulling off almost any style they chose: spiky pop, swooning ballads, witchy folk. Four years later, Submarine streamlines their sound into dark post-punk with a slight folk tinge, as its first three songs show. “Jesus Saves” and “Salvation” meld chiming guitars with surprisingly lavish backing vocals, while “We Never Close Our Eyes” -- which sounds a little like PJ Harvey meets Metric -- is a tug of war between introspection and urgency that feels like the slicker sister of Violence Is Golden’s excellent single “Low Life.” Much of the album alternates between darkly breezy tracks like “Sick Love” and “Sleepwalking Life” and moody, slow-mo ballads like “Strangelovehate.” While Scanners do these sounds ably, Submarine buries the mischievous rock that provided some of Violence Is Golden’s highlights (although “Half a Mind” does crank up the volume a few notches). Like that album, however, Submarine boasts a sharp pop streak that surfaces on the gorgeous “Baby Blue” and “A Girl Like You” and “Goodbye”’s barbed-wire hooks.

© Heather Phares /TiVo

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Submarine

Scanners

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1
Jesus Saves
00:04:11

Scanners, Producer, MainArtist - Sarah Daly, Composer - UNKNOWN PUBLISHER, MusicPublisher - BMG Bumblebee, MusicPublisher - Matthew David Mole, Composer - Amina Gramy, Composer - Thomas Hutt, Composer

2010 Dim Mak Inc. 2010 Dim Mak Inc.

2
We Never Close Our Eyes
00:03:28

Scanners, Producer, MainArtist - Sarah Daly, Composer - UNKNOWN PUBLISHER, MusicPublisher - BMG Bumblebee, MusicPublisher - Matthew David Mole, Composer - Amina Gramy, Composer - Thomas Hutt, Composer

2010 Dim Mak Inc. 2010 Dim Mak Inc.

3
Salvation
00:03:22

Copyright Control, MusicPublisher - Scanners, Producer, MainArtist - Sarah Daly, Composer - Matthew David Mole, Composer

2010 Dim Mak Inc. 2010 Dim Mak Inc.

4
Baby Blue
00:04:20

Copyright Control, MusicPublisher - Scanners, Producer, MainArtist - Sarah Daly, Composer - Matthew David Mole, Composer

2010 Dim Mak Inc. 2010 Dim Mak Inc.

5
Sick Love
00:03:30

Copyright Control, MusicPublisher - Scanners, Producer, MainArtist - Sarah Daly, Composer - Matthew David Mole, Composer

2010 Dim Mak Inc. 2010 Dim Mak Inc.

6
A Girl Like You
00:03:33

Copyright Control, MusicPublisher - Scanners, Producer, MainArtist - Sarah Daly, Composer - Matthew David Mole, Composer

2010 Dim Mak Inc. 2010 Dim Mak Inc.

7
Strangelovehate
00:04:31

Copyright Control, MusicPublisher - Scanners, Producer, MainArtist - Sarah Daly, Composer - Matthew David Mole, Composer

2010 Dim Mak Inc. 2010 Dim Mak Inc.

8
Goodbye
00:04:14

Copyright Control, MusicPublisher - Scanners, Producer, MainArtist - Sarah Daly, Composer - Matthew David Mole, Composer

2010 Dim Mak Inc. 2010 Dim Mak Inc.

9
Half A Mind (Dreamer Forever)
00:03:29

Copyright Control, MusicPublisher - Scanners, Producer, MainArtist - Sarah Daly, Composer - Matthew David Mole, Composer

2010 Dim Mak Inc. 2010 Dim Mak Inc.

10
Sleepwalking Life
00:03:46

Copyright Control, MusicPublisher - Scanners, Producer, MainArtist - Sarah Daly, Composer - Matthew David Mole, Composer

2010 Dim Mak Inc. 2010 Dim Mak Inc.

11
Halfway Home
00:03:30

Copyright Control, MusicPublisher - Scanners, Producer, MainArtist - Matthew David Mole, Composer - Sarah Anne Daly, Composer

2010 Dim Mak Inc. 2010 Dim Mak Inc.

Chronique

Scanners’ 2006 debut album, Violence Is Golden, showed that they were capable of pulling off almost any style they chose: spiky pop, swooning ballads, witchy folk. Four years later, Submarine streamlines their sound into dark post-punk with a slight folk tinge, as its first three songs show. “Jesus Saves” and “Salvation” meld chiming guitars with surprisingly lavish backing vocals, while “We Never Close Our Eyes” -- which sounds a little like PJ Harvey meets Metric -- is a tug of war between introspection and urgency that feels like the slicker sister of Violence Is Golden’s excellent single “Low Life.” Much of the album alternates between darkly breezy tracks like “Sick Love” and “Sleepwalking Life” and moody, slow-mo ballads like “Strangelovehate.” While Scanners do these sounds ably, Submarine buries the mischievous rock that provided some of Violence Is Golden’s highlights (although “Half a Mind” does crank up the volume a few notches). Like that album, however, Submarine boasts a sharp pop streak that surfaces on the gorgeous “Baby Blue” and “A Girl Like You” and “Goodbye”’s barbed-wire hooks.

© Heather Phares /TiVo

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