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Adia Victoria|Silences

Silences

Adia Victoria

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Encore inconnue outre-Atlantique, Adia Victoria sort sans bruit son second album, Silences, déjà plébiscité sur le sol américain. Au-delà de ce piètre jeu de mots, Silences reprend le titre d'un ouvrage de la féministe Tillie Olsen. Installée à Nashville, la chanteuse-compositrice-interprète et poétesse de 32 ans avait sorti son premier opus en 2016, Beyond the Bloodhounds, déjà en référence à la militante afro-américaine Harriet Jacobs. Une femme de conviction donc, que cette Adia Victoria.

Avec sa voix velours tout terrain qui reprenait même le Laisse tomber les filles de France Gall (How It Feels, 2017) , Victoria ravage 12 pistes fignolées avec Aaron Dessner des Nationals. Plus étoffé, rassemblant saxophone, guitare, bois et électronique, Silences s'écoute comme un combat contre ses démons. C'est en ce sens, celui du blues de l'intime, qu'elle entend sa musique et non comme de la pop indie, comme on pourrait facilement l'appréhender. "Je voulais remettre les crocs dans le blues. A mon avis, c'est la musique punk originale. C'étaient des gens qui chantaient des chansons à propos de messages qu'ils ne pouvaient pas dire sous peine d'être tués." Joli. @ Charlotte Saintoin/Qobuz

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Silences

Adia Victoria

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1
Clean
00:01:52

Clarice Jensen, Cello - Jason Harris, Synthesizer - Aaron Dessner, Producer - Greg Galbi, Masterer - Yuki Numata Resnick, Violin - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Writer - Adam Hill, Synthesizer - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Synthesizer - Omari Paul, Synthesizer

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

2
Bring Her Back Explicit
00:03:15

Jason Harris, Synthesizer - Aaron Dessner, Producer, Piano, Drum Programmer, Synthesizer - Greg Galbi, Masterer - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Guitar, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Guitar, Additional Production, Writer - Adam Schatz, Keyboards, Tenor Saxophone - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Keyboards

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

3
Pacolet Road
00:03:08

Stuart Bogie, Clarinet, Saxophone - Justin Vernon, Drums - Jason Harris, Bass - Aaron Dessner, Producer, Piano, Drum Programmer, Synthesizer - Kyle Resnick, Trumpet - Greg Galbi, Masterer - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Guitar, Bass Guitar, Additional Production, Writer - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Organ, Synthesizer

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

4
The City
00:03:18

Billie Holiday, Writer - Stuart Bogie, Clarinet, Flute, Saxophone - Aaron Dessner, Producer, Piano, Bass, Synthesizer - James McAlister, Drum Programmer - Herbert Nichols, Writer - Greg Galbi, Masterer - Yuki Numata Resnick, Violin - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Electric Guitar, Vocals, MainArtist - Adia Victoria Paul, Writer - Mason Hickman, Guitar, Additional Production, Writer, Drum Programmer, Synthesizer - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Synthesizer

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

5
Different Kind Of Love
00:03:24

Stuart Bogie, Saxophone - Justin Vernon, Drums, Synthesizer - Jason Harris, Bass - Greg Galbi, Masterer - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Electric Guitar, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Electric Guitar, Additional Production, Writer, Drum Programmer, Synthesizer - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Organ, Synthesizer

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2018 Atlantic Recording Corporation

6
Devil Is A Lie
00:04:28

Stuart Bogie, Clarinet, Flute, Saxophone - Clarice Jensen, Cello - Dave Nelson, Trombone - Jason Harris, Bass - Aaron Dessner, Producer - James McAlister, Drum Programmer - Kyle Resnick, Trumpet - Greg Galbi, Masterer - Yuki Numata Resnick, Violin - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Electric Guitar, Additional Production, Writer - Adam Schatz, Bass Clarinet - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Organ

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

7
The Needle's Eye
00:03:33

Stuart Bogie, Clarinet, Jew's Harp - Clarice Jensen, Cello - Justin Vernon, Synthesizer - Jason Harris, Bass - Aaron Dessner, Producer - Greg Galbi, Masterer - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Guitar, Additional Production, Writer, Drum Programmer, Synthesizer - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Synthesizer

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

8
Cry Wolf Explicit
00:04:16

Clarice Jensen, Cello - Justin Vernon, Synthesizer - Aaron Dessner, Producer, Piano, Bass, Synthesizer - Greg Galbi, Masterer - Yuki Numata Resnick, Violin - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Electric Guitar, Writer - Adam Schatz, Keyboards, Tenor Saxophone - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Synthesizer

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

9
Heathen
00:03:25

Stuart Bogie, Saxophone - Clarice Jensen, Cello - Aaron Dessner, Producer, Drum Programmer, Synthesizer - Greg Galbi, Masterer - Yuki Numata Resnick, Violin - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Electric Guitar, Keyboards, Additional Production, Writer - Timothy 'Knapps' Beaty, Drums - Jon O'Hara, Keyboards - Bella Blakso, AssistantEngineer - Pete Eddins, Keyboards

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

10
Nice Folks
00:04:11

Dave Nelson, Trombone - Aaron Dessner, Producer, Piano, Synthesizer - Greg Galbi, Masterer - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Electric Guitar, Additional Production, Writer, Drum Programmer, Synthesizer - Adam Schatz, Keyboards, Tenor Saxophone - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Synthesizer

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

11
Dope Queen Blues
00:03:06

Stuart Bogie, Clarinet, Flute, Saxophone - Dave Nelson, Trombone - Aaron Dessner, Producer, Drum Programmer, Bass, Synthesizer - Greg Galbi, Masterer - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Guitar, Additional Production, Writer - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Aaron Dressner, Piano

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2018 Atlantic Recording Corporation

12
Get Lonely
00:04:18

Clarice Jensen, Cello - Aaron Dessner, Producer, Piano, Drum Programmer, Bass, Synthesizer - Greg Galbi, Masterer - Yuki Numata Resnick, Violin - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Guitar, Additional Production, Writer, Synthesizer - Adam Schatz, Keyboards, Tenor Saxophone - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Keyboards

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

Chronique

Encore inconnue outre-Atlantique, Adia Victoria sort sans bruit son second album, Silences, déjà plébiscité sur le sol américain. Au-delà de ce piètre jeu de mots, Silences reprend le titre d'un ouvrage de la féministe Tillie Olsen. Installée à Nashville, la chanteuse-compositrice-interprète et poétesse de 32 ans avait sorti son premier opus en 2016, Beyond the Bloodhounds, déjà en référence à la militante afro-américaine Harriet Jacobs. Une femme de conviction donc, que cette Adia Victoria.

Avec sa voix velours tout terrain qui reprenait même le Laisse tomber les filles de France Gall (How It Feels, 2017) , Victoria ravage 12 pistes fignolées avec Aaron Dessner des Nationals. Plus étoffé, rassemblant saxophone, guitare, bois et électronique, Silences s'écoute comme un combat contre ses démons. C'est en ce sens, celui du blues de l'intime, qu'elle entend sa musique et non comme de la pop indie, comme on pourrait facilement l'appréhender. "Je voulais remettre les crocs dans le blues. A mon avis, c'est la musique punk originale. C'étaient des gens qui chantaient des chansons à propos de messages qu'ils ne pouvaient pas dire sous peine d'être tués." Joli. @ Charlotte Saintoin/Qobuz

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