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Volgograd Symphony Orchestra|Shostakovich: Cello Concerto & Tchaikovsky Rococo Variations

Shostakovich: Cello Concerto & Tchaikovsky Rococo Variations

Kim Cook

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Shostakovich's First Cello Concerto, written in 1959 during a tumultuous time in the composer's life, is filled with sarcasm, aggression, and, at times, haunting beauty. Written for and premiered by Mstislav Rostropovich, few artists have managed to capture the sheer emotional impact that "Slava" was able to deliver. Cellist Kim Cook and the Volgograd Symphony Orchestra under Edward Serov fall considerably below the bar set by Rostropovich. From a technical perspective, Cook has occasional problems with intonation (particularly in the exhausting end of the fourth movement) and can be heard sliding into notes far too often (especially in the lush second movement, where such portamento playing dulls the expressivity of the movement). Musically, Cook's playing is decidedly safe, with limited contrasts between characters and an absent sense of really digging into the strings and letting it fly. By far the weakest aspect of the recording, however, is the orchestral accompaniment. The Volgograd Symphony comes across seeming quite amateurish, with sloppy, out-of-tune playing in the winds.
The disc continues with Tchaikovsky's Variations on a Rococo Theme. The orchestra seems more comfortable with this score, though its playing is far from flawless. Cook's playing, however, remains quite guarded and cautious rather than the ebullient and effervescent character that this piece demands.

© TiVo

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Shostakovich: Cello Concerto & Tchaikovsky Rococo Variations

Volgograd Symphony Orchestra

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1
Cello Concerto No.1, Op.107: I. Allegretto
Kim Cook
00:06:42

Dmitri Shostakovich, Composer - G Schirmer, MusicPublisher - Edward Serov, Conductor - Volgograd Symphony Orchestra, Orchestra - Kim Cook, MainArtist

(C) 2009 Kim Cook (P) 2009 Kim Cook

2
Cello Concerto No.1, Op.107: II. Moderato
Kim Cook
00:12:05

Dmitri Shostakovich, Composer - G Schirmer, MusicPublisher - Edward Serov, Conductor - Volgograd Symphony Orchestra, Orchestra - Kim Cook, MainArtist

(C) 2009 Kim Cook (P) 2009 Kim Cook

3
Cello Concerto No.1, Op.107: III. Cadenza
Kim Cook
00:06:10

Dmitri Shostakovich, Composer - G Schirmer, MusicPublisher - Edward Serov, Conductor - Volgograd Symphony Orchestra, Orchestra - Kim Cook, MainArtist

(C) 2009 Kim Cook (P) 2009 Kim Cook

4
Cello Concerto No.1, Op.107: IV. Allegro con moto
Kim Cook
00:05:08

Dmitri Shostakovich, Composer - G Schirmer, MusicPublisher - Edward Serov, Conductor - Volgograd Symphony Orchestra, Orchestra - Kim Cook, MainArtist

(C) 2009 Kim Cook (P) 2009 Kim Cook

5
Rococo Variations for Cello and Orchestra, Op.33: Moderato quasi andante - Tema. Moderato semplice
Kim Cook
00:02:38

Peter Ilyich Tchaikovsky, Composer - Edward Serov, Conductor - Volgograd Symphony Orchestra, Orchestra - Kim Cook, MainArtist

(C) 2009 Kim Cook (P) 2009 Kim Cook

6
Rococo Variations for Cello and Orchestra, Op.33: Variation I - Tempo del tema
Kim Cook
00:00:59

Peter Ilyich Tchaikovsky, Composer - Edward Serov, Conductor - Volgograd Symphony Orchestra, Orchestra - Kim Cook, MainArtist

(C) 2009 Kim Cook (P) 2009 Kim Cook

7
Rococo Variations for Cello and Orchestra, Op.33: Variation II - Tempo del tema
Kim Cook
00:01:22

Peter Ilyich Tchaikovsky, Composer - Edward Serov, Conductor - Volgograd Symphony Orchestra, Orchestra - Kim Cook, MainArtist

(C) 2009 Kim Cook (P) 2009 Kim Cook

8
Rococo Variations for Cello and Orchestra, Op.33: Variation III - Andante sostenuto
Kim Cook
00:03:52

Peter Ilyich Tchaikovsky, Composer - Edward Serov, Conductor - Volgograd Symphony Orchestra, Orchestra - Kim Cook, MainArtist

(C) 2009 Kim Cook (P) 2009 Kim Cook

9
Rococo Variations for Cello and Orchestra, Op.33: Variation IV - Andante grazioso
Kim Cook
00:02:08

Peter Ilyich Tchaikovsky, Composer - Edward Serov, Conductor - Volgograd Symphony Orchestra, Orchestra - Kim Cook, MainArtist

(C) 2009 Kim Cook (P) 2009 Kim Cook

10
Rococo Variations for Cello and Orchestra, Op.33: Variation V - Allegro moderato
Kim Cook
00:03:41

Peter Ilyich Tchaikovsky, Composer - Edward Serov, Conductor - Volgograd Symphony Orchestra, Orchestra - Kim Cook, MainArtist

(C) 2009 Kim Cook (P) 2009 Kim Cook

11
Rococo Variations for Cello and Orchestra, Op.33: Variation VI - Andante
Kim Cook
00:02:22

Peter Ilyich Tchaikovsky, Composer - Edward Serov, Conductor - Volgograd Symphony Orchestra, Orchestra - Kim Cook, MainArtist

(C) 2009 Kim Cook (P) 2009 Kim Cook

12
Rococo Variations for Cello and Orchestra, Op.33: Variation VII - Allegro vivo
Kim Cook
00:02:22

Peter Ilyich Tchaikovsky, Composer - Edward Serov, Conductor - Volgograd Symphony Orchestra, Orchestra - Kim Cook, MainArtist

(C) 2009 Kim Cook (P) 2009 Kim Cook

Chronique

Shostakovich's First Cello Concerto, written in 1959 during a tumultuous time in the composer's life, is filled with sarcasm, aggression, and, at times, haunting beauty. Written for and premiered by Mstislav Rostropovich, few artists have managed to capture the sheer emotional impact that "Slava" was able to deliver. Cellist Kim Cook and the Volgograd Symphony Orchestra under Edward Serov fall considerably below the bar set by Rostropovich. From a technical perspective, Cook has occasional problems with intonation (particularly in the exhausting end of the fourth movement) and can be heard sliding into notes far too often (especially in the lush second movement, where such portamento playing dulls the expressivity of the movement). Musically, Cook's playing is decidedly safe, with limited contrasts between characters and an absent sense of really digging into the strings and letting it fly. By far the weakest aspect of the recording, however, is the orchestral accompaniment. The Volgograd Symphony comes across seeming quite amateurish, with sloppy, out-of-tune playing in the winds.
The disc continues with Tchaikovsky's Variations on a Rococo Theme. The orchestra seems more comfortable with this score, though its playing is far from flawless. Cook's playing, however, remains quite guarded and cautious rather than the ebullient and effervescent character that this piece demands.

© TiVo

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