Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Various recordings exist of the two numbered violin sonatas by Camille Saint-Saëns, but most pair one sonata or the other with a work by a different composer. There is a lot to be said for performing them together, as violinist Cecilia Zilliacus (whose chamber music recordings, in general, are underrated and choice) and pianist Christian Ihle Hanland do here. They are quite distinct from each other, and heard together, they give insight into the depth of Saint-Saëns' compositional thinking. Oddly enough, chamber music had little presence in late 19th century France, and Saint-Saëns' Violin Sonata No. 1 in D minor, Op. 75, from 1885, is one of the first French examples of the genre (Franck's Violin Sonata in A major followed a year later). In parts, it resembles the Violin Sonata No. 9 in A major, Op. 47, of Beethoven, who was not a common model for Saint-Saëns, and it may have been the inspiration for the fictional "Vinteuil Sonata" in Proust's novel À la recherche du temps perdu. The Violin Sonata No. 2 in E flat major, Op. 102, is quieter but more intricate; its thematic material is Brahmsian in the way it contains multiple possibilities. Saint-Saëns claimed that one had to hear it eight times in order to get it; that may be excessive, but it is certainly learned chamber music with a mood uncharacteristic of the composer. Zilliacus and pianist Hadland reveal the full distinctiveness of the two works; Zilliacus is especially compelling in the sinuous thematic material of the first movement of the Violin Sonata No. 2. The cherry on top is a pair of works for violin and harp, one of them a transcription, at the end. This may well become a standard recording of the two Saint-Saëns violin sonatas.
© James Manheim /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Violin Sonata No. 1 in D Minor, Op. 75, R. 123 (Camille Saint-Saëns)
CAMILLE SAINT-SAENS, Composer - Cecilia Zilliacus, MainArtist, AssociatedPerformer - Christian Ihle Hadland, MainArtist, AssociatedPerformer - Ingo Petry, Producer, SoundEngineer
2023 BIS 2023 (P) BIS
CAMILLE SAINT-SAENS, Composer - Cecilia Zilliacus, MainArtist, AssociatedPerformer - Christian Ihle Hadland, MainArtist, AssociatedPerformer - Ingo Petry, Producer, SoundEngineer
2023 BIS 2023 (P) BIS
CAMILLE SAINT-SAENS, Composer - Cecilia Zilliacus, MainArtist, AssociatedPerformer - Christian Ihle Hadland, MainArtist, AssociatedPerformer - Ingo Petry, Producer, SoundEngineer
2023 BIS 2023 (P) BIS
CAMILLE SAINT-SAENS, Composer - Cecilia Zilliacus, MainArtist, AssociatedPerformer - Christian Ihle Hadland, MainArtist, AssociatedPerformer - Ingo Petry, Producer, SoundEngineer
2023 BIS 2023 (P) BIS
Violin Sonata No. 2 in E-Flat Major, Op. 102, R. 130 (Camille Saint-Saëns)
CAMILLE SAINT-SAENS, Composer - Cecilia Zilliacus, MainArtist, AssociatedPerformer - Christian Ihle Hadland, MainArtist, AssociatedPerformer - Ingo Petry, Producer, SoundEngineer
2023 BIS 2023 (P) BIS
CAMILLE SAINT-SAENS, Composer - Cecilia Zilliacus, MainArtist, AssociatedPerformer - Christian Ihle Hadland, MainArtist, AssociatedPerformer - Ingo Petry, Producer, SoundEngineer
2023 BIS 2023 (P) BIS
CAMILLE SAINT-SAENS, Composer - Cecilia Zilliacus, MainArtist, AssociatedPerformer - Christian Ihle Hadland, MainArtist, AssociatedPerformer - Ingo Petry, Producer, SoundEngineer
2023 BIS 2023 (P) BIS
CAMILLE SAINT-SAENS, Composer - Cecilia Zilliacus, MainArtist, AssociatedPerformer - Christian Ihle Hadland, MainArtist, AssociatedPerformer - Ingo Petry, Producer, SoundEngineer
2023 BIS 2023 (P) BIS
CAMILLE SAINT-SAENS, Composer - Cecilia Zilliacus, MainArtist, AssociatedPerformer - Stephen Fitzpatrick, MainArtist, AssociatedPerformer - Marion Schwebel, Producer, SoundEngineer
2023 BIS 2023 (P) BIS
CAMILLE SAINT-SAENS, Composer - Cecilia Zilliacus, MainArtist, AssociatedPerformer - Stephen Fitzpatrick, Arranger, MainArtist, AssociatedPerformer - Marion Schwebel, Producer, SoundEngineer
2023 BIS 2023 (P) BIS
Chronique
Various recordings exist of the two numbered violin sonatas by Camille Saint-Saëns, but most pair one sonata or the other with a work by a different composer. There is a lot to be said for performing them together, as violinist Cecilia Zilliacus (whose chamber music recordings, in general, are underrated and choice) and pianist Christian Ihle Hanland do here. They are quite distinct from each other, and heard together, they give insight into the depth of Saint-Saëns' compositional thinking. Oddly enough, chamber music had little presence in late 19th century France, and Saint-Saëns' Violin Sonata No. 1 in D minor, Op. 75, from 1885, is one of the first French examples of the genre (Franck's Violin Sonata in A major followed a year later). In parts, it resembles the Violin Sonata No. 9 in A major, Op. 47, of Beethoven, who was not a common model for Saint-Saëns, and it may have been the inspiration for the fictional "Vinteuil Sonata" in Proust's novel À la recherche du temps perdu. The Violin Sonata No. 2 in E flat major, Op. 102, is quieter but more intricate; its thematic material is Brahmsian in the way it contains multiple possibilities. Saint-Saëns claimed that one had to hear it eight times in order to get it; that may be excessive, but it is certainly learned chamber music with a mood uncharacteristic of the composer. Zilliacus and pianist Hadland reveal the full distinctiveness of the two works; Zilliacus is especially compelling in the sinuous thematic material of the first movement of the Violin Sonata No. 2. The cherry on top is a pair of works for violin and harp, one of them a transcription, at the end. This may well become a standard recording of the two Saint-Saëns violin sonatas.
© James Manheim /TiVo
À propos
- 1 disque(s) - 10 piste(s)
- Durée totale : 01:06:19
- 1 Livret Numérique
- Artistes principaux : Cecilia Zilliacus Christian Ihle Hadland Stephen Fitzpatrick
- Compositeur : Camille Saint-Saëns
- Label : BIS
- Genre : Classique Musique de chambre
2023 BIS 2023 BIS
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.