Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Released in 1985, Real Nighttime wasn't Game Theory's first album -- they'd self-released the home-recorded Blaze of Glory in 1982, and a pair of EPs had been fashioned into the 1984 LP Dead Center -- but it was the first record that truly fulfilled Scott Miller's ideas and ambitions for his music. With Real Nighttime, Miller and his bandmates had a bigger budget to work with, as well as a talented and sympatico producer, Mitch Easter, who tightened up the music and helped Miller work out the angles of his sweet-and-noisy smart pop. While Easter's studiocraft helped Game Theory improve their game, Real Nighttime more importantly contained the best and most cohesive set of songs Miller had written to date, and this loose song cycle following a young man's journey from romantic bliss ("24") to soul-crushing disappointment ("I Turned Her Away") plays like the indie pop answer to Pet Sounds. Like that album, Real Nighttime gave Game Theory a great canvas for experimentation; the ominous clouds of slide guitar on their cover of Alex Chilton's "You Can't Have Me," the caffeinated guitars and drums of "Friend of the Family," and the interplay of fuzztone and Farfisa on "Rayon Drive" showed Game Theory were learning new ways to color their surroundings, especially as the more aggressive numbers turned around quieter pieces like "If and When It Falls Apart" and "I Mean It This Time." And while Miller was clearly the leader of this band, the outstanding percussion work from Dave Gill, the evocative keyboards from Nan Becker, and the solid, propulsive bass of Fred Juhos played an invaluable role in making these songs work. Game Theory made good records right out of the starting gate, but Real Nighttime was where they proved they could make truly great ones, and it's not just one of the band's finest works, it's a watershed work in '80s paisley underground pop.
© Mark Deming /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1985 Scott Vanderbilt under exclusive license to Omnivore Recordings
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1985 Scott Vanderbilt under exclusive license to Omnivore Recordings
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1985 Scott Vanderbilt under exclusive license to Omnivore Recordings
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1985 Scott Vanderbilt under exclusive license to Omnivore Recordings
Scott Miller, Composer, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1985 Scott Vanderbilt under exclusive license to Omnivore Recordings
Scott Miller, Composer, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1985 Scott Vanderbilt under exclusive license to Omnivore Recordings
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1985 Scott Vanderbilt under exclusive license to Omnivore Recordings
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1985 Scott Vanderbilt under exclusive license to Omnivore Recordings
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1985 Scott Vanderbilt under exclusive license to Omnivore Recordings
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1985 Scott Vanderbilt under exclusive license to Omnivore Recordings
Alex Chilton, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1985 Scott Vanderbilt under exclusive license to Omnivore Recordings
Scott Miller, Composer, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1985 Scott Vanderbilt under exclusive license to Omnivore Recordings
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1986 Scott Vanderbilt under exclusive license to Omnivore Recordings
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1985 Scott Vanderbilt under exclusive license to Omnivore Recordings
Game Theory, MainArtist - Fred Juhos, Writer
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1986 Scott Vanderbilt under exclusive license to Omnivore Recordings
Gerry Rafferty, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 2015 The Estate Of Scott Miller and The Scott Miller Archives under exclusive license to Omnivore Recordings
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 2015 The Estate Of Scott Miller and The Scott Miller Archives under exclusive license to Omnivore Recordings
Scott Miller, Composer, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 2015 The Estate Of Scott Miller and The Scott Miller Archives under exclusive license to Omnivore Recordings
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 2015 The Estate Of Scott Miller and The Scott Miller Archives under exclusive license to Omnivore Recordings
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 2015 The Estate Of Scott Miller and The Scott Miller Archives under exclusive license to Omnivore Recordings
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 2015 The Estate Of Scott Miller and The Scott Miller Archives under exclusive license to Omnivore Recordings
Scott Miller, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 2015 The Estate Of Scott Miller and The Scott Miller Archives under exclusive license to Omnivore Recordings
Scott Miller, Writer - Michael Quercio, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 2015 The Estate Of Scott Miller and The Scott Miller Archives under exclusive license to Omnivore Recordings
Scott Miller, Composer, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 2015 The Estate Of Scott Miller and The Scott Miller Archives under exclusive license to Omnivore Recordings
Freddie Mercury, Writer - Game Theory, MainArtist
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 2015 The Estate Of Scott Miller and The Scott Miller Archives under exclusive license to Omnivore Recordings
Chronique
Released in 1985, Real Nighttime wasn't Game Theory's first album -- they'd self-released the home-recorded Blaze of Glory in 1982, and a pair of EPs had been fashioned into the 1984 LP Dead Center -- but it was the first record that truly fulfilled Scott Miller's ideas and ambitions for his music. With Real Nighttime, Miller and his bandmates had a bigger budget to work with, as well as a talented and sympatico producer, Mitch Easter, who tightened up the music and helped Miller work out the angles of his sweet-and-noisy smart pop. While Easter's studiocraft helped Game Theory improve their game, Real Nighttime more importantly contained the best and most cohesive set of songs Miller had written to date, and this loose song cycle following a young man's journey from romantic bliss ("24") to soul-crushing disappointment ("I Turned Her Away") plays like the indie pop answer to Pet Sounds. Like that album, Real Nighttime gave Game Theory a great canvas for experimentation; the ominous clouds of slide guitar on their cover of Alex Chilton's "You Can't Have Me," the caffeinated guitars and drums of "Friend of the Family," and the interplay of fuzztone and Farfisa on "Rayon Drive" showed Game Theory were learning new ways to color their surroundings, especially as the more aggressive numbers turned around quieter pieces like "If and When It Falls Apart" and "I Mean It This Time." And while Miller was clearly the leader of this band, the outstanding percussion work from Dave Gill, the evocative keyboards from Nan Becker, and the solid, propulsive bass of Fred Juhos played an invaluable role in making these songs work. Game Theory made good records right out of the starting gate, but Real Nighttime was where they proved they could make truly great ones, and it's not just one of the band's finest works, it's a watershed work in '80s paisley underground pop.
© Mark Deming /TiVo
À propos
- 1 disque(s) - 25 piste(s)
- Durée totale : 01:19:41
- 1 Livret Numérique
- Artistes principaux : Game Theory
- Compositeur : Scott Miller
- Label : Omnivore Recordings
- Genre : Pop/Rock Rock Alternatif et Indé
© 2015 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC ℗ 1985, 1986 Scott Vanderbilt, 2015 The Estate Of Scott Miller and The Scott Miller Archives under exclusive license to Omnivore Recordings
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.