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Voix Humaines, Les|Purcell: Fantasias

Purcell: Fantasias

Les Voix Humaines

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Purcell's fantasias for viols have been recorded often enough, but this performance by the Montreal group Les Voix Humaines stands out in several respects. First is the set of viols, dating from the eighteenth century and now resident at the University of Toronto. Though not originally a set, they were brought together by a single individual and have a distinctively wiry, intense tone that fits the interpretation offered here. The indefatigable annotator François Filiatrault likens Purcell's fantasias, apparently written during a single stretch in 1680, to Bach's Art of Fugue, and they're given a correspondingly weighty treatment here, proceeding from the three-part pieces to those in four parts, the five-part Fantasia upon One Note, and finally In Nomines in six and seven parts before releasing the tension with the rather bizarre "Dance for the Green Men" and Monkey's Dance from the incidental music to The Fairy Queen and a viol version of the famous "Dido's Lament." It's a convincing performance that manages to convey the dense, Bachian quality of the fantasias and to give a feeling of inexhaustible imagination rather than bogging down in a mass of texturally similar material. The string tone is made a bit remote by the church recording environment, but coordination among the players is impressive. "Systematic" is not the word that first comes to mind when Purcell comes up, but this French Canadian release makes a case that perhaps it should be.

© TiVo

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Purcell: Fantasias

Voix Humaines, Les

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1
Fantasia I à 3 en ré mineur, Z. 732
00:02:48

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

2
Fantasia II à 3 en fa majeur, Z. 733
00:02:38

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

3
Fantasia III à 3 en sol majeur, Z. 734
00:02:28

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

4
Fantasia IV à 4 en sol mineur, Z. 735
00:03:16

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

5
Fantasia V à 4 en si bémol majeur, Z. 736
00:02:49

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

6
Fantasia VI à 4 en fa majeur, Z. 737
00:03:10

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

7
Fantasia VII à 4 en do mineur, Z. 738
00:04:02

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

8
Fantasia VIII à 4 en ré mineur, Z. 739
00:03:24

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

9
Fantasia IX à 4 en la mineur, Z. 740
00:03:11

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

10
Fantasia X à 4 en mi mineur, Z. 741
00:03:10

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

11
Fantasia XI à 4 en sol majeur, Z. 742
00:02:55

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

12
Fantasia XII à 4 en ré mineur, Z. 743
00:02:50

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

13
Fantasia XIII à 4 en la mineur, Z. 744
00:03:14

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

14
Fantasia upon one note à 5 en fa majeur, Z. 745
00:02:29

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

15
In nomine à 6 en sol mineur, Z. 746
00:01:34

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

16
In nomine à 7 en sol mineur dorien, Z. 747
00:02:18

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

17
The Fairy Queen, Z. 629, Act I: Dance for the Green Men, "Monkey's Dance"
00:04:02

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

18
Dido and Aeneas, Z. 626, Act III: When I Am Laid In Earth, "Dido's Lament"
00:02:47

Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

Chronique

Purcell's fantasias for viols have been recorded often enough, but this performance by the Montreal group Les Voix Humaines stands out in several respects. First is the set of viols, dating from the eighteenth century and now resident at the University of Toronto. Though not originally a set, they were brought together by a single individual and have a distinctively wiry, intense tone that fits the interpretation offered here. The indefatigable annotator François Filiatrault likens Purcell's fantasias, apparently written during a single stretch in 1680, to Bach's Art of Fugue, and they're given a correspondingly weighty treatment here, proceeding from the three-part pieces to those in four parts, the five-part Fantasia upon One Note, and finally In Nomines in six and seven parts before releasing the tension with the rather bizarre "Dance for the Green Men" and Monkey's Dance from the incidental music to The Fairy Queen and a viol version of the famous "Dido's Lament." It's a convincing performance that manages to convey the dense, Bachian quality of the fantasias and to give a feeling of inexhaustible imagination rather than bogging down in a mass of texturally similar material. The string tone is made a bit remote by the church recording environment, but coordination among the players is impressive. "Systematic" is not the word that first comes to mind when Purcell comes up, but this French Canadian release makes a case that perhaps it should be.

© TiVo

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