Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Purcell's fantasias for viols have been recorded often enough, but this performance by the Montreal group Les Voix Humaines stands out in several respects. First is the set of viols, dating from the eighteenth century and now resident at the University of Toronto. Though not originally a set, they were brought together by a single individual and have a distinctively wiry, intense tone that fits the interpretation offered here. The indefatigable annotator François Filiatrault likens Purcell's fantasias, apparently written during a single stretch in 1680, to Bach's Art of Fugue, and they're given a correspondingly weighty treatment here, proceeding from the three-part pieces to those in four parts, the five-part Fantasia upon One Note, and finally In Nomines in six and seven parts before releasing the tension with the rather bizarre "Dance for the Green Men" and Monkey's Dance from the incidental music to The Fairy Queen and a viol version of the famous "Dido's Lament." It's a convincing performance that manages to convey the dense, Bachian quality of the fantasias and to give a feeling of inexhaustible imagination rather than bogging down in a mass of texturally similar material. The string tone is made a bit remote by the church recording environment, but coordination among the players is impressive. "Systematic" is not the word that first comes to mind when Purcell comes up, but this French Canadian release makes a case that perhaps it should be.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Henry Purcell, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel
℗ 2009 ATMA Classique
Chronique
Purcell's fantasias for viols have been recorded often enough, but this performance by the Montreal group Les Voix Humaines stands out in several respects. First is the set of viols, dating from the eighteenth century and now resident at the University of Toronto. Though not originally a set, they were brought together by a single individual and have a distinctively wiry, intense tone that fits the interpretation offered here. The indefatigable annotator François Filiatrault likens Purcell's fantasias, apparently written during a single stretch in 1680, to Bach's Art of Fugue, and they're given a correspondingly weighty treatment here, proceeding from the three-part pieces to those in four parts, the five-part Fantasia upon One Note, and finally In Nomines in six and seven parts before releasing the tension with the rather bizarre "Dance for the Green Men" and Monkey's Dance from the incidental music to The Fairy Queen and a viol version of the famous "Dido's Lament." It's a convincing performance that manages to convey the dense, Bachian quality of the fantasias and to give a feeling of inexhaustible imagination rather than bogging down in a mass of texturally similar material. The string tone is made a bit remote by the church recording environment, but coordination among the players is impressive. "Systematic" is not the word that first comes to mind when Purcell comes up, but this French Canadian release makes a case that perhaps it should be.
© TiVo
À propos
- 1 disque(s) - 18 piste(s)
- Durée totale : 00:53:05
- Artistes principaux : Voix Humaines, Les
- Compositeur : Henry Purcell
- Label : ATMA Classique
- Genre : Classique
© 2009 ATMA Classique ℗ 2009 ATMA Classique
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.