Voix Humaines, Les
Langue disponible : anglaisThe Canadian group Les Voix Humaines in its basic form consists of two viola da gamba players, Susie Napper and Margaret Little. The duo has expanded at times to a larger group, Les Voix Humaines Ensemble; both formations have specialized in music of the French Baroque. Napper and Little joined forces in Montreal in 1985 to form Les Voix Humaines. The name is taken from that of a work by composer Marin Marais, whose music is often heard in concerts by the duo. The two musicians have also been active in other Canadian early music groups, including Le Studio de Musique Ancienne de Montréal and Les Boréades de Montréal on Napper's part, and Rebel, Four Nations, and Trinity Consort on Little's. The duo quickly gained popularity, touring in Europe, the U.S., Australia, and Israel in addition to Canada, and their popularity was only boosted by the appearance of the 1991 film Tous les matins du monde: the film dealt with the life of Marais' teacher, Jean de Sainte-Colombe, whose music fell squarely within the duo's repertory. Les Voix Humaines has performed with a variety of guest vocalists and instrumentalists in concert, including soprano Suzie LeBlanc, countertenor Daniel Taylor, and theorbist Sylvain Bergeron. The duo has also expanded to the larger Les Voix Humaines Ensemble, enabling them to perform viol consort music by the likes of Purcell and Dowland; its repertory also extends forward to Bach and other composers of the High Baroque. Les Voix Humaines has accumulated a large catalog of recordings, beginning with Le Constant et l'infidèle in 1995 on ATMA Classique. Many of their recordings have been made for that Canadian label, including 2019's Le Monde de Sainte-Colombe; that album consisted of selections from the complete set of Sainte-Colombe's duos that Les Voix Humaines recorded in the middle of the 2000s decade. Napper has taught at McGill University, and Little at the University of Montreal.
© James Manheim /TiVo Lire aussi
The Canadian group Les Voix Humaines in its basic form consists of two viola da gamba players, Susie Napper and Margaret Little. The duo has expanded at times to a larger group, Les Voix Humaines Ensemble; both formations have specialized in music of the French Baroque.
Napper and Little joined forces in Montreal in 1985 to form Les Voix Humaines. The name is taken from that of a work by composer Marin Marais, whose music is often heard in concerts by the duo. The two musicians have also been active in other Canadian early music groups, including Le Studio de Musique Ancienne de Montréal and Les Boréades de Montréal on Napper's part, and Rebel, Four Nations, and Trinity Consort on Little's. The duo quickly gained popularity, touring in Europe, the U.S., Australia, and Israel in addition to Canada, and their popularity was only boosted by the appearance of the 1991 film Tous les matins du monde: the film dealt with the life of Marais' teacher, Jean de Sainte-Colombe, whose music fell squarely within the duo's repertory. Les Voix Humaines has performed with a variety of guest vocalists and instrumentalists in concert, including soprano Suzie LeBlanc, countertenor Daniel Taylor, and theorbist Sylvain Bergeron. The duo has also expanded to the larger Les Voix Humaines Ensemble, enabling them to perform viol consort music by the likes of Purcell and Dowland; its repertory also extends forward to Bach and other composers of the High Baroque. Les Voix Humaines has accumulated a large catalog of recordings, beginning with Le Constant et l'infidèle in 1995 on ATMA Classique. Many of their recordings have been made for that Canadian label, including 2019's Le Monde de Sainte-Colombe; that album consisted of selections from the complete set of Sainte-Colombe's duos that Les Voix Humaines recorded in the middle of the 2000s decade. Napper has taught at McGill University, and Little at the University of Montreal.
© James Manheim /TiVo
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HUME: Captain Humes Poeticall Musicke, Vol. 2
Voix Humaines, Les, Stephen Stubbs, Paul Audet
Musique de chambre - Paru chez Naxos le 8 déc. 1997
16-Bit CD Quality 44.1 kHz - Stereo -
Anguille sous roche
Classique - Paru chez Les Disques ATMA Inc. le 28 avr. 2023
16-Bit CD Quality 44.1 kHz - Stereo -
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Le Monde de Sainte-Colombe
Classique - Paru chez ATMA Classique le 1 juin 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Marais: Pieces for 3 Violes
Voix Humaines, Les, Wieland Kuijken
Classique - Paru chez ATMA Classique le 5 juin 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Sainte-Colombe: Concerts à 2 violes esgales (Vol. 3)
Classique - Paru chez ATMA Classique le 1 août 2005
16-Bit CD Quality 44.1 kHz - Stereo -
Sainte-Colombe: Concerts à 2 violes esgales, Vol. 1
Classique - Paru chez ATMA Classique le 1 juin 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Purcell: Fantasias
Classique - Paru chez ATMA Classique le 4 avr. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
MARAIS / SAINTE-COLOMBE / COUPERIN: Pieces for 2 Viols (Marin Marais - Jean de Sainte-Colombe - Francois Couperin)
Classique - Paru chez CBC le 1 janv. 2000
16-Bit CD Quality 44.1 kHz - Stereo -
Sainte-Colombe: Concerts à 2 violes esgales, Vol. 2
Classique - Paru chez ATMA Classique le 1 août 2004
16-Bit CD Quality 44.1 kHz - Stereo -
Sainte-Colombe: Concerts à 2 violes esgales (Vol. 4)
Classique - Paru chez ATMA Classique le 8 janv. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Corrette: Les Délices de la solitude
Classique - Paru chez ATMA Classique le 1 févr. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
SCHENCK: Nymphs of the Rhine, Vol. 2
Classique - Paru chez Naxos le 26 févr. 2001
16-Bit CD Quality 44.1 kHz - Stereo -
Telemann: Works for Flute and Viola Da Gamba
Voix Humaines, Les, Barthold Kuijken
Classique - Paru chez ATMA Classique le 1 mars 2004
16-Bit CD Quality 44.1 kHz - Stereo -
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Simpson: The Four Seasons
Voix Humaines, Les, Jay Bernfeld, Mike Fentross, Rejean Poirier
Classique - Paru chez ATMA Classique le 1 août 2000
16-Bit CD Quality 44.1 kHz - Stereo -
Kühnel: Sei sonate ò partite
Classique - Paru chez ATMA Classique le 1 mars 2015
24-Bit 96.0 kHz - Stereo -
Folies - Works Arranged for Two Viols: Lebègue, Marais, Couperin, Rameau
Classique - Paru chez ATMA Classique le 1 janv. 2002
16-Bit CD Quality 44.1 kHz - Stereo -
Jenkins, J.: Fantasias
Classique - Paru chez ATMA Classique le 1 janv. 2001
16-Bit CD Quality 44.1 kHz - Stereo -
Lawes: Royall Consorts
Classique - Paru chez ATMA Classique le 1 mars 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Couperin: Pièces de clavecin, Livre IV, Vingt-deuxième ordre (Arr. for 2 viols by Les Voix humaines): I. Le trophée
Voix Humaines, Les, Thomas Ayouti
Classique - Paru chez Les Disques ATMA Inc. le 13 avr. 2023
16-Bit CD Quality 44.1 kHz - Stereo