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La Compagnia del Madrigale - Orlando furioso: Madrigali sul poema di Ludovico Ariosto

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Orlando furioso: Madrigali sul poema di Ludovico Ariosto

La Compagnia del Madrigale

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Musique illimitée

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Langue disponible : anglais

Italian ensemble La Compagnia del Madrigale tackles this lengthy work with a wall of sound and beautiful, closely set voices. These madrigals form a song cycle that is primarily based on the third edition of the poem "Orlando Furioso," but the overall work is still a patchwork of a variety of authors, as well as Ariosto's own insertions and reworkings. There is an emphasis of the music and of smooth, lyrical, legato singing over the text (possibly partly the result of the recording). Their voices blend beautifully, which is a clear sign that the right musicians have found each other and chosen the right repertoire for themselves. However, one feels that the singers need to get more into the emotion of the text, which would bring out the diction more clearly: one can hear this from the beginning track of the album, "Le donne, i cavalier, l'arme, gli amori." This is certainly a point for debate, for while Orlando is most certainly not 19th century opera with its emphasis on strong, individual emotion, there is a certain energy that needs to be brought out more fully. That is, La Compagnia needs to get more into the meaning of the text and into the dynamic contrasts. When there is energy, such as in the very up-tempo "Non tanto il bel palazzo," it is engaging to the listener, for the voices play and intertwine in a showcase of what is best about music from this period. Throughout the album, it is easiest to follow the text in the highest soprano line, so perhaps the ensemble has made a musical decision to emphasize the treble. La Compagnia usually takes the repeats in the music, which therefore emphasizes certain phrases or themes. Certainly, the ensemble sings quite well in synchronicity, as one can hear the voices die out together in "Queste non son più lagrime che fuore" (the Tromboncino version) and enter beautifully, as in, "Chi salirà per me, madonna, in cielo." The music of Orlando just seems to evolve and unfold; unfortunately, it tends to sound alike and lacks in distinctive moods or necessary characters for each madrigal. La Compagnia is certainly a talented ensemble. It may simply need to capitalize on the second word of the title, "furioso," to bring more vigor into such a brave performance of this masterwork.

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Orlando furioso: Madrigali sul poema di Ludovico Ariosto

La Compagnia del Madrigale

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1
Le donne, i cavallier, l'arme, gli amori 00:02:11

Ludovico Ariosto, Lyricist - La Compagnia del Madrigale, MainArtist - Hoste Da Reggio, Composer

Arcana Arcana

2
Pensier (dicea), che 'l cor m'agghiacci et ardi 00:02:37

Orlando di Lasso, Composer - Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Daniele Carnovich, MainArtist - Nadia Ragni, MainArtist - Elena Carzaniga, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

3
La verginella è simile alla rosa – Ma non sì tosto dal materno stelo 00:06:18

William BYRD, Composer - Marco Scavazza, MainArtist - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Daniele Carnovich, MainArtist - Elena Carzaniga, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

4
Vaghi boschetti di soavi allori 00:02:23

Giaches de Wert, Composer - Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Daniele Carnovich, MainArtist - Elena Carzaniga, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

5
Tra le purpuree rose e i bianchi gigli 00:02:16

Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Daniele Carnovich, MainArtist - Benedetto Pallavicino, Composer - Nadia Ragni, MainArtist - Paolo Borgonovo, MainArtist - Elena Carzaniga, MainArtist

Arcana Arcana

6
Non tanto il bel palazzo è sì eccellente 00:02:34

Giaches de Wert, Composer - Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Daniele Carnovich, MainArtist - Elena Carzaniga, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

7
Era il bel viso suo, quale esser suole – E ne la face de' begli occhi accende 00:04:46

Marco Scavazza, MainArtist - Cipriano De Rore, Composer - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Elena Carzaniga, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

8
Liete piante, verdi erbe, limpide acque 00:03:15

Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Daniele Carnovich, MainArtist - Vincezo Ruffo, Composer - Elena Carzaniga, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

9
Queste non son più lagrime che fuore 00:04:10

Marco Scavazza, MainArtist - Giaches de Wert, Composer - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Daniele Carnovich, MainArtist - Nadia Ragni, MainArtist - Elena Carzaniga, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

10
Queste non son più lagrime che fuore 00:04:02

Philippe Verdelot, Composer - Marco Scavazza, MainArtist - Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Daniele Carnovich, MainArtist - Elena Carzaniga, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

11
Queste non son più lagrime che fuore 00:02:16

Bartolomeo Tromboncino, Composer - Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Daniele Carnovich, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

12
Questi ch'indizio fan del mio tormento 00:03:30

Marco Scavazza, MainArtist - Alfonso Ferrabosco, Composer - Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Daniele Carnovich, MainArtist - Nadia Ragni, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

13
Non rumor di tamburi o suon di trombe 00:02:20

Alessandro Striggio, Composer - Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Daniele Carnovich, MainArtist - Nadia Ragni, MainArtist - Elena Carzaniga, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

14
Se ben non veggon gli occhi ció che vede 00:03:34

Giovanni Pierluigi da Palestrina, Composer - Marco Scavazza, MainArtist - Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Daniele Carnovich, MainArtist - Nadia Ragni, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

15
Gli sdegni, le repulse e finalmente 00:01:50

Marco Scavazza, MainArtist - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Nadia Ragni, MainArtist - Giuseppe Maletto, MainArtist - Hoste Da Reggio, Composer

Arcana Arcana

16
Di qua di la va le noiose piume 00:02:10

Orlando di Lasso, Composer - Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Daniele Carnovich, MainArtist - Nadia Ragni, MainArtist - Elena Carzaniga, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

17
Deh perché voglio anco di me dolermi? - Dunque fia ver (dicea) che convenga 00:04:18

Orlando di Lasso, Composer - Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Daniele Carnovich, MainArtist - Nadia Ragni, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

18
Chi salirà per me, madonna, in cielo 00:02:31

Giaches de Wert, Composer - Ludovico Ariosto, Lyricist - Daniele Carnovich, MainArtist - Nadia Ragni, MainArtist - Elena Carzaniga, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

19
Dunque baciar sí belle e dolce labbia – Se tu m'occidi, è ben ragion che deggi 00:03:50

Andrea Gabrieli, Composer - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Nadia Ragni, MainArtist - Elena Carzaniga, MainArtist

Arcana Arcana

20
Scarpello si vedrà di piombo o lima 00:02:05

Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Daniele Carnovich, MainArtist - Perissone Cambio, Composer - Paolo Borgonovo, MainArtist - Elena Carzaniga, MainArtist

Arcana Arcana

21
Come la notte ogni fiammella è viva 00:03:20

Cipriano De Rore, Composer - Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Daniele Carnovich, MainArtist - Elena Carzaniga, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

22
Or se mi mostra la mia carta il vero – Sento venir per allegrezza un tuono 00:03:21

Alessandro Striggio, Composer - Marco Scavazza, MainArtist - Raffaele Giordani, MainArtist - Ludovico Ariosto, Lyricist - Rossana Bertini, MainArtist - Daniele Carnovich, MainArtist - Elena Carzaniga, MainArtist - Giuseppe Maletto, MainArtist

Arcana Arcana

Descriptif de l'album

Italian ensemble La Compagnia del Madrigale tackles this lengthy work with a wall of sound and beautiful, closely set voices. These madrigals form a song cycle that is primarily based on the third edition of the poem "Orlando Furioso," but the overall work is still a patchwork of a variety of authors, as well as Ariosto's own insertions and reworkings. There is an emphasis of the music and of smooth, lyrical, legato singing over the text (possibly partly the result of the recording). Their voices blend beautifully, which is a clear sign that the right musicians have found each other and chosen the right repertoire for themselves. However, one feels that the singers need to get more into the emotion of the text, which would bring out the diction more clearly: one can hear this from the beginning track of the album, "Le donne, i cavalier, l'arme, gli amori." This is certainly a point for debate, for while Orlando is most certainly not 19th century opera with its emphasis on strong, individual emotion, there is a certain energy that needs to be brought out more fully. That is, La Compagnia needs to get more into the meaning of the text and into the dynamic contrasts. When there is energy, such as in the very up-tempo "Non tanto il bel palazzo," it is engaging to the listener, for the voices play and intertwine in a showcase of what is best about music from this period. Throughout the album, it is easiest to follow the text in the highest soprano line, so perhaps the ensemble has made a musical decision to emphasize the treble. La Compagnia usually takes the repeats in the music, which therefore emphasizes certain phrases or themes. Certainly, the ensemble sings quite well in synchronicity, as one can hear the voices die out together in "Queste non son più lagrime che fuore" (the Tromboncino version) and enter beautifully, as in, "Chi salirà per me, madonna, in cielo." The music of Orlando just seems to evolve and unfold; unfortunately, it tends to sound alike and lacks in distinctive moods or necessary characters for each madrigal. La Compagnia is certainly a talented ensemble. It may simply need to capitalize on the second word of the title, "furioso," to bring more vigor into such a brave performance of this masterwork.

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