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Benjamin Grosvenor - Liszt

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Liszt

Benjamin Grosvenor

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Langue disponible : anglais

Pianist Benjamin Grosvenor, who has made a close study of historical Liszt recordings, says that there are passages where one feels that Liszt might not have played the music the same way each time. Liszt was, after all, a matinee idol first and foremost and one who cultivated an image of unpredictable genius. Some pianists stress the monumental nature of the Piano Sonata in B minor; some emphasize the experimental nature of the composer's music, its chromaticism, and its jagged, irregular surfaces. Grosvenor, though, is one of a comparative few to enter into its quasi- (or maybe not-so-quasi-) improvisatory qualities. Consider first and foremost the Sonata, where Grosvenor leads the audience into thickets where one is unsure which path will be followed next, only to resolve everything in the end in a way that makes it seem inevitable. The rest of the program follows logically from this beginning. The Années de Pèlerinage suggest the narrative quality of the sonnets that furnish their program. Grosvenor concludes brilliantly, with the Réminiscences de Norma, a rarely heard operatic paraphrase that is even more likely than the other works to have had improvised elements in performance, and the Ave Maria, S. 558, after Schubert, where equilibrium is finally reached. The world might not seem to have needed another Liszt B minor sonata, but this one has been commercially successful, and it is easy to hear why.
© TiVo

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Liszt

Benjamin Grosvenor

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Piano Sonata in B minor, S. 178 (Franz Liszt)

1
Lento assai - Allegro energico - Grandioso - Recitativo
00:12:30

John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel

℗ 2021 Universal Music Operations Limited

2
Andante sostenuto -
00:07:58

John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel

℗ 2021 Universal Music Operations Limited

3
Allegro energico
00:07:23

John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel

℗ 2021 Universal Music Operations Limited

4
Andante sostenuto - Lento assai
00:03:58

John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel

℗ 2021 Universal Music Operations Limited

5
Liszt: Berceuse, S. 174
00:09:37

John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel

℗ 2021 Universal Music Operations Limited

Années de pèlerinage II, S. 161 (Franz Liszt)

6
4. Sonetto 47 del Petrarca
00:06:02

John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel

℗ 2021 Universal Music Operations Limited

7
5. Sonetto 104 del Petrarca
00:07:01

John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel

℗ 2021 Universal Music Operations Limited

8
6. Sonetto 123 del Petrarca
00:07:22

John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel

℗ 2021 Universal Music Operations Limited

9
Liszt: Réminiscences de Norma, S. 394 (after Bellini)
00:16:32

John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel

℗ 2021 Universal Music Operations Limited

10
Liszt: Ave Maria, S. 558 (after Schubert, D. 839)
00:05:27

John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel

℗ 2021 Universal Music Operations Limited

Descriptif de l'album

Pianist Benjamin Grosvenor, who has made a close study of historical Liszt recordings, says that there are passages where one feels that Liszt might not have played the music the same way each time. Liszt was, after all, a matinee idol first and foremost and one who cultivated an image of unpredictable genius. Some pianists stress the monumental nature of the Piano Sonata in B minor; some emphasize the experimental nature of the composer's music, its chromaticism, and its jagged, irregular surfaces. Grosvenor, though, is one of a comparative few to enter into its quasi- (or maybe not-so-quasi-) improvisatory qualities. Consider first and foremost the Sonata, where Grosvenor leads the audience into thickets where one is unsure which path will be followed next, only to resolve everything in the end in a way that makes it seem inevitable. The rest of the program follows logically from this beginning. The Années de Pèlerinage suggest the narrative quality of the sonnets that furnish their program. Grosvenor concludes brilliantly, with the Réminiscences de Norma, a rarely heard operatic paraphrase that is even more likely than the other works to have had improvised elements in performance, and the Ave Maria, S. 558, after Schubert, where equilibrium is finally reached. The world might not seem to have needed another Liszt B minor sonata, but this one has been commercially successful, and it is easy to hear why.
© TiVo

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