Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
The punk rock super group of Rancid's Tim Armstrong, blink-182's Travis Barker, and roadie-turned-rapper Rob Aston made a splash with a couple records in the early 2000s before going their separate ways in 2005. The albums were an interesting mix of hip-hop, dub, and punk rock that featured Barker's powerful drumming, Aston's barking raps, and Armstrong's sonic experimentation. When the trio got back together in 2010 to begin working on new material, they stripped down their sound and focused on the punk rock aspect, making In a Warzone sound more like a Rancid album than a mash-up of the three musicians' interests. Apart from two tracks that fold in some rapping and hip-hop swagger (the almost Sugar Ray-sounding "Something's Different" and the old-school rap-rock "It's a Problem"), the order of the day is pounding, angry punk with Aston doing more singing than rapping, the guitars howling and lyrics that touch on politics and not giving a fuck. Fans of the first two albums that liked the chances the band took and appreciated the variety and flavor of the songs might feel a little let down here, but punk rock diehards should be happy with the hardcore-inspired songs ("Silence," "In a Warzone") and the overall snarl of the voices and guitars. There's also plenty of Armstrong's patented woozy slur and his myth-making Clash rock to keep his devotees satisfied, though it's hard not to wish he did all the singing. It's sort of unfair to Aston to be teamed with one of the most distinctive voices -- he does a decent job keeping up but really it's like having an all-star pitcher on your team but sending out a journeyman hurler out to pitch the big game instead. That being said, there are enough good songs and enough energy on hand to make In a Warzone a solid release; less interesting than previous efforts, but still fun in an aggressive way.
© Tim Sendra /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Christopher Holmes, Mixer, Engineer - Tim Armstrong, Writer - Transplants, Producer, MainArtist - Travis Barker, Writer - Rob Aston, Writer - Beat Poet Music (ASCAP), MusicPublisher - Kevin Bivona, Engineer - How About A Bunch Of Trouble Music (ASCAP), MusicPublisher - James Ingraya, Engineer - Skinhead Rob Publishing (ASCAP), MusicPublisher
2013 Transplants under exclusive license to Epitaph 2013 Transplants under exclusive license to Epitaph
Christopher Holmes, Mixer, Engineer - Tim Armstrong, Writer - Transplants, Producer, MainArtist - Travis Barker, Writer - Rob Aston, Writer - Beat Poet Music (ASCAP), MusicPublisher - Kevin Bivona, Engineer - How About A Bunch Of Trouble Music (ASCAP), MusicPublisher - James Ingraya, Engineer - Skinhead Rob Publishing (ASCAP), MusicPublisher
2013 Transplants under exclusive license to Epitaph 2013 Transplants under exclusive license to Epitaph
Christopher Holmes, Mixer, Engineer - Tim Armstrong, Writer - Transplants, Producer, MainArtist - Travis Barker, Writer - Rob Aston, Writer - Beat Poet Music (ASCAP), MusicPublisher - Kevin Bivona, Engineer - How About A Bunch Of Trouble Music (ASCAP), MusicPublisher - James Ingraya, Engineer - Skinhead Rob Publishing (ASCAP), MusicPublisher
2013 Transplants under exclusive license to Epitaph 2013 Transplants under exclusive license to Epitaph
Christopher Holmes, Mixer, Engineer - Tim Armstrong, Writer - Transplants, Producer, MainArtist - Travis Barker, Writer - Rob Aston, Writer - Beat Poet Music (ASCAP), MusicPublisher - Kevin Bivona, Engineer - How About A Bunch Of Trouble Music (ASCAP), MusicPublisher - James Ingraya, Engineer - Skinhead Rob Publishing (ASCAP), MusicPublisher
2013 Transplants under exclusive license to Epitaph 2013 Transplants under exclusive license to Epitaph
Bernard Freeman, Writer - Christopher Holmes, Mixer, Engineer - Tim Armstrong, Writer - Transplants, Producer, MainArtist - Travis Barker, Writer - Rob Aston, Writer - Ilyich Yashushi Sato, Writer - Beat Poet Music (ASCAP), MusicPublisher - Kevin Bivona, Engineer - How About A Bunch Of Trouble Music (ASCAP), MusicPublisher - James Ingraya, Engineer - Skinhead Rob Publishing (ASCAP), MusicPublisher - II Trill Enterprises (ASCAP), MusicPublisher - Ilyich Yashushi Sato (BMI), MusicPublisher
2013 Transplants under exclusive license to Epitaph 2013 Transplants under exclusive license to Epitaph
Christopher Holmes, Mixer, Engineer - Tim Armstrong, Writer - Transplants, Producer, MainArtist - Travis Barker, Writer - Rob Aston, Writer - Beat Poet Music (ASCAP), MusicPublisher - Kevin Bivona, Engineer - How About A Bunch Of Trouble Music (ASCAP), MusicPublisher - James Ingraya, Engineer - Skinhead Rob Publishing (ASCAP), MusicPublisher
2013 Transplants under exclusive license to Epitaph 2013 Transplants under exclusive license to Epitaph
Christopher Holmes, Mixer, Engineer - Tim Armstrong, Writer - Transplants, Producer, MainArtist - Travis Barker, Writer - Rob Aston, Writer - Beat Poet Music (ASCAP), MusicPublisher - Kevin Bivona, Engineer - How About A Bunch Of Trouble Music (ASCAP), MusicPublisher - James Ingraya, Engineer - Skinhead Rob Publishing (ASCAP), MusicPublisher
2013 Transplants under exclusive license to Epitaph 2013 Transplants under exclusive license to Epitaph
Christopher Holmes, Mixer, Engineer - Tim Armstrong, Writer - Transplants, Producer, MainArtist - Travis Barker, Writer - Rob Aston, Writer - Beat Poet Music (ASCAP), MusicPublisher - Kevin Bivona, Engineer - How About A Bunch Of Trouble Music (ASCAP), MusicPublisher - James Ingraya, Engineer - Skinhead Rob Publishing (ASCAP), MusicPublisher
2013 Transplants under exclusive license to Epitaph 2013 Transplants under exclusive license to Epitaph
Christopher Holmes, Mixer, Engineer - Tim Armstrong, Writer - Transplants, Producer, MainArtist - Paul Wall, Writer - Travis Barker, Writer - Rob Aston, Writer - Beat Poet Music (ASCAP), MusicPublisher - Kevin Bivona, Engineer - How About A Bunch Of Trouble Music (ASCAP), MusicPublisher - James Ingraya, Engineer - Skinhead Rob Publishing (ASCAP), MusicPublisher - Paul Wall Publishing (ASCAP), MusicPublisher
2013 Transplants under exclusive license to Epitaph 2013 Transplants under exclusive license to Epitaph
Christopher Holmes, Mixer, Engineer - Tim Armstrong, Writer - Transplants, Producer, MainArtist - Travis Barker, Writer - Rob Aston, Writer - Beat Poet Music (ASCAP), MusicPublisher - Kevin Bivona, Engineer - How About A Bunch Of Trouble Music (ASCAP), MusicPublisher - James Ingraya, Engineer - Skinhead Rob Publishing (ASCAP), MusicPublisher
2013 Transplants under exclusive license to Epitaph 2013 Transplants under exclusive license to Epitaph
Christopher Holmes, Mixer, Engineer - Tim Armstrong, Writer - Transplants, Producer, MainArtist - Travis Barker, Writer - Rob Aston, Writer - Beat Poet Music (ASCAP), MusicPublisher - Kevin Bivona, Engineer - How About A Bunch Of Trouble Music (ASCAP), MusicPublisher - James Ingraya, Engineer - Skinhead Rob Publishing (ASCAP), MusicPublisher
2013 Transplants under exclusive license to Epitaph 2013 Transplants under exclusive license to Epitaph
Christopher Holmes, Mixer, Engineer - Tim Armstrong, Writer - Transplants, Producer, MainArtist - Travis Barker, Writer - Rob Aston, Writer - Beat Poet Music (ASCAP), MusicPublisher - Kevin Bivona, Engineer - How About A Bunch Of Trouble Music (ASCAP), MusicPublisher - James Ingraya, Engineer - Skinhead Rob Publishing (ASCAP), MusicPublisher
2013 Transplants under exclusive license to Epitaph 2013 Transplants under exclusive license to Epitaph
Chronique
The punk rock super group of Rancid's Tim Armstrong, blink-182's Travis Barker, and roadie-turned-rapper Rob Aston made a splash with a couple records in the early 2000s before going their separate ways in 2005. The albums were an interesting mix of hip-hop, dub, and punk rock that featured Barker's powerful drumming, Aston's barking raps, and Armstrong's sonic experimentation. When the trio got back together in 2010 to begin working on new material, they stripped down their sound and focused on the punk rock aspect, making In a Warzone sound more like a Rancid album than a mash-up of the three musicians' interests. Apart from two tracks that fold in some rapping and hip-hop swagger (the almost Sugar Ray-sounding "Something's Different" and the old-school rap-rock "It's a Problem"), the order of the day is pounding, angry punk with Aston doing more singing than rapping, the guitars howling and lyrics that touch on politics and not giving a fuck. Fans of the first two albums that liked the chances the band took and appreciated the variety and flavor of the songs might feel a little let down here, but punk rock diehards should be happy with the hardcore-inspired songs ("Silence," "In a Warzone") and the overall snarl of the voices and guitars. There's also plenty of Armstrong's patented woozy slur and his myth-making Clash rock to keep his devotees satisfied, though it's hard not to wish he did all the singing. It's sort of unfair to Aston to be teamed with one of the most distinctive voices -- he does a decent job keeping up but really it's like having an all-star pitcher on your team but sending out a journeyman hurler out to pitch the big game instead. That being said, there are enough good songs and enough energy on hand to make In a Warzone a solid release; less interesting than previous efforts, but still fun in an aggressive way.
© Tim Sendra /TiVo
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 00:29:55
- Artistes principaux : Transplants
- Label : Epitaph
- Genre : Pop/Rock Rock Alternatif et Indé
2013 Transplants under exclusive license to Epitaph 2013 Transplants under exclusive license to Epitaph
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.