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Ensemble Modern|Goebbels: La Jalousie

Goebbels: La Jalousie

Ensemble Modern, Peter Rundel

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Heiner Goebbels likens his work as a composer to that of a theater director (and he's a notable one) and vice versa. Consciously abandoning the traditionally German notion of "absolute music," his extensive and accomplished use of sampling keyboards introduces sounds as diverse as croaking frogs, car engines, crickets, and footsteps into the fabric of the musical discourse. His long-standing collaboration with German playwright Heiner Müller (also documented on the ECM triple-CD set Hörstücke) is once more to the fore in "Herakles 2," which sets a prose fragment from Müller's "Zement." "Befreiung" ("Liberation") sets texts by another German playwright, Rainald Goetz, while "La Jalousie," as its title indicates, references Alain Robbe Grillet's groundbreaking nouveau roman of the same name, deftly conjuring up its paranoid world with refracted detuned keyboards and ominous samples. "Red Run," though not sourced in any specific text, also refers to the wider art world, being originally a ballet score for the William Forsythe Company in Goebbels' hometown of Frankfurt. Goebbels' background in free improvisation and progressive rock, notably in the group Cassiber (with Chris Cutler, Alfred Harth, and Christoph Anders) is also a rich source of inspiration, and Frankfurt's exemplary Ensemble Modern handles his intricate scores with customary aplomb.

© Dan Warburton /TiVo

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Goebbels: La Jalousie

Ensemble Modern

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La Jalousie (Geräusche aus einem Roman) (1991) (Goebbels, Heiner)

1
Goebbels: La Jalousie (Geräusche aus einem Roman) (1991)
Peter Rundel
00:18:10

Jan Erik Kongshaug, Mix Engineer, StudioPersonnel - Heiner Goebbels, Composer - Manfred Eicher, Producer - Ensemble Modern, Ensemble, MainArtist - Peter Rundel, Conductor, MainArtist - Hermann Kretzschmar, Piano, Sampler, AssociatedPerformer - Uwe Dierksen, Trombone, AssociatedPerformer - Franck Ollu, French Horn, Speaker, AssociatedPerformer - Dietmar Wiesner, Flute, AssociatedPerformer - William Forman, Trumpet, AssociatedPerformer - Bruce Nockles, Trumpet, AssociatedPerformer - Andreas Neubronner, Recording Engineer, StudioPersonnel - Klaus Obermaier, Electric Guitar, AssociatedPerformer - Ueli Wiget, Piano, Sampler, AssociatedPerformer - Eva Böcker, Cello, AssociatedPerformer - Catherine Milliken, Oboe, AssociatedPerformer - Noriko Shimada, Bassoon, AssociatedPerformer - Rainer Römer, Percussion, AssociatedPerformer - Thomas Fichter, Double Bass, Electric Bass, AssociatedPerformer - Wolfgang Stryi, Bass Clarinet, Saxophone, AssociatedPerformer - Michael Klier, Viola, AssociatedPerformer - Mathias Tacke, Violin, AssociatedPerformer - Gérard Buquet, Tuba, Bass Trombone, AssociatedPerformer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Red Run (Nine Songs For Eleven Instruments) (1988) (Goebbels, Heiner)

2
Goebbels: Red Run (Nine Songs For Eleven Instruments) (1988)
Peter Rundel
00:18:12

Jan Erik Kongshaug, Mix Engineer, StudioPersonnel - Heiner Goebbels, Composer - Manfred Eicher, Producer - Ensemble Modern, Ensemble, MainArtist - Peter Rundel, Conductor, MainArtist - Hermann Kretzschmar, Piano, Sampler, AssociatedPerformer - Uwe Dierksen, Trombone, AssociatedPerformer - Franck Ollu, French Horn, AssociatedPerformer - Dietmar Wiesner, Flute, AssociatedPerformer - William Forman, Trumpet, AssociatedPerformer - Bruce Nockles, Trumpet, AssociatedPerformer - Andreas Neubronner, Recording Engineer, StudioPersonnel - Klaus Obermaier, Electric Guitar, AssociatedPerformer - Ueli Wiget, Piano, Sampler, AssociatedPerformer - Eva Böcker, Cello, AssociatedPerformer - Catherine Milliken, Oboe, AssociatedPerformer - Noriko Shimada, Bassoon, AssociatedPerformer - Rainer Römer, Percussion, AssociatedPerformer - Thomas Fichter, Double Bass, Electric Bass, AssociatedPerformer - Wolfgang Stryi, Bass Clarinet, Saxophone, AssociatedPerformer - Michael Klier, Viola, AssociatedPerformer - Mathias Tacke, Violin, AssociatedPerformer - Gérard Buquet, Tuba, Bass Trombone, AssociatedPerformer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Herakles 2 (Für fünf Blechblaser, Schlagzeug und Sampler) (1992) (Goebbels, Heiner)

3
Goebbels: Herakles 2 (Für fünf Blechblaser, Schlagzeug und Sampler) (1992)
Peter Rundel
00:15:05

Jan Erik Kongshaug, Mix Engineer, StudioPersonnel - Heiner Goebbels, Composer - Manfred Eicher, Producer - Ensemble Modern, Ensemble, MainArtist - Peter Rundel, Conductor, MainArtist - Hermann Kretzschmar, Piano, Sampler, AssociatedPerformer - Uwe Dierksen, Trombone, AssociatedPerformer - Franck Ollu, French Horn, AssociatedPerformer - Dietmar Wiesner, Flute, AssociatedPerformer - William Forman, Trumpet, AssociatedPerformer - Bruce Nockles, Trumpet, AssociatedPerformer - Andreas Neubronner, Recording Engineer, StudioPersonnel - Klaus Obermaier, Electric Guitar, AssociatedPerformer - Ueli Wiget, Piano, Sampler, AssociatedPerformer - Eva Böcker, Cello, AssociatedPerformer - Catherine Milliken, Oboe, AssociatedPerformer - Noriko Shimada, Bassoon, AssociatedPerformer - Rainer Römer, Percussion, AssociatedPerformer - Thomas Fichter, Double Bass, Electric Bass, AssociatedPerformer - Wolfgang Stryi, Bass Clarinet, Saxophone, AssociatedPerformer - Michael Klier, Viola, AssociatedPerformer - Mathias Tacke, Violin, AssociatedPerformer - Gérard Buquet, Tuba, Bass Trombone, AssociatedPerformer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Befreiung (Konzertante Szene für Sprecher und Ensemble nach einem Text von Rainald Goetz) (1989) (Goebbels, Heiner)

4
Goebbels: Befreiung (Konzertante Szene für Sprecher und Ensemble nach einem Text von Rainald Goetz) (1989)
Peter Rundel
00:14:17

Jan Erik Kongshaug, Mix Engineer, StudioPersonnel - Heiner Goebbels, Composer - Manfred Eicher, Producer - Ensemble Modern, Ensemble, MainArtist - Peter Rundel, Conductor, MainArtist - Christoph Anders, Narrator, MainArtist - Hermann Kretzschmar, Piano, Sampler, AssociatedPerformer - Uwe Dierksen, Trombone, AssociatedPerformer - Franck Ollu, French Horn, AssociatedPerformer - Dietmar Wiesner, Flute, AssociatedPerformer - William Forman, Trumpet, AssociatedPerformer - Bruce Nockles, Trumpet, AssociatedPerformer - Andreas Neubronner, Recording Engineer, StudioPersonnel - Klaus Obermaier, Electric Guitar, AssociatedPerformer - Ueli Wiget, Piano, Sampler, AssociatedPerformer - Eva Böcker, Cello, AssociatedPerformer - Catherine Milliken, Oboe, AssociatedPerformer - Noriko Shimada, Bassoon, AssociatedPerformer - Rainer Römer, Percussion, AssociatedPerformer - Thomas Fichter, Double Bass, Electric Bass, AssociatedPerformer - Wolfgang Stryi, Bass Clarinet, Saxophone, AssociatedPerformer - Michael Klier, Viola, AssociatedPerformer - Mathias Tacke, Violin, AssociatedPerformer - Gérard Buquet, Tuba, Bass Trombone, AssociatedPerformer - Rainald Goetz, Author

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Chronique

Heiner Goebbels likens his work as a composer to that of a theater director (and he's a notable one) and vice versa. Consciously abandoning the traditionally German notion of "absolute music," his extensive and accomplished use of sampling keyboards introduces sounds as diverse as croaking frogs, car engines, crickets, and footsteps into the fabric of the musical discourse. His long-standing collaboration with German playwright Heiner Müller (also documented on the ECM triple-CD set Hörstücke) is once more to the fore in "Herakles 2," which sets a prose fragment from Müller's "Zement." "Befreiung" ("Liberation") sets texts by another German playwright, Rainald Goetz, while "La Jalousie," as its title indicates, references Alain Robbe Grillet's groundbreaking nouveau roman of the same name, deftly conjuring up its paranoid world with refracted detuned keyboards and ominous samples. "Red Run," though not sourced in any specific text, also refers to the wider art world, being originally a ballet score for the William Forsythe Company in Goebbels' hometown of Frankfurt. Goebbels' background in free improvisation and progressive rock, notably in the group Cassiber (with Chris Cutler, Alfred Harth, and Christoph Anders) is also a rich source of inspiration, and Frankfurt's exemplary Ensemble Modern handles his intricate scores with customary aplomb.

© Dan Warburton /TiVo

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