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Voces8|Equinox

Equinox

Voces8

Disponible en
24-Bit/44.1 kHz Stereo

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Langue disponible : anglais

Your attitude toward the English vocal octet (hey, truth in advertising) Voces8 may ultimately be determined by your general feeling toward smooth, crossover-oriented choral singing, conservative in style. But if you have the slightest sympathy toward that, there are good reasons to choose Voces8 over other similar groups: their sound is sensuous without being sentimental, the engineering here from Abbey Road Studios (with composer Jonathan Dove using John Lennon's piano in his work The Passing of the Year, no less) is superb, and above all, the group's programming concepts are inventive and manage to teach while they entertain. That has never been more true than on Equinox, a program that uses the concept of seasonal transition both literally and metaphorically, and thus weaves together sacred and secular material in an unusually effective way. Both growth and death are quietly addressed. The program likewise integrates Renaissance and contemporary material effectively: this is a staple of English choral recordings, but the marriage here seems deeper and more convincing. As for the engineering, Abbey Road's engineers are uncanny in capturing the quiet sounds of Graham Lack's This Ember Night (sample track seven for a taste of what awaits those with even moderately good equipment). The "ember night," one might add, is a pagan concept. The Passing of the Year, for chorus and piano, is undeniably relevant thematically, but whether the piano disturbs the mood is something that may vary by individual listener. On balance, an intriguing and splendidly made album of music for small vocal group.
© TiVo

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Equinox

Voces8

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1
In Paradisum (Processional)
00:00:56

Traditional, Composer - Barnaby Smith, MusicPublisher - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

2
Es ist ein Ros entsprungen
00:03:56

Michael Praetorius, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

3
A Hymn to the Virgin
00:03:55

Benjamin Britten, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

4
Maria Durch ein Dornwald ging (Arr. Stefan Claas)
00:02:20

Traditional, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

5
Joseph, lieber Joseph mein
00:01:55

Hieronymus Praetorius, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

6
Angelus ad Virginem
00:03:06

Traditional, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

7
This Ember Night
00:06:53

Voces8, MainArtist - Graham Lack, Composer

(C) 2018 VCM Records (P) 2018 VCM Records

8
The Passing of the Year: I. Invocation
00:01:18

Jonathan Dove, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

9
The Passing of the Year: II. The narrow bud opens her beauties to the sun
00:02:49

Jonathan Dove, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

10
The Passing of the Year: III. Answer July
00:02:00

Jonathan Dove, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

11
The Passing of the Year: IV. Hot sun, cool fire
00:02:50

Jonathan Dove, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

12
The Passing of the Year: V. Ah, Sun-flower!
00:02:07

Jonathan Dove, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

13
The Passing of the Year: VI. Adieu! Farewell earth's bliss!
00:05:26

Jonathan Dove, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

14
The Passing of the Year: VII. Ring out, wild bells
00:04:38

Jonathan Dove, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

15
Magnificat
00:07:04

Arvo Pärt, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

16
Ave Maris Stella
00:03:49

Voces8, MainArtist - Philip Stopford, Composer

(C) 2018 VCM Records (P) 2018 VCM Records

17
God Grant with Grace
00:01:23

Thomas Tallis, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

18
In Beauty May I Walk
00:04:47

Jonathan Dove, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

19
Requiem Aeternam
00:00:59

Traditional, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

20
Pie Jesu (From "Requiem, Op. 48") (Arr. Barnaby Smith)
00:03:40

Gabriel Fauré, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

21
They Are at Rest
00:03:53

Edward Elgar, Composer - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

22
In Paradisum (Recessional)
00:01:04

Traditional, Composer - Barnaby Smith, MusicPublisher - Voces8, MainArtist

(C) 2018 VCM Records (P) 2018 VCM Records

Chronique

Your attitude toward the English vocal octet (hey, truth in advertising) Voces8 may ultimately be determined by your general feeling toward smooth, crossover-oriented choral singing, conservative in style. But if you have the slightest sympathy toward that, there are good reasons to choose Voces8 over other similar groups: their sound is sensuous without being sentimental, the engineering here from Abbey Road Studios (with composer Jonathan Dove using John Lennon's piano in his work The Passing of the Year, no less) is superb, and above all, the group's programming concepts are inventive and manage to teach while they entertain. That has never been more true than on Equinox, a program that uses the concept of seasonal transition both literally and metaphorically, and thus weaves together sacred and secular material in an unusually effective way. Both growth and death are quietly addressed. The program likewise integrates Renaissance and contemporary material effectively: this is a staple of English choral recordings, but the marriage here seems deeper and more convincing. As for the engineering, Abbey Road's engineers are uncanny in capturing the quiet sounds of Graham Lack's This Ember Night (sample track seven for a taste of what awaits those with even moderately good equipment). The "ember night," one might add, is a pagan concept. The Passing of the Year, for chorus and piano, is undeniably relevant thematically, but whether the piano disturbs the mood is something that may vary by individual listener. On balance, an intriguing and splendidly made album of music for small vocal group.
© TiVo

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