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Robert Tannahill|Chambers, E.: Cold Water, Dry Stone / 3 Tannahill Songs / Crossroads Songs / Come Down Heavy! / The Fire Hose Reel

Chambers, E.: Cold Water, Dry Stone / 3 Tannahill Songs / Crossroads Songs / Come Down Heavy! / The Fire Hose Reel

Quorum

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Folk songs and their emotional overtones are important sources of inspiration to Evan Chambers. Indeed, they provide the raw stuff of his work and are always prominently featured, no matter how they are adapted or developed. Chambers treats them not as artifacts or curiosities but as integrated parts of his experience, personalized through his open empathy for many cultures. The finished results are heartfelt and compelling. In the sextet Cold Water, Dry Stone, fragments of Albanian folk melody are refracted in several directions in imitation of the exuberant, resonant singing Chambers heard while visiting that country. The Tannahill Songs (3) for voice and piano quietly convey the tender sentiments Chambers found in the lyrics of Scottish poet Robert Tannahill. Crossroads Songs for saxophone, piano, and percussion is both expressive and spry in its seamless blending of wide-ranging ethnic themes. The Fire Hose Reel, the disc's show-stopper, displays fantastic Irish fiddling over an equally dynamic piano accompaniment. Come Down Heavy! counterbalances Cold Water, Dry Stone both in duration and scope, yet is more abstract in the organization of material around its undisguised melodies. Performed by Quorum and soprano Jennifer Goltz, this polished presentation was recorded to meet the composer's specifications.

© TiVo

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Chambers, E.: Cold Water, Dry Stone / 3 Tannahill Songs / Crossroads Songs / Come Down Heavy! / The Fire Hose Reel

Robert Tannahill

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Cold Water, Dry Stone (Evan Chambers)

1
I. The Cold Water of Himara
Quorum
00:06:37

Quorum, Ensemble, MainArtist - Evan Chambers, Composer

(C) 2000 Albany (P) 2000 Albany

2
II. The Road to Gjirokaster
Quorum
00:03:54

Quorum, Ensemble, MainArtist - Evan Chambers, Composer

(C) 2000 Albany (P) 2000 Albany

3
III. The Dry Stones of Dukat
Quorum
00:06:19

Quorum, Ensemble, MainArtist - Evan Chambers, Composer

(C) 2000 Albany (P) 2000 Albany

3 Tannahill Songs (Evan Chambers)

4
No. 1, The Poor Bowlman's Remonstrance
Robert Tannahill
00:03:58

Quorum, Ensemble - Evan Chambers, Composer - Robert Tannahill, Lyricist, MainArtist - Jennifer Goltz, Artist

(C) 2000 Albany (P) 2000 Albany

5
No. 2, Fill, Fill the Merry Bowl
Robert Tannahill
00:02:48

Quorum, Ensemble - Evan Chambers, Composer - Robert Tannahill, Lyricist, MainArtist - Jennifer Goltz, Artist

(C) 2000 Albany (P) 2000 Albany

6
No. 3, Now Winter, Wi' His Cloudy Brow
Robert Tannahill
00:05:24

Quorum, Ensemble - Evan Chambers, Composer - Robert Tannahill, Lyricist, MainArtist - Jennifer Goltz, Artist

(C) 2000 Albany (P) 2000 Albany

Crossroads Songs (Evan Chambers)

7
No. 1, Nightwaking - Distant Past
Jennifer Goltz
00:04:49

Quorum, Ensemble - Evan Chambers, Composer - Jennifer Goltz, Artist, MainArtist

(C) 2000 Albany (P) 2000 Albany

8
No. 2, Simple Song - Hymn
Jennifer Goltz
00:08:11

Quorum, Ensemble - Evan Chambers, Composer - Jennifer Goltz, Artist, MainArtist

(C) 2000 Albany (P) 2000 Albany

The Fire Hose Reel (Evan Chambers)

9
The Fire Hose Reel
Quorum
00:04:31

Quorum, Ensemble, MainArtist - Evan Chambers, Composer

(C) 2000 Albany (P) 2000 Albany

Come Down Heavy! (Evan Chambers)

10
I. Steel Drivin' Man
Quorum
00:04:53

Quorum, Ensemble, MainArtist - Evan Chambers, Composer

(C) 2000 Albany (P) 2000 Albany

11
II. I Gave My Love a Cherry
Quorum
00:05:23

Quorum, Ensemble, MainArtist - Evan Chambers, Composer

(C) 2000 Albany (P) 2000 Albany

12
III. Oh Lovely Appearance of Death
Quorum
00:02:35

Quorum, Ensemble, MainArtist - Evan Chambers, Composer

(C) 2000 Albany (P) 2000 Albany

13
IV. Drill Ye Tarriers
Quorum
00:04:55

Quorum, Ensemble, MainArtist - Evan Chambers, Composer

(C) 2000 Albany (P) 2000 Albany

Chronique

Folk songs and their emotional overtones are important sources of inspiration to Evan Chambers. Indeed, they provide the raw stuff of his work and are always prominently featured, no matter how they are adapted or developed. Chambers treats them not as artifacts or curiosities but as integrated parts of his experience, personalized through his open empathy for many cultures. The finished results are heartfelt and compelling. In the sextet Cold Water, Dry Stone, fragments of Albanian folk melody are refracted in several directions in imitation of the exuberant, resonant singing Chambers heard while visiting that country. The Tannahill Songs (3) for voice and piano quietly convey the tender sentiments Chambers found in the lyrics of Scottish poet Robert Tannahill. Crossroads Songs for saxophone, piano, and percussion is both expressive and spry in its seamless blending of wide-ranging ethnic themes. The Fire Hose Reel, the disc's show-stopper, displays fantastic Irish fiddling over an equally dynamic piano accompaniment. Come Down Heavy! counterbalances Cold Water, Dry Stone both in duration and scope, yet is more abstract in the organization of material around its undisguised melodies. Performed by Quorum and soprano Jennifer Goltz, this polished presentation was recorded to meet the composer's specifications.

© TiVo

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