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Happy Mondays|Bummed (Collector's Edition)

Bummed (Collector's Edition)

Happy Mondays

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Only a year after the intermittently thrilling Squirrel and G-Man, Happy Mondays snapped into focus on its sophomore album, 1988's Bummed. "Focus" is an odd word for the persistently addled, violently hedonistic Mondays, yet Bummed has its own peculiar drug logic, loping into view with the two-stepping "Country Song," a cut so twisted it goes far beyond irony, then settling into the dense groove of "Moving In With," its hook buzzing and circling, causing a cacophony. Such vivid, concrete textures are a hallmark of producer Martin Hannett, the Mancunian legend who has been brought on board to give the Happy Mondays direction by doing the opposite of what he did with Joy Division. His production for Unknown Pleasures was stark, austere, but Bummed is all smeared colors and harsh edges, a fistful of razors and menace cutting viciously into the subconscious. This is nasty, nightmarish music delivered with a lascivious leer by Shaun Ryder, a hallucinatory accidental poet portrayed on the album's garish cover as some kind of harlot put out to pasture. Decadence has rarely sounded as dangerous as it did in the hands of the Mondays and this is where they reveled in that debauchery, pumping out stiff psychedelic funk as Ryder spat out rhymes of luck, lazyitis and fat lady wrestlers. Hannett's bright, brittle production amplifies everything, creating a swirling hyper-reality that's almost a sonic black hole sucking everything into its vortex -- slide guitars, sound clips from "Performance," maniacally looped drum machines, Beatles melodies, drums that are pushed to the front of the mix so it all is a relentless assault, from the ears down to the loins. As jagged and lacerating as all this is, there's a sense of evil glee, that the Mondays want to drag you down to their level, but there's no sense of seduction here; you're either with them or not, as Bummed is music for after you've already succumbed to the dark side.
© Stephen Thomas Erlewine /TiVo

Plus d'informations

Bummed (Collector's Edition)

Happy Mondays

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1
Country Song
00:03:23

Happy Mondays, Performer - Ryder, Composer - Davis, Composer - Whelan, Composer - Day, Composer

2007 London Music Stream Ltd. LC77554

2
Moving In With
00:03:36

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

3
Mad Cyril
00:04:36

Happy Mondays, Composer, Performer

2007 London Music Stream Ltd. LC77554

4
Fat Lady Wrestlers
00:03:26

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

5
Performance
00:04:03

Happy Mondays, Performer - Ryder, Composer - Whelan, Composer - Day, Composer - Davis, Composer

2007 London Music Stream Ltd. LC77554

6
Brain Dead
00:03:10

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

7
Wrote For Luck
00:06:04

Happy Mondays, Performer - Ryder, Composer - Whelan, Composer - Day, Composer - Davis, Composer

2007 London Music Stream Ltd. LC77554

8
Bring A Friend
00:03:44

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

9
Do It Better
00:02:27

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

10
Lazyitis
00:02:49

Happy Mondays, Performer - Lennon, Composer - Mccartney, Composer - Essex, Composer - Ryder, Composer - Whelan, Composer - Day, Composer

2007 London Music Stream Ltd. LC77554

11
Hallelujah
00:02:36

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

12
Holy Ghost
00:02:50

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

13
Clap Your Hands
00:03:30

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

14
Rave On
00:05:38

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

15
Boom
00:02:57

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

16
Mad Cyril (Hello Girls Mix)
00:03:53

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

17
Wrote For Luck (12" B-Side)
00:05:48

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

18
Wrote For Luck (7")
00:03:41

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

19
Hallelujah (Club Mix)
00:06:28

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

20
Wrote For Luck (12")
00:05:42

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

21
Hallelujah (Maccoll Mix)
00:02:40

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

22
Lazyitis (The One Armed Boxer Remix)
00:03:53

Happy Mondays, Performer - Lennon, Composer - Mccartney, Composer - Essex, Composer - Ryder, Composer - Whelan, Composer - Day, Composer

2007 London Music Stream Ltd. LC77554

23
W.F.L. (Think About The Future Mix)
00:07:12

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

24
Hallelujah (12" version)
00:06:21

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

25
Kilamenjaro (aka 'Rave On')
00:06:17

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

26
W.F.L. (The Vince Clark Remix)
00:06:12

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

27
Hallelujah (Deadstock Mix)
00:07:52

Happy Mondays, Performer - Ryder, Composer - Day, Composer - Davis, Composer - Whelan, Composer

2007 London Music Stream Ltd. LC77554

Chronique

Only a year after the intermittently thrilling Squirrel and G-Man, Happy Mondays snapped into focus on its sophomore album, 1988's Bummed. "Focus" is an odd word for the persistently addled, violently hedonistic Mondays, yet Bummed has its own peculiar drug logic, loping into view with the two-stepping "Country Song," a cut so twisted it goes far beyond irony, then settling into the dense groove of "Moving In With," its hook buzzing and circling, causing a cacophony. Such vivid, concrete textures are a hallmark of producer Martin Hannett, the Mancunian legend who has been brought on board to give the Happy Mondays direction by doing the opposite of what he did with Joy Division. His production for Unknown Pleasures was stark, austere, but Bummed is all smeared colors and harsh edges, a fistful of razors and menace cutting viciously into the subconscious. This is nasty, nightmarish music delivered with a lascivious leer by Shaun Ryder, a hallucinatory accidental poet portrayed on the album's garish cover as some kind of harlot put out to pasture. Decadence has rarely sounded as dangerous as it did in the hands of the Mondays and this is where they reveled in that debauchery, pumping out stiff psychedelic funk as Ryder spat out rhymes of luck, lazyitis and fat lady wrestlers. Hannett's bright, brittle production amplifies everything, creating a swirling hyper-reality that's almost a sonic black hole sucking everything into its vortex -- slide guitars, sound clips from "Performance," maniacally looped drum machines, Beatles melodies, drums that are pushed to the front of the mix so it all is a relentless assault, from the ears down to the loins. As jagged and lacerating as all this is, there's a sense of evil glee, that the Mondays want to drag you down to their level, but there's no sense of seduction here; you're either with them or not, as Bummed is music for after you've already succumbed to the dark side.
© Stephen Thomas Erlewine /TiVo

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