Bach: Concertos for Recorder, Vol. 2

Erik Bosgraaf, Collegium Musicum Riga, Agnese Kannina & Maris Kupcs

Paru le 28/09/2022 chez Brilliant Classics
Artistes principaux : Erik Bosgraaf Collegium Musicum Riga Agnese Kanniņa Maris Kupčs
Genre : Classique

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Langue disponible : anglais

The Dutch recorder virtuoso Erik Bosgraaf goes back to Bach for this release, with an album of arrangements as imaginatively conceived and as stylishly executed as Volume 1 released in 2011. Bach wrote as inventively and idiomatically for the recorder throughout his career as he did for every other instrument at his disposal, but he left no concertos in which the instrument takes the spotlight. Thus Bosgraaf and his colleagues have attempted to answer the question, what might Bach have done, or could he have done, if he had written concertos for the recorder?

They have looked for inspiration to the cantatas, and not only those where Bach composed memorable recorder parts such as the "Actus tragicus". For example, the album’s opening G major Concerto is compiled from a tenor aria of dazzling runs in BWV 74, followed by the sorrowful opening Sinfonia of BWV 12 (in which the oboe originally takes the starring role), and then another tenor aria from BWV 81 which graphically illustrates the foaming waves of a stormy sea.

In both aria transcriptions, Bosgraaf’s recorder takes over the vocal line, and paints vivid sound pictures with his remarkable palette of tone colours. A second concerto in D major draws its music from similar sources, followed by a Partita which the Dutch musicologist has arranged from movements of the French Suite No. 5. A further concerto is supplied by a relatively "straight" transcription of the familiar (but sublime) A minor Concerto for Violin, BWV 1041.

In between and around these inventive "new" concertos, Erik Bosgraaf and his colleagues offer contrasting standalone points of reflection with chorale and sinfonia transcriptions such as the spellbinding opening movement of Wir danken dir, BWV 29, which Bach himself arranged from the opening Preludio of the E major Partita for Solo Violin. There is every good reason to follow Bach’s example and arrange freely in celebration both of his unique powers of invention and expression, and of performers in full command of their recreative gifts. © Brilliant Classics

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Bach: Concertos for Recorder, Vol. 2

Erik Bosgraaf

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Aria Concerto in G Major: I. Allegro, BWV 74/5