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The Subways|All Or Nothing

All Or Nothing

The Subways

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Adhering to the age-old Brit-rock playbook that dictates your second album must be tailored to appeal to American audiences, the Subways recorded their second album All or Nothing in Los Angeles under the direction of producer Butch Vig, the man who helmed such '90s landmarks as Nirvana's Nevermind, L7's Bricks Are Heavy, and Smashing Pumpkins' Siamese Dream before forming Garbage. Vig is an ideal choice for a trio so steeped in '90s alt-rock that they can't help but swipe titles from alt-rock hits of yesteryear: the album opens with "Girls & Boys" (just like Blur's 1994 hit), a couple of tracks later they get to "Alright" (just like Supergrass' 1995 single), and then get to "Turnaround" (Devo via Nirvana); they even unwittingly pay homage to the grunge-era Brad Pitt film with "Kalifornia." All this is appropriate, as Vig helps turn All or Nothing into a perfectly fine post-grunge album that could have easily come out in 1998 as 2008. The Subways' youthful exuberance has been harnessed, streamlined, and scrubbed, so there's not much kinetic energy but a whole lot of professional punch, which not only makes them sound just a little bit older than their years, but also has the effect of blunting whatever sorrow guitarist/vocalist Billy Lunn has channeled into his songs about breaking up with bassist Charlotte Cooper. A modern-day Rumours or Shoot Out the Lights, All or Nothing isn't, largely due to the glossy veneer Vig puts on the band -- something that is appealing on the surface, especially when the Subways have a good punk-pop song like "Kalifornia" or "Shake! Shake!" (or the very British Brit-pop of "Move to Newlyn"), but has the end effect of dulling both the emotional pull of Lunn's tunes and the Subways impact as a band.

© Stephen Thomas Erlewine /TiVo

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All Or Nothing

The Subways

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1
Girls & Boys
00:03:32

The Subways, Performance, MainArtist - Billy Lunn, Composer, Lyricist - Charlotte Cooper, Composer - Josh Morgan, Composer

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

2
Kalifornia
00:02:54

The Subways, Composer, Performance, MainArtist - Billy Lunn, Composer, Lyricist - Charlotte Cooper, Composer - Josh Morgan, Composer

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

3
Alright
00:02:51

The Subways, Composer, MainArtist - Billy Lunn, Composer, Lyricist, Guitar - Charlotte Cooper, Composer, Guitar, Vocals - Josh Morgan, Composer, Drums - Simon Francis, Engineer - MATT HYDE, Mixer - Mike Silverston, Recorded by

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

4
Shake! Shake!
00:02:45

The Subways, Composer, Performance, MainArtist - Billy Lunn, Composer, Lyricist - Charlotte Cooper, Composer - Josh Morgan, Composer

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

5
Move To Newlyn
00:02:44

The Subways, Composer, Performance, MainArtist - Billy Lunn, Composer, Lyricist - Charlotte Cooper, Composer - Josh Morgan, Composer

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

6
All Or Nothing
00:03:12

Butch Vig, Producer - Lars Fox, Engineer, AdditionalEngineer - Rich Costey, Mixer - Billy Bush, Engineer - Chris Testa, Engineer, AdditionalEngineer - The Subways, Music, Performance, MainArtist - Billy Lunn, Composer, Lyricist, Words - Charlotte Cooper, Composer - Josh Morgan, Composer - Seth Waldman, Engineer, AdditionalEngineer

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

7
I Won't Let You Down
00:03:42

The Subways, Performance, MainArtist - Billy Lunn, Composer, Lyricist - Charlotte Cooper, Composer - Josh Morgan, Composer

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

8
Turnaround
00:02:48

The Subways, Composer, Performance, MainArtist - Billy Lunn, Composer, Lyricist - Charlotte Cooper, Composer - Josh Morgan, Composer

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

9
Obsession
00:03:08

The Subways, Composer, Performance, MainArtist - Billy Lunn, Composer, Writer - Charlotte Cooper, Composer - Josh Morgan, Composer

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

10
Strawberry Blonde
00:04:38

The Subways, Composer, Performance, MainArtist - Billy Lunn, Composer, Lyricist - Charlotte Cooper, Composer - Josh Morgan, Composer

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

11
Always Tomorrow
00:02:58

The Subways, Composer, Performance, MainArtist - Billy Lunn, Composer, Lyricist, Writer - Charlotte Cooper, Composer, Writer - Josh Morgan, Composer, Writer

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

12
Lost Boy
00:03:06

The Subways, Composer, Performance, MainArtist - Billy Lunn, Composer, Lyricist

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

13
Love And Death
00:02:52

Butch Vig, Producer - Lars Fox, Engineer, AdditionalEngineer - Rich Costey, Mixer - Billy Bush, Engineer - Chris Testa, Engineer, AdditionalEngineer - The Subways, Music, Performance, MainArtist - Billy Lunn, Composer, Lyricist, Words - Charlotte Cooper, Composer - Josh Morgan, Composer - Seth Waldman, Engineer, AdditionalEngineer

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

14
This Is The Club For People Who Hate People Explicit
00:02:31

Butch Vig, Producer - Lars Fox, Engineer, AdditionalEngineer - Rich Costey, Mixer - Billy Bush, Engineer - Chris Testa, Engineer, AdditionalEngineer - The Subways, Composer, Music, Performance, MainArtist - Billy Lunn, Composer, Lyricist, Words - Charlotte Cooper, Composer - Josh Morgan, Composer - Seth Waldman, Engineer, AdditionalEngineer

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

15
Clock
00:02:55

The Subways, Composer, Performance, MainArtist - Billy Lunn, Composer, Lyricist - Charlotte Cooper, Composer - Josh Morgan, Composer

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

16
The Only Ones
00:02:45

The Subways, Performance, MainArtist - Billy Lunn, Composer, Lyricist - Charlotte Cooper, Composer - Josh Morgan, Composer

© 2008 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2008 The Echo Label Limited, a BMG Company trading as ECHO

Chronique

Adhering to the age-old Brit-rock playbook that dictates your second album must be tailored to appeal to American audiences, the Subways recorded their second album All or Nothing in Los Angeles under the direction of producer Butch Vig, the man who helmed such '90s landmarks as Nirvana's Nevermind, L7's Bricks Are Heavy, and Smashing Pumpkins' Siamese Dream before forming Garbage. Vig is an ideal choice for a trio so steeped in '90s alt-rock that they can't help but swipe titles from alt-rock hits of yesteryear: the album opens with "Girls & Boys" (just like Blur's 1994 hit), a couple of tracks later they get to "Alright" (just like Supergrass' 1995 single), and then get to "Turnaround" (Devo via Nirvana); they even unwittingly pay homage to the grunge-era Brad Pitt film with "Kalifornia." All this is appropriate, as Vig helps turn All or Nothing into a perfectly fine post-grunge album that could have easily come out in 1998 as 2008. The Subways' youthful exuberance has been harnessed, streamlined, and scrubbed, so there's not much kinetic energy but a whole lot of professional punch, which not only makes them sound just a little bit older than their years, but also has the effect of blunting whatever sorrow guitarist/vocalist Billy Lunn has channeled into his songs about breaking up with bassist Charlotte Cooper. A modern-day Rumours or Shoot Out the Lights, All or Nothing isn't, largely due to the glossy veneer Vig puts on the band -- something that is appealing on the surface, especially when the Subways have a good punk-pop song like "Kalifornia" or "Shake! Shake!" (or the very British Brit-pop of "Move to Newlyn"), but has the end effect of dulling both the emotional pull of Lunn's tunes and the Subways impact as a band.

© Stephen Thomas Erlewine /TiVo

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