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Hermine Haselbock|Zemlinsky: Songs

Zemlinsky: Songs

Hermine Haselböck, Florian Henschel

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Bridge's Songs by Zemlinsky is a fast-moving recital of Alexander Zemlinsky's early songs, dating from 1889 to 1913, and featuring the talents of soprano Hermine Haselböck and pianist Florian Henschel. The work of Zemlinsky is often measured by the yardstick of his son-in-law and sometime pupil, Arnold Schoenberg, and while it provides a convenient handle to get a grip on Zemlinsky, it really isn't fair to typify either their relationship or their music this way. When it comes to composing lieder, however, this disc seems to indicate that Zemlinsky was far more assured than his student, at least as long as Schoenberg continued to compose songs that were post-romantic and tonal. Zemlinsky's song writing is strongly responsive to the texts and confident in approach; by comparison, Schoenberg seems to be straining to break out of the box and with his The Book of the Hanging Gardens, Op. 15, he finally did so. That certainly is no reason to neglect the many fine songs heard here; the Sechs Gesänge nach Texten von Maurice Maeterlinck, Op. 13 (1910-1913), is particularly interesting owing to its very slight ingestion of impressionistic ideas, but the Fünf Lieder (1895-1996) are also exceptional in a collection that is impressive overall. Bridge's Songs by Zemlinsky, with its generous selection of 26 lieder, demonstrates that when it came to song, Zemlinsky was neither hanging on to a departed model of songwriting nor struggling toward an ineffable vision of what the future might hold. Zemlinsky was an expert practitioner within a style of lied that was still very much alive in his day, and to which he added a distinct voice that retains its freshness even though most of these works haven't been heard in more than a century. Haselböck's interpretations of these lied are buoyant and engaged with the text; she imbues each performance with the requisite emotion without sounding arch or grotesque.
© TiVo

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Zemlinsky: Songs

Hermine Haselbock

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7 Songs (Alexander von Zemlinsky)

1
No. 1, Die schlanke Wasserlilie
00:01:14

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

2
No. 2, Gute Nacht
00:00:49

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

3
No. 3, Liebe und Frühling
00:01:45

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

4
No. 4, Ich sah mein eigen Angesicht
00:01:22

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

5
No. 5, Lieben und Leben
00:02:02

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

6
No. 6, In der Ferne
00:01:38

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

7
No. 7, Waldgespräch
00:03:00

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

6 Gesänge, Op. 13 (Version for Voice & Piano) (Alexander von Zemlinsky)

8
No. 1, Die drei Schwestern
00:03:40

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

9
No. 2, Die Mädchen mit den verbundenen Augen
00:02:29

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

10
No. 3, Lied der Jungfrau
00:01:55

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

11
No. 4, Als ihr Geliebter schied
00:02:10

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

12
No. 5, Und kehrt er einst heim
00:02:56

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

13
No. 6, Sie kam zum Schloss gegangen
00:04:07

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

Walzer-Gesange nach toskanischen Volksliedern, Op. 6 (Alexander von Zemlinsky)

14
No. 1, Liebe Schwalbe
00:01:39

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

15
No. 2, Klagen ist der Mond gekommen
00:01:34

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

16
No. 3, Fensterlein, nachts bist du zu
00:01:08

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

17
No. 4, Ich geh' des Nachts
00:00:57

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

18
No. 5, Blaues Sternlein
00:01:57

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

19
No. 6, Briefchen schrieb ich
00:01:13

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

Orientalisches Sonett (Alexander von Zemlinsky)

20
Orientalisches Sonett
00:03:50

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

Süße, süße Sommernacht (Alexander von Zemlinsky)

21
Süsse, süsse Sommernacht
00:01:28

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

Herbsten (Alexander von Zemlinsky)

22
Herbsten
00:01:23

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

Nun schwillt der See so bang (Alexander von Zemlinsky)

23
Nun schwillt der See so bang
00:01:30

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

Der Tag wird kuhl (Alexander von Zemlinsky)

24
Der Tag wird kühl
00:03:10

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

In der Sonnesgasse (Alexander von Zemlinsky)

25
In der Sonnesgasse
00:01:54

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

Herr Bombardil (Alexander von Zemlinsky)

26
Herr Bombardil
00:01:48

Florian Henschel, Artist - Alexander von Zemlinsky, Composer - Hermine Haselböck, Artist, MainArtist

(C) 2017 Bridge Records (P) 2017 Bridge Records

Albumbeschreibung

Bridge's Songs by Zemlinsky is a fast-moving recital of Alexander Zemlinsky's early songs, dating from 1889 to 1913, and featuring the talents of soprano Hermine Haselböck and pianist Florian Henschel. The work of Zemlinsky is often measured by the yardstick of his son-in-law and sometime pupil, Arnold Schoenberg, and while it provides a convenient handle to get a grip on Zemlinsky, it really isn't fair to typify either their relationship or their music this way. When it comes to composing lieder, however, this disc seems to indicate that Zemlinsky was far more assured than his student, at least as long as Schoenberg continued to compose songs that were post-romantic and tonal. Zemlinsky's song writing is strongly responsive to the texts and confident in approach; by comparison, Schoenberg seems to be straining to break out of the box and with his The Book of the Hanging Gardens, Op. 15, he finally did so. That certainly is no reason to neglect the many fine songs heard here; the Sechs Gesänge nach Texten von Maurice Maeterlinck, Op. 13 (1910-1913), is particularly interesting owing to its very slight ingestion of impressionistic ideas, but the Fünf Lieder (1895-1996) are also exceptional in a collection that is impressive overall. Bridge's Songs by Zemlinsky, with its generous selection of 26 lieder, demonstrates that when it came to song, Zemlinsky was neither hanging on to a departed model of songwriting nor struggling toward an ineffable vision of what the future might hold. Zemlinsky was an expert practitioner within a style of lied that was still very much alive in his day, and to which he added a distinct voice that retains its freshness even though most of these works haven't been heard in more than a century. Haselböck's interpretations of these lied are buoyant and engaged with the text; she imbues each performance with the requisite emotion without sounding arch or grotesque.
© TiVo

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