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Fischer-z|Word Salad

Word Salad

Fischer-Z

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This impressive debut may not have forecast what was yet to come, but it possessed a lot of quirky charm. Channeling the energy of punk and the musical aerobics of prog-rock (tempo changes, detours, etc), John Watts and friends certainly proved that they could be as inventive as any other art-pop band (Roxy Music and early Talking Heads suddenly spring to mind). Watts' touchingly manic vocal range irritated some but was entirely original, especially on FZ classics such as "Pretty Paracetamol," "The Worker" and "Remember Russia." Not even close to being a synth-pop band, Steve Skolnick's keyboards shared equal time with Watts' frantic guitar, both backed ably by drummer Steve Liddle and bassist David Graham. Although this album was both jarring and enjoyable, it sounds a bit dated 20 years on.

© Steve Schnee /TiVo

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Word Salad

Fischer-z

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1
Pretty Paracetamol
00:03:59

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1979 Parlophone Records Ltd, a Warner Music Group Company ℗ 1979 Parlophone Records Ltd, a Warner Music Group Company

2
Acrobats
00:02:42

GRAHAM, Composer - John Watts, Composer - Fischer-z, Performance, MainArtist

© 1979 Parlophone Records Ltd, a Warner Music Group Company ℗ 1979 Parlophone Records Ltd, a Warner Music Group Company

3
The Worker
00:03:35

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1979 Parlophone Records Ltd, a Warner Music Group Company ℗ 1979 Parlophone Records Ltd, a Warner Music Group Company

4
Spiders
00:01:44

John Watts, Composer - Skolnik, Composer - Fischer-z, Performance, MainArtist

© 1979 Parlophone Records Ltd, a Warner Music Group Company ℗ 1979 Parlophone Records Ltd, a Warner Music Group Company

5
Remember Russia
00:03:37

John Watts, Composer, Lyricist - Fischer-z, Performance, MainArtist

© 1979 Parlophone Records Ltd, a Warner Music Group Company ℗ 1979 Parlophone Records Ltd, a Warner Music Group Company

6
The French Let Her
00:03:20

John Watts, Composer - Skolnik, Composer - Fischer-z, Performance, MainArtist

© 1979 Parlophone Records Ltd, a Warner Music Group Company ℗ 1979 Parlophone Records Ltd, a Warner Music Group Company

7
Lies
00:03:58

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1979 Parlophone Records Ltd, a Warner Music Group Company ℗ 1979 Parlophone Records Ltd, a Warner Music Group Company

8
Wax Dolls
00:02:47

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1979 Parlophone Records Ltd, a Warner Music Group Company ℗ 1979 Parlophone Records Ltd, a Warner Music Group Company

9
Headlines
00:03:24

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1979 Parlophone Records Ltd, a Warner Music Group Company ℗ 1979 Parlophone Records Ltd, a Warner Music Group Company

10
Nice to Know
00:02:53

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1979 Parlophone Records Ltd, a Warner Music Group Company ℗ 1979 Parlophone Records Ltd, a Warner Music Group Company

11
Billy and the Motorway Police
00:02:13

GRAHAM, Composer - John Watts, Composer - Fischer-z, Performance, MainArtist

© 1979 Parlophone Records Ltd, a Warner Music Group Company ℗ 1979 Parlophone Records Ltd, a Warner Music Group Company

12
Lemmings
00:03:03

John Watts, Composer - Skolnik, Composer - Fischer-z, Performance, MainArtist

© 1979 Parlophone Records Ltd, a Warner Music Group Company ℗ 1979 Parlophone Records Ltd, a Warner Music Group Company

Albumbeschreibung

This impressive debut may not have forecast what was yet to come, but it possessed a lot of quirky charm. Channeling the energy of punk and the musical aerobics of prog-rock (tempo changes, detours, etc), John Watts and friends certainly proved that they could be as inventive as any other art-pop band (Roxy Music and early Talking Heads suddenly spring to mind). Watts' touchingly manic vocal range irritated some but was entirely original, especially on FZ classics such as "Pretty Paracetamol," "The Worker" and "Remember Russia." Not even close to being a synth-pop band, Steve Skolnick's keyboards shared equal time with Watts' frantic guitar, both backed ably by drummer Steve Liddle and bassist David Graham. Although this album was both jarring and enjoyable, it sounds a bit dated 20 years on.

© Steve Schnee /TiVo

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