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Adia Victoria|Silences

Silences

Adia Victoria

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Die diesseits des Atlantiks noch unbekannte Adia Victoria bringt ohne viel Trara schon ihr zweites Album heraus, das in Amerika bereits viele Anhänger hat: Silences. Die in Nashville lebende 32-jährige Songwriterin, Sängerin und Dichterin hatte ihr Debüt im Jahre 2016 mit Beyond The Bloodhounds gefeiert, dessen Titel der afroamerikanischen Aktivistin Harriet Jacobs gewidmet ist. Victoria, die mit ihrer sanften, allzeit passenden Velourstimme sogar France Galls Laisse tomber les filles coverte (How It Feels, 2017), schleudert uns hier zwölf Tracks entgegen, die sie zusammen mit Aaron Dessner von The National ausgetüftelt hat. Da Silences inhaltlich reichhaltiger ausgestattet ist – es sind nämlich sowohl Saxofon, Gitarre, Holzblässer und Elektro zu hören – hat man den Eindruck, einem Kampf gegen Dämonen beizuwohnen. In diesem Sinne versteht sie auch ihre Musik, als Blues über vertraute Themen, und nicht als Indie-Pop, wie man es auf den ersten Blick annehmen möchte. „Ich wollte, dass der Blues wieder Zähne zeigt. Das machte die Punkmusik anfangs auch, denke ich. Es handelte sich um Leute, die mit ihren Songs Botschaften überbrachten, die sie anders nicht hätten vermitteln können, weil man sie dafür umgebracht hätte .“ Hübsch, oder? © Charlotte Saintoin/Qobuz

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Silences

Adia Victoria

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Ab 12,49€/Monat

1
Clean
00:01:52

Clarice Jensen, Cello - Jason Harris, Synthesizer - Aaron Dessner, Producer - Greg Galbi, Masterer - Yuki Numata Resnick, Violin - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Writer - Adam Hill, Synthesizer - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Synthesizer - Omari Paul, Synthesizer

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

2
Bring Her Back Explicit
00:03:15

Jason Harris, Synthesizer - Aaron Dessner, Producer, Piano, Drum Programmer, Synthesizer - Greg Galbi, Masterer - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Guitar, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Guitar, Additional Production, Writer - Adam Schatz, Keyboards, Tenor Saxophone - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Keyboards

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

3
Pacolet Road
00:03:08

Stuart Bogie, Clarinet, Saxophone - Justin Vernon, Drums - Jason Harris, Bass - Aaron Dessner, Producer, Piano, Drum Programmer, Synthesizer - Kyle Resnick, Trumpet - Greg Galbi, Masterer - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Guitar, Bass Guitar, Additional Production, Writer - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Organ, Synthesizer

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

4
The City
00:03:18

Billie Holiday, Writer - Stuart Bogie, Clarinet, Flute, Saxophone - Aaron Dessner, Producer, Piano, Bass, Synthesizer - James McAlister, Drum Programmer - Herbert Nichols, Writer - Greg Galbi, Masterer - Yuki Numata Resnick, Violin - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Electric Guitar, Vocals, MainArtist - Adia Victoria Paul, Writer - Mason Hickman, Guitar, Additional Production, Writer, Drum Programmer, Synthesizer - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Synthesizer

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

5
Different Kind Of Love
00:03:24

Stuart Bogie, Saxophone - Justin Vernon, Drums, Synthesizer - Jason Harris, Bass - Greg Galbi, Masterer - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Electric Guitar, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Electric Guitar, Additional Production, Writer, Drum Programmer, Synthesizer - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Organ, Synthesizer

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

6
Devil Is A Lie
00:04:28

Stuart Bogie, Clarinet, Flute, Saxophone - Clarice Jensen, Cello - Dave Nelson, Trombone - Jason Harris, Bass - Aaron Dessner, Producer - James McAlister, Drum Programmer - Kyle Resnick, Trumpet - Greg Galbi, Masterer - Yuki Numata Resnick, Violin - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Electric Guitar, Additional Production, Writer - Adam Schatz, Bass Clarinet - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Organ

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

7
The Needle's Eye
00:03:33

Stuart Bogie, Clarinet, Jew's Harp - Clarice Jensen, Cello - Justin Vernon, Synthesizer - Jason Harris, Bass - Aaron Dessner, Producer - Greg Galbi, Masterer - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Guitar, Additional Production, Writer, Drum Programmer, Synthesizer - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Synthesizer

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

8
Cry Wolf Explicit
00:04:16

Clarice Jensen, Cello - Justin Vernon, Synthesizer - Aaron Dessner, Producer, Piano, Bass, Synthesizer - Greg Galbi, Masterer - Yuki Numata Resnick, Violin - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Electric Guitar, Writer - Adam Schatz, Keyboards, Tenor Saxophone - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Synthesizer

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

9
Heathen
00:03:25

Stuart Bogie, Saxophone - Clarice Jensen, Cello - Aaron Dessner, Producer, Drum Programmer, Synthesizer - Greg Galbi, Masterer - Yuki Numata Resnick, Violin - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Electric Guitar, Keyboards, Additional Production, Writer - Timothy 'Knapps' Beaty, Drums - Jon O'Hara, Keyboards - Bella Blakso, AssistantEngineer - Pete Eddins, Keyboards

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

10
Nice Folks
00:04:11

Dave Nelson, Trombone - Aaron Dessner, Producer, Piano, Synthesizer - Greg Galbi, Masterer - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Electric Guitar, Additional Production, Writer, Drum Programmer, Synthesizer - Adam Schatz, Keyboards, Tenor Saxophone - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Synthesizer

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

11
Dope Queen Blues
00:03:06

Stuart Bogie, Clarinet, Flute, Saxophone - Dave Nelson, Trombone - Aaron Dessner, Producer, Drum Programmer, Bass, Synthesizer - Greg Galbi, Masterer - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Guitar, Additional Production, Writer - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Aaron Dressner, Piano

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2018 Atlantic Recording Corporation

12
Get Lonely
00:04:18

Clarice Jensen, Cello - Aaron Dessner, Producer, Piano, Drum Programmer, Bass, Synthesizer - Greg Galbi, Masterer - Yuki Numata Resnick, Violin - Jonathan Low, Mixer, Engineer - Adia Victoria, Producer, Vocals, MainArtist - Adia Victoria Paul, Composer, Lyricist - Mason Hickman, Guitar, Additional Production, Writer, Synthesizer - Adam Schatz, Keyboards, Tenor Saxophone - Timothy 'Knapps' Beaty, Drums - Bella Blakso, AssistantEngineer - Pete Eddins, Keyboards

© 2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2019 Atlantic Recording Corporation

Albumbeschreibung

Die diesseits des Atlantiks noch unbekannte Adia Victoria bringt ohne viel Trara schon ihr zweites Album heraus, das in Amerika bereits viele Anhänger hat: Silences. Die in Nashville lebende 32-jährige Songwriterin, Sängerin und Dichterin hatte ihr Debüt im Jahre 2016 mit Beyond The Bloodhounds gefeiert, dessen Titel der afroamerikanischen Aktivistin Harriet Jacobs gewidmet ist. Victoria, die mit ihrer sanften, allzeit passenden Velourstimme sogar France Galls Laisse tomber les filles coverte (How It Feels, 2017), schleudert uns hier zwölf Tracks entgegen, die sie zusammen mit Aaron Dessner von The National ausgetüftelt hat. Da Silences inhaltlich reichhaltiger ausgestattet ist – es sind nämlich sowohl Saxofon, Gitarre, Holzblässer und Elektro zu hören – hat man den Eindruck, einem Kampf gegen Dämonen beizuwohnen. In diesem Sinne versteht sie auch ihre Musik, als Blues über vertraute Themen, und nicht als Indie-Pop, wie man es auf den ersten Blick annehmen möchte. „Ich wollte, dass der Blues wieder Zähne zeigt. Das machte die Punkmusik anfangs auch, denke ich. Es handelte sich um Leute, die mit ihren Songs Botschaften überbrachten, die sie anders nicht hätten vermitteln können, weil man sie dafür umgebracht hätte .“ Hübsch, oder? © Charlotte Saintoin/Qobuz

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