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Silkk The Shocker|Made Man

Made Man

Silkk The Shocker

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Text in englischer Sprache verfügbar

Once No Limit was thrust into the spotlight, the label began to churn out albums even faster than they did before Master P was a superstar -- which is really saying something, since the soldiers usually took about a year to ready a new record. The new cycle apparently dictated that a year was the maximum between albums, if the rapid appearence of Silkk the Shocker's third album Made Mann is any indication. Released less than a year after Charge it 2 Da Game -- which in itself was one of the No Limit classics (of course, that's on the No Limit scale, not a hip-hop scale) -- Made Mann illustrates the perils of such an approach. No Limit records are notorious for their recycling, cheapness and tedium, and the shorter release cycle accentuates these shortcomings. It follows the formula exactly, piling on the cameos, photocopied basslines and appropriated rhythms, all in an attempt to approximate the sound of the streets. To a certain extent it works, since it never takes chances and delivers what the audience wants, but naysayers will wonder if even the hardcore fans aren't getting sick of all No Limit albums sounding identical by now.

© Stephen Thomas Erlewine /TiVo

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Made Man

Silkk The Shocker

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1
The Day I Was Made Explicit
00:04:24

Silkk The Shocker, Composer, MainArtist - O'Dell For Beats By The Pound, Producer

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

2
Somebody Like Me Explicit
00:04:12

Mya Harrison, Composer - Silkk The Shocker, Composer, MainArtist - Mya, FeaturedArtist - Whole Records, Producer

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

3
It Ain't My Fault 2 Explicit
00:03:26

Mystikal, FeaturedArtist - Silkk The Shocker, MainArtist, ComposerLyricist - Vyshonne King Miller, ComposerLyricist - Craig B For Beats By The Pound, Producer

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

4
Ghetto Rain Explicit
00:04:36

Silkk The Shocker, Composer, MainArtist - Master P, FeaturedArtist - Craig B For Beats By The Pound, Producer

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

5
This Is 4 My Explicit
00:02:51

Silkk The Shocker, Composer, MainArtist - KLC, Producer

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

6
Commercial One Explicit
00:00:39

Silkk The Shocker, Composer, MainArtist

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

7
You Know What We Bout Explicit
00:04:33

Silkk The Shocker, Composer, MainArtist - Jay-Z, FeaturedArtist - Master P, FeaturedArtist - Craig B For Beats By The Pound, Producer

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

8
I Want To Be With You Explicit
00:04:53

Silkk The Shocker, Composer, MainArtist - O'Dell, Producer - KLC, Producer

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

9
All Because Of You Explicit
00:04:27

Mia X, FeaturedArtist - Silkk The Shocker, Composer, MainArtist - KLC, Producer

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

10
No Limit Explicit
00:02:21

Mystikal, FeaturedArtist - Silkk The Shocker, Composer, MainArtist - KLC, Producer - Mr. Serv-On, FeaturedArtist - Big Ed, FeaturedArtist

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

11
End Of The Road Explicit
00:04:21

Silkk The Shocker, MainArtist - Lionel Richie, Composer - Vyshonne King Miller, Composer - Sons Of Funk, Producer, FeaturedArtist

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

12
We Won't Stop Explicit
00:04:01

C-Murder, FeaturedArtist - Silkk The Shocker, Composer, MainArtist - Master P, FeaturedArtist - Carlos Stephens For Beats By The Pound, Producer

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

13
Mr. '99 Explicit
00:03:02

Silkk The Shocker, Composer, MainArtist - KLC, Producer

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

14
It Takes More Explicit
00:04:00

Silkk The Shocker, Composer, MainArtist - Carlos Stephens For Beats By The Pound, Producer - Ghetto Commission, FeaturedArtist

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

15
If It Don't Make $ Explicit
00:03:10

Silkk The Shocker, Composer, MainArtist - DJ Whop, Producer

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

16
It's Going Around Outside Explicit
00:04:37

Silkk The Shocker, Composer, MainArtist - Rico Lumpkins, Producer, FeaturedArtist

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

17
Put It On Something Explicit
00:04:49

Mia X, FeaturedArtist - Silkk The Shocker, Composer, MainArtist - Craig B For Beats By The Pound, Producer

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

18
Commercial Two Explicit
00:01:51

Silkk The Shocker, Composer, MainArtist

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

19
Southside Niggas Explicit
00:03:12

C-Murder, FeaturedArtist - Silkk The Shocker, Composer, MainArtist - Master P, FeaturedArtist - Mo B Dick, Producer

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

20
Get It Up Explicit
00:03:38

Silkk The Shocker, Composer, MainArtist - Snoop Dogg, FeaturedArtist - Beats By The Pound, Producer

(C) 1999 Priority Records LLC ℗ 1999 Priority Records, LLC

Albumbeschreibung

Once No Limit was thrust into the spotlight, the label began to churn out albums even faster than they did before Master P was a superstar -- which is really saying something, since the soldiers usually took about a year to ready a new record. The new cycle apparently dictated that a year was the maximum between albums, if the rapid appearence of Silkk the Shocker's third album Made Mann is any indication. Released less than a year after Charge it 2 Da Game -- which in itself was one of the No Limit classics (of course, that's on the No Limit scale, not a hip-hop scale) -- Made Mann illustrates the perils of such an approach. No Limit records are notorious for their recycling, cheapness and tedium, and the shorter release cycle accentuates these shortcomings. It follows the formula exactly, piling on the cameos, photocopied basslines and appropriated rhythms, all in an attempt to approximate the sound of the streets. To a certain extent it works, since it never takes chances and delivers what the audience wants, but naysayers will wonder if even the hardcore fans aren't getting sick of all No Limit albums sounding identical by now.

© Stephen Thomas Erlewine /TiVo

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