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Katia & Marielle Labèque|Les enfants terribles

Les enfants terribles

Katia & Marielle Labèque

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Katia and Marielle Labèque, enduring stars of the two-piano repertory, haven't lost a step as they approach their sixth decade of performing and recording together. One reason they remain fresh and compelling for audiences is that their repertory has constantly evolved, putting their remarkable talents into fresh perspectives. The sisters have played both modernist works and those from the minimalist sphere. They have worked in the past with Philip Glass and became the dedicatees of his Double Concerto for two pianos and orchestra in 2015. Here they offer a two-piano arrangement of Glass's voices-and-piano opera Les enfants terribles; the idea was set in motion by Glass and the sisters, and the arrangements were made by Michael Riesman. In general, Glass's music is friendly to the sisters' style, which relies on an uncannily accurate interlocking of the two players and lends the proper glittering intricacy to Glass. Les enfants terribles is an especially nice fit, with the melodies of the original opera set against large masses of sound with sharp accents in the two pianos. Another nice touch is the pair of Glass etudes at the end, one assigned to each sister. Those who liked Katia and Marielle Labèque in the 1980s and 1990s and have wondered what they're up to, this well-recorded release offers a satisfying answer.

© James Manheim /TiVo

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Les enfants terribles

Katia & Marielle Labèque

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Les enfants terribles - Arr. for Piano duet (Philip Glass)

1
I. Overture
Katia Labèque
00:03:02

Michael Riesman, Arranger, Work Arranger - Philip Glass, Composer - Katia Labeque, Piano, MainArtist, AssociatedPerformer - Marielle Labeque, Piano, MainArtist, AssociatedPerformer - David Chalmin, Producer, Mixer, Recording Engineer, StudioPersonnel

℗ 2020 KML Recordings

2
II. Paul Is Dying
Katia Labèque
00:04:57

Michael Riesman, Arranger, Work Arranger - Philip Glass, Composer - Katia Labeque, Piano, MainArtist, AssociatedPerformer - Marielle Labeque, Piano, MainArtist, AssociatedPerformer - David Chalmin, Producer, Mixer, Recording Engineer, StudioPersonnel

℗ 2020 KML Recordings

3
III. The Somnambulist
Katia Labèque
00:03:51

Michael Riesman, Arranger, Work Arranger - Philip Glass, Composer - Katia Labeque, Piano, MainArtist, AssociatedPerformer - Marielle Labeque, Piano, MainArtist, AssociatedPerformer - David Chalmin, Producer, Mixer, Recording Engineer, StudioPersonnel

℗ 2020 KML Recordings

4
IV. She Slapped Me
Katia Labèque
00:03:50

Michael Riesman, Arranger, Work Arranger - Philip Glass, Composer - Katia Labeque, Piano, MainArtist, AssociatedPerformer - Marielle Labeque, Piano, MainArtist, AssociatedPerformer - David Chalmin, Producer, Mixer, Recording Engineer, StudioPersonnel

℗ 2020 KML Recordings

5
V. They Lived Their Dream
Katia Labèque
00:02:15

Michael Riesman, Arranger, Work Arranger - Philip Glass, Composer - Katia Labeque, Piano, MainArtist, AssociatedPerformer - Marielle Labeque, Piano, MainArtist, AssociatedPerformer - David Chalmin, Producer, Mixer, Recording Engineer, StudioPersonnel

℗ 2020 KML Recordings

6
VI. Terrible Interlude
Katia Labèque
00:08:14

Michael Riesman, Arranger, Work Arranger - Philip Glass, Composer - Katia Labeque, Piano, MainArtist, AssociatedPerformer - Marielle Labeque, Piano, MainArtist, AssociatedPerformer - David Chalmin, Producer, Mixer, Recording Engineer, StudioPersonnel

℗ 2020 KML Recordings

7
VII. Cocoon Of Shawls
Katia Labèque
00:03:35

Michael Riesman, Arranger, Work Arranger - Philip Glass, Composer - Katia Labeque, Piano, MainArtist, AssociatedPerformer - Marielle Labeque, Piano, MainArtist, AssociatedPerformer - David Chalmin, Producer, Mixer, Recording Engineer, StudioPersonnel

℗ 2020 KML Recordings

8
VIII. Lost
Katia Labèque
00:05:11

Michael Riesman, Arranger, Work Arranger - Philip Glass, Composer - Katia Labeque, Piano, MainArtist, AssociatedPerformer - Marielle Labeque, Piano, MainArtist, AssociatedPerformer - David Chalmin, Producer, Mixer, Recording Engineer, StudioPersonnel

℗ 2020 KML Recordings

9
IX. Are You In Love, Agathe?
Katia Labèque
00:03:14

Michael Riesman, Arranger, Work Arranger - Philip Glass, Composer - Katia Labeque, Piano, MainArtist, AssociatedPerformer - Marielle Labeque, Piano, MainArtist, AssociatedPerformer - David Chalmin, Producer, Mixer, Recording Engineer, StudioPersonnel

℗ 2020 KML Recordings

10
X. She Took The Path
Katia Labèque
00:01:57

Michael Riesman, Arranger, Work Arranger - Philip Glass, Composer - Katia Labeque, Piano, MainArtist, AssociatedPerformer - Marielle Labeque, Piano, MainArtist, AssociatedPerformer - David Chalmin, Producer, Mixer, Recording Engineer, StudioPersonnel

℗ 2020 KML Recordings

11
XI. Paul’s End
Katia Labèque
00:03:24

Michael Riesman, Arranger, Work Arranger - Philip Glass, Composer - Katia Labeque, Piano, MainArtist, AssociatedPerformer - Marielle Labeque, Piano, MainArtist, AssociatedPerformer - David Chalmin, Producer, Mixer, Recording Engineer, StudioPersonnel

℗ 2020 KML Recordings

Études (Philip Glass)

12
No. 17
Marielle Labèque
00:08:01

Philip Glass, Composer - Marielle Labeque, Piano, MainArtist, AssociatedPerformer - David Chalmin, Producer, Mixer, Recording Engineer, StudioPersonnel

℗ 2020 KML Recordings

13
No. 20
Katia Labèque
00:11:30

Philip Glass, Composer - Katia Labeque, Piano, MainArtist, AssociatedPerformer - David Chalmin, Producer, Mixer, Recording Engineer, StudioPersonnel

℗ 2020 KML Recordings

Albumbeschreibung

Katia and Marielle Labèque, enduring stars of the two-piano repertory, haven't lost a step as they approach their sixth decade of performing and recording together. One reason they remain fresh and compelling for audiences is that their repertory has constantly evolved, putting their remarkable talents into fresh perspectives. The sisters have played both modernist works and those from the minimalist sphere. They have worked in the past with Philip Glass and became the dedicatees of his Double Concerto for two pianos and orchestra in 2015. Here they offer a two-piano arrangement of Glass's voices-and-piano opera Les enfants terribles; the idea was set in motion by Glass and the sisters, and the arrangements were made by Michael Riesman. In general, Glass's music is friendly to the sisters' style, which relies on an uncannily accurate interlocking of the two players and lends the proper glittering intricacy to Glass. Les enfants terribles is an especially nice fit, with the melodies of the original opera set against large masses of sound with sharp accents in the two pianos. Another nice touch is the pair of Glass etudes at the end, one assigned to each sister. Those who liked Katia and Marielle Labèque in the 1980s and 1990s and have wondered what they're up to, this well-recorded release offers a satisfying answer.

© James Manheim /TiVo

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