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Mekons|Journey to the End of the Night

Journey to the End of the Night

Mekons

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Text in englischer Sprache verfügbar

The Mekons have always thrived on musical contradiction, reveling in their clashes instead of diluting their collective influences, realizing that it's less interesting to play it safe. However, there is little evidence of this inclination on Journey to the End of the Night, perhaps their most straightforward album. Long-time fans looking for the fire of their most impassioned music may be suspicious: for once the Mekons sound like a band getting older, but this isn't a bad thing. On Journey, they avoid the sort of jarring juxtapositions that made previous collections more difficult to digest, but they don't stick to a uniform sound; instead, "Tina"'s light reggae rhythms, chugging guitar line, and melodica coexist peacefully with the low-budget electro of "The Flood." The more reserved songcraft results in one of the group's most sensitive sets of songs. "Ordinary Night" effectively communicates a touching story of love fumbled by a familiar, tragic character in two verses. The duet "Last Weeks of the War" uses truly ominous language in its tale of a broken relationship: "Little black book/Full of little white lies/The straightjacket has arrived/I'll try it on for size," Jon Langford sings, while Timms is both strong and sympathetic ("I'm not ruined but I need repair"). On Journey to the End of the Night, the Mekons have crafted a collection of rich, musically agreeable settings for sympathetic character sketches like these.
© Nathan Bush /TiVo

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Journey to the End of the Night

Mekons

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1
Myth
00:03:52

Mekons, Artist, MainArtist - Low Noise Music (BMI), MusicPublisher

2000 Quarterstick Records 2000 Quarterstick Records

2
Out in the Night
00:03:31

Mekons, Artist, MainArtist - Low Noise Music (BMI), MusicPublisher

2000 Quarterstick Records 2000 Quarterstick Records

3
Last Weeks of the War
00:02:59

Mekons, Artist, MainArtist - Low Noise Music (BMI), MusicPublisher

2000 Quarterstick Records 2000 Quarterstick Records

4
City of London
00:04:03

Mekons, Artist, MainArtist - Low Noise Music (BMI), MusicPublisher

2000 Quarterstick Records 2000 Quarterstick Records

5
Tina
00:03:56

Mekons, Artist, MainArtist - Low Noise Music (BMI), MusicPublisher

2000 Quarterstick Records 2000 Quarterstick Records

6
The Flood
00:04:51

Mekons, Artist, MainArtist - Low Noise Music (BMI), MusicPublisher

2000 Quarterstick Records 2000 Quarterstick Records

7
Cast No Shadows
00:03:03

Mekons, Artist, MainArtist - Low Noise Music (BMI), MusicPublisher

2000 Quarterstick Records 2000 Quarterstick Records

8
Ordinary Night
00:03:19

Mekons, Artist, MainArtist - Low Noise Music (BMI), MusicPublisher

2000 Quarterstick Records 2000 Quarterstick Records

9
Powers & Horror
00:02:42

Mekons, Artist, MainArtist - Low Noise Music (BMI), MusicPublisher

2000 Quarterstick Records 2000 Quarterstick Records

10
Neglect
00:04:02

Mekons, Artist, MainArtist - Low Noise Music (BMI), MusicPublisher

2000 Quarterstick Records 2000 Quarterstick Records

11
Something to Be Scared of
00:02:38

Mekons, Artist, MainArtist - Low Noise Music (BMI), MusicPublisher

2000 Quarterstick Records 2000 Quarterstick Records

12
Last Night on Earth
00:03:42

Mekons, Artist, MainArtist - Low Noise Music (BMI), MusicPublisher

2000 Quarterstick Records 2000 Quarterstick Records

13
Bonus
00:00:42

Mekons, Artist, MainArtist - Low Noise Music (BMI), MusicPublisher

2000 Quarterstick Records 2000 Quarterstick Records

Albumbeschreibung

The Mekons have always thrived on musical contradiction, reveling in their clashes instead of diluting their collective influences, realizing that it's less interesting to play it safe. However, there is little evidence of this inclination on Journey to the End of the Night, perhaps their most straightforward album. Long-time fans looking for the fire of their most impassioned music may be suspicious: for once the Mekons sound like a band getting older, but this isn't a bad thing. On Journey, they avoid the sort of jarring juxtapositions that made previous collections more difficult to digest, but they don't stick to a uniform sound; instead, "Tina"'s light reggae rhythms, chugging guitar line, and melodica coexist peacefully with the low-budget electro of "The Flood." The more reserved songcraft results in one of the group's most sensitive sets of songs. "Ordinary Night" effectively communicates a touching story of love fumbled by a familiar, tragic character in two verses. The duet "Last Weeks of the War" uses truly ominous language in its tale of a broken relationship: "Little black book/Full of little white lies/The straightjacket has arrived/I'll try it on for size," Jon Langford sings, while Timms is both strong and sympathetic ("I'm not ruined but I need repair"). On Journey to the End of the Night, the Mekons have crafted a collection of rich, musically agreeable settings for sympathetic character sketches like these.
© Nathan Bush /TiVo

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