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Murray Perahia|Johann Sebastian Bach : Keyboard Concertos, Vol. 2 (Original Edition)

Johann Sebastian Bach : Keyboard Concertos, Vol. 2 (Original Edition)

Murray Perahia (piano & direction) - Academy Of St. Martin-In-The-Fields - Neville Marriner

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There are many listeners who have come to cherish Murray Perahia's Bach, to treasure the fleetness of his fingers, the delicacy of his touch, and the beauty of his tone. There are many listeners who are deeply moved by Perahia's recording of the Goldberg Variations, who hear tragic depths in its first groups of variations, consummate wit in final variations, and heartbreaking nostalgia in the return of the theme. For those many listeners, Perahia's recording of four of Bach's keyboard concertos will be another wonderful disc. There may be other listeners who find Perahia's technique in the outer movements of the Concerto in D major merely adequate, who find his touch in the central movement of the Concerto in F minor more feeble than delicate, and who find his tone in the central movement of the Concerto in G minor more narcissistic than beautiful. There may be other listeners who feel that Perahia's playing is sweet but superficial, who find his interpretations pretty but not profound, who find his direction of the Academy of St. Martin-in-the-Fields tolerable, but not much more.

© TiVo

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Johann Sebastian Bach : Keyboard Concertos, Vol. 2 (Original Edition)

Murray Perahia

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Keyboard Concerto No. 3 in D Major, BWV 1054 (Johann Sebastian Bach)

1
I. Allegro
00:07:13

Andreas Neubronner, ProducerAcademy of St. Martin in the Fields, PerformerJohann Sebastian Bach, ComposerMurray Perahia, ConductorMurray Perahia, PianoMurray Perahia, Performer

2002 (P) Sony BMG Music Entertainment

2
II. Adagio e piano sempre
00:05:45

Andreas Neubronner, ProducerAcademy of St. Martin in the Fields, PerformerJohann Sebastian Bach, ComposerMurray Perahia, ConductorMurray Perahia, PianoMurray Perahia, Performer

2002 (P) Sony BMG Music Entertainment

3
III. Allegro
00:02:39

Andreas Neubronner, ProducerAcademy of St. Martin in the Fields, PerformerJohann Sebastian Bach, ComposerMurray Perahia, ConductorMurray Perahia, PianoMurray Perahia, Performer

2002 (P) Sony BMG Music Entertainment

Keyboard Concerto No. 5 in F minor, BWV 1056 (Johann Sebastian Bach)

4
I. (Allegro)
00:03:20

Andreas Neubronner, ProducerAcademy of St. Martin in the Fields, PerformerMarguerite Dolmetsch, RecorderJeanne Dolmetsch, RecorderJOHANN SEBASTIAN BACH (1685-1750), ComposerMurray Perahia, ConductorMurray Perahia, PianoMurray Perahia, Performer

(P) 2002 SONY BMG MUSIC ENTERTAINMENT

5
II. Largo
00:02:53

Andreas Neubronner, ProducerAcademy of St. Martin in the Fields, PerformerMarguerite Dolmetsch, RecorderJeanne Dolmetsch, RecorderJOHANN SEBASTIAN BACH (1685-1750), ComposerMurray Perahia, ConductorMurray Perahia, PianoMurray Perahia, Performer

(P) 2002 SONY BMG MUSIC ENTERTAINMENT

6
III. Presto
00:02:58

Andreas Neubronner, ProducerAcademy of St. Martin in the Fields, PerformerMarguerite Dolmetsch, RecorderJeanne Dolmetsch, RecorderJOHANN SEBASTIAN BACH (1685-1750), ComposerMurray Perahia, ConductorMurray Perahia, PianoMurray Perahia, Performer

(P) 2002 SONY BMG MUSIC ENTERTAINMENT

Concerto for Harpsichord and Orchestra No. 6 in F Major, BWV 1057 (Johann Sebastian Bach)

7
I. (without tempo indication) (Instrumental)
00:07:03

Andreas Neubronner, ProducerAcademy of St. Martin in the Fields, PerformerMarguerite Dolmetsch, RecorderJeanne Dolmetsch, RecorderJohann Sebastian Bach, ComposerMurray Perahia, ConductorMurray Perahia, PianoMurray Perahia, Performer

2002 (P) Sony BMG Music Entertainment

8
II. Andante (Instrumental)
00:03:53

Andreas Neubronner, ProducerAcademy of St. Martin in the Fields, PerformerMarguerite Dolmetsch, RecorderJeanne Dolmetsch, RecorderJohann Sebastian Bach, ComposerMurray Perahia, ConductorMurray Perahia, PianoMurray Perahia, Performer

2002 (P) Sony BMG Music Entertainment

9
III. Allegro assai (Instrumental)
00:04:35

Andreas Neubronner, ProducerAcademy of St. Martin in the Fields, PerformerMarguerite Dolmetsch, RecorderJeanne Dolmetsch, RecorderJohann Sebastian Bach, ComposerMurray Perahia, ConductorMurray Perahia, PianoMurray Perahia, Performer

2002 (P) Sony BMG Music Entertainment

Keyboard Concerto No. 7 in G Minor, BWV 1058 (Johann Sebastian Bach)

10
I. (Allegro)
00:03:37

Andreas Neubronner, ProducerAcademy of St. Martin in the Fields, PerformerJohann Sebastian Bach, ComposerMurray Perahia, ConductorMurray Perahia, PianoMurray Perahia, Performer

(P) 2002 SONY BMG MUSIC ENTERTAINMENT

11
II. Andante
00:05:56

Andreas Neubronner, ProducerAcademy of St. Martin in the Fields, PerformerJohann Sebastian Bach, ComposerMurray Perahia, ConductorMurray Perahia, PianoMurray Perahia, Performer

(P) 2002 SONY BMG MUSIC ENTERTAINMENT

12
III. Allegro assai
00:03:36

Andreas Neubronner, ProducerAcademy of St. Martin in the Fields, PerformerJohann Sebastian Bach, ComposerMurray Perahia, ConductorMurray Perahia, PianoMurray Perahia, Performer

(P) 2002 SONY BMG MUSIC ENTERTAINMENT

Albumbeschreibung

There are many listeners who have come to cherish Murray Perahia's Bach, to treasure the fleetness of his fingers, the delicacy of his touch, and the beauty of his tone. There are many listeners who are deeply moved by Perahia's recording of the Goldberg Variations, who hear tragic depths in its first groups of variations, consummate wit in final variations, and heartbreaking nostalgia in the return of the theme. For those many listeners, Perahia's recording of four of Bach's keyboard concertos will be another wonderful disc. There may be other listeners who find Perahia's technique in the outer movements of the Concerto in D major merely adequate, who find his touch in the central movement of the Concerto in F minor more feeble than delicate, and who find his tone in the central movement of the Concerto in G minor more narcissistic than beautiful. There may be other listeners who feel that Perahia's playing is sweet but superficial, who find his interpretations pretty but not profound, who find his direction of the Academy of St. Martin-in-the-Fields tolerable, but not much more.

© TiVo

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