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Text in englischer Sprache verfügbar
The problem with singing the songs of the Swedish pop group ABBA skillfully is that they weren't particularly meant to be sung that way. The virtue of the group's two female vocalists lay in the way they blended themselves into the overall texture of a song, including especially its electronic conception, rather than in traditional expressiveness. The woman singing in an ABBA song is, implicitly or explicitly, Everywoman, and it's no accident that the two bookends of ABBA's careers recorded here, the pre-ABBA "I Am Just a Girl" and one of the very last two ABBA songs, "The Day Before You Came," both treat the theme of an ordinary woman leading an utterly ordinary life that is suddenly redeemed by romantic love. Agnetha Fältskog and Anni-Frid Lyngstad were studio vocalists, subsidiary to a production conception like other singers of the disco era in which they mostly worked. Mezzo soprano Anne Sofie von Otter is certainly to be commended for her unusually adventurous forays into the pop realm, but it's hard to avoid the conclusion that she strikes a glancing blow off ABBA's music rather than connecting with it head on.
Listening to this album is a strange experience in many ways. ABBA's songs are light, but they have not turned out to be trivial; the artistry involved in the best of them has kept them interesting to audiences for more than a quarter century now. Von Otter's enthusiasm for the material is obvious, and the melodies seem as though they ought to be strong enough to stand up to interpretations alternative to the ones ABBA's male producers and songwriters, Benny Andersson and Björn Ulvaeus, originally gave them. Yet she gives detail to vocal lines that depend on being featureless. Von Otter seems to be aware of the problems involved. She avoids the big ABBA hits, except for the one with the best pure melody, "The Winner Takes It All." She chooses the most complex ABBA pieces, the ones that showed the subtlety of Andersson and Ulvaeus as song composers. And she includes several post-ABBA works by the team, from the musical Chess, from a Swedish-language musical, and from a set of folk-ish Swedish-language songs (these last two, annoyingly, are summarized but not translated into English). The result is an album that's consistently fascinating to listen to, and that does no disservice to the considerable reputation of its star, but that leaves the listener marveling anew at just how tricky it is to bridge the gap between pop and classical singing. The electronic accompaniments of ABBA are replaced with acoustic instruments (it's often an accordion that fills in for the synthesizers), and these accompaniments, with Andersson himself briefly on hand, are well executed but sort of beside the point. To set the powerful voice of Anne Sofie von Otter against a recasting of ABBA's songs in modern electronics might have been a more fruitful idea.
© TiVo
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Benny Andersson, ComposerLyricist - Anne Sofie von Otter, MainArtist - Bjorn Ulvaeus, ComposerLyricist - Georg Wadenius, Producer, MainArtist - Janne Hansson, Balance Engineer, StudioPersonnel - The Fleshquartet, Arranger, Work Arranger, MainArtist - Valerie Gross, Unknown, Other - Margaretha Söderling, Production Coordinator, StudioPersonnel
℗ 2006 Deutsche Grammophon GmbH, Berlin
Benny Andersson, ComposerLyricist - Anne Sofie von Otter, MainArtist - Bjorn Ulvaeus, ComposerLyricist - Georg Wadenius, Producer, Arranger, Work Arranger, MainArtist - Magnus Persson, MainArtist - Janne Hansson, Balance Engineer, StudioPersonnel - Jakob Ruthberg, MainArtist - Anders Eljas, Arranger, Work Arranger - Magnus Lindgren, MainArtist - Mikael Augustsson, MainArtist - Fredrik Jonsson, MainArtist - Jörgen Stenberg, MainArtist - David Björkman, MainArtist - Roland Kress, MainArtist - anna wallgren, MainArtist - Dr. Marion Thiem, Producer, Executive Producer - Valerie Gross, Unknown, Other - Margaretha Söderling, Production Coordinator, StudioPersonnel
℗ 2006 Deutsche Grammophon GmbH, Berlin
Benny Andersson, ComposerLyricist - Anne Sofie von Otter, MainArtist - Bjorn Ulvaeus, ComposerLyricist - Georg Wadenius, Producer, Arranger, Work Arranger, MainArtist - Magnus Persson, MainArtist - Janne Hansson, Balance Engineer, StudioPersonnel - Fredrik Jonsson, MainArtist - Jörgen Stenberg, MainArtist - Lars Englund, MainArtist - Calle Moraeus, MainArtist - Dr. Marion Thiem, Producer, Executive Producer - Valerie Gross, Unknown, Other - Margaretha Söderling, Production Coordinator, StudioPersonnel
℗ 2006 Deutsche Grammophon GmbH, Berlin
Benny Andersson, Arranger, Work Arranger, MainArtist - Anne Sofie von Otter, MainArtist - Georg Wadenius, Producer - Janne Hansson, Balance Engineer, StudioPersonnel - SVANTE HENRYSON, Arranger, Work Arranger, MainArtist - Dr. Marion Thiem, Producer, Executive Producer - Valerie Gross, Unknown, Other - Margaretha Söderling, Production Coordinator, StudioPersonnel
℗ 2006 Deutsche Grammophon GmbH, Berlin
Benny Andersson, ComposerLyricist - Anne Sofie von Otter, MainArtist - Bjorn Ulvaeus, ComposerLyricist - Georg Wadenius, Producer, Arranger, Work Arranger, MainArtist - Magnus Persson, MainArtist - Janne Hansson, Balance Engineer, StudioPersonnel - Jakob Ruthberg, MainArtist - Anders Eljas, Arranger, Work Arranger - Fredrik Jonsson, MainArtist - Jörgen Stenberg, MainArtist - David Björkman, MainArtist - Roland Kress, MainArtist - anna wallgren, MainArtist - Dr. Marion Thiem, Producer, Executive Producer - Valerie Gross, Unknown, Other - Margaretha Söderling, Production Coordinator, StudioPersonnel
℗ 2006 Deutsche Grammophon GmbH, Berlin
Benny Andersson, ComposerLyricist - Anne Sofie von Otter, MainArtist - Bjorn Ulvaeus, ComposerLyricist - Georg Wadenius, Producer, MainArtist - Magnus Persson, MainArtist - Janne Hansson, Balance Engineer, StudioPersonnel - Anders Eljas, Arranger, Work Arranger, MainArtist - Fredrik Jonsson, MainArtist - anna wallgren, MainArtist - Dr. Marion Thiem, Producer, Executive Producer - Valerie Gross, Unknown, Other - Margaretha Söderling, Production Coordinator, StudioPersonnel
℗ 2006 Deutsche Grammophon GmbH, Berlin
Benny Andersson, ComposerLyricist - Tim Rice, ComposerLyricist - Anne Sofie von Otter, MainArtist - Bjorn Ulvaeus, ComposerLyricist - Georg Wadenius, Producer, Arranger, Work Arranger, MainArtist - Magnus Persson, MainArtist - Janne Hansson, Balance Engineer, StudioPersonnel - Jakob Ruthberg, MainArtist - Anders Eljas, Arranger, Work Arranger, MainArtist - Magnus Lindgren, MainArtist - Fredrik Jonsson, MainArtist - Jörgen Stenberg, MainArtist - David Björkman, MainArtist - Roland Kress, MainArtist - anna wallgren, MainArtist - Dr. Marion Thiem, Producer, Executive Producer - Valerie Gross, Unknown, Other - Margaretha Söderling, Production Coordinator, StudioPersonnel
℗ 2006 Deutsche Grammophon GmbH, Berlin
Benny Andersson, ComposerLyricist - Anne Sofie von Otter, MainArtist - Bjorn Ulvaeus, ComposerLyricist - Georg Wadenius, Producer, Arranger, Work Arranger, MainArtist - Magnus Persson, MainArtist - Janne Hansson, Balance Engineer, StudioPersonnel - Anders Eljas, Arranger, Work Arranger, MainArtist - Fredrik Jonsson, MainArtist - Jörgen Stenberg, MainArtist - Dr. Marion Thiem, Producer, Executive Producer - Valerie Gross, Unknown, Other - Margaretha Söderling, Production Coordinator, StudioPersonnel
℗ 2006 Deutsche Grammophon GmbH, Berlin
Benny Andersson, ComposerLyricist - Anne Sofie von Otter, MainArtist - Bjorn Ulvaeus, ComposerLyricist - Stig Anderson, ComposerLyricist - Georg Wadenius, Producer, Arranger, Work Arranger, MainArtist - Magnus Persson, MainArtist - Janne Hansson, Balance Engineer, StudioPersonnel - Lasse Englund, MainArtist - Fredrik Jonsson, MainArtist - Calle Moraeus, MainArtist - Karl Jakobsson, MainArtist - Pär Grebacken, MainArtist - Dr. Marion Thiem, Producer, Executive Producer - Valerie Gross, Unknown, Other - Margaretha Söderling, Production Coordinator, StudioPersonnel
℗ 2006 Deutsche Grammophon GmbH, Berlin
Anne Sofie von Otter, MainArtist - Georg Wadenius, Producer, Arranger, Work Arranger, MainArtist - Magnus Persson, MainArtist - Janne Hansson, Balance Engineer, StudioPersonnel - Magnus Lindgren, MainArtist - Fredrik Jonsson, MainArtist - Jörgen Stenberg, MainArtist - Dr. Marion Thiem, Producer, Executive Producer - Valerie Gross, Unknown, Other - Margaretha Söderling, Production Coordinator, StudioPersonnel
℗ 2006 Deutsche Grammophon GmbH, Berlin
Benny Andersson, Arranger, Work Arranger, MainArtist, ComposerLyricist - Anne Sofie von Otter, MainArtist - Bjorn Ulvaeus, ComposerLyricist - Georg Wadenius, Producer - Janne Hansson, Balance Engineer, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer - Valerie Gross, Unknown, Other - Margaretha Söderling, Production Coordinator, StudioPersonnel
℗ 2006 Deutsche Grammophon GmbH, Berlin
Benny Andersson, ComposerLyricist - Anne Sofie von Otter, MainArtist - Bjorn Ulvaeus, ComposerLyricist - Georg Wadenius, Producer - Magnus Persson, MainArtist - Janne Hansson, Balance Engineer, StudioPersonnel - Jakob Ruthberg, MainArtist - Anders Eljas, Arranger, Work Arranger, MainArtist - Mikael Augustsson, MainArtist - Fredrik Jonsson, MainArtist - Jörgen Stenberg, MainArtist - David Björkman, MainArtist - Roland Kress, MainArtist - anna wallgren, MainArtist - Pär Grebacken, MainArtist - Dr. Marion Thiem, Producer, Executive Producer - Valerie Gross, Unknown, Other - Margaretha Söderling, Production Coordinator, StudioPersonnel
℗ 2006 Deutsche Grammophon GmbH, Berlin
Albumbeschreibung
The problem with singing the songs of the Swedish pop group ABBA skillfully is that they weren't particularly meant to be sung that way. The virtue of the group's two female vocalists lay in the way they blended themselves into the overall texture of a song, including especially its electronic conception, rather than in traditional expressiveness. The woman singing in an ABBA song is, implicitly or explicitly, Everywoman, and it's no accident that the two bookends of ABBA's careers recorded here, the pre-ABBA "I Am Just a Girl" and one of the very last two ABBA songs, "The Day Before You Came," both treat the theme of an ordinary woman leading an utterly ordinary life that is suddenly redeemed by romantic love. Agnetha Fältskog and Anni-Frid Lyngstad were studio vocalists, subsidiary to a production conception like other singers of the disco era in which they mostly worked. Mezzo soprano Anne Sofie von Otter is certainly to be commended for her unusually adventurous forays into the pop realm, but it's hard to avoid the conclusion that she strikes a glancing blow off ABBA's music rather than connecting with it head on.
Listening to this album is a strange experience in many ways. ABBA's songs are light, but they have not turned out to be trivial; the artistry involved in the best of them has kept them interesting to audiences for more than a quarter century now. Von Otter's enthusiasm for the material is obvious, and the melodies seem as though they ought to be strong enough to stand up to interpretations alternative to the ones ABBA's male producers and songwriters, Benny Andersson and Björn Ulvaeus, originally gave them. Yet she gives detail to vocal lines that depend on being featureless. Von Otter seems to be aware of the problems involved. She avoids the big ABBA hits, except for the one with the best pure melody, "The Winner Takes It All." She chooses the most complex ABBA pieces, the ones that showed the subtlety of Andersson and Ulvaeus as song composers. And she includes several post-ABBA works by the team, from the musical Chess, from a Swedish-language musical, and from a set of folk-ish Swedish-language songs (these last two, annoyingly, are summarized but not translated into English). The result is an album that's consistently fascinating to listen to, and that does no disservice to the considerable reputation of its star, but that leaves the listener marveling anew at just how tricky it is to bridge the gap between pop and classical singing. The electronic accompaniments of ABBA are replaced with acoustic instruments (it's often an accordion that fills in for the synthesizers), and these accompaniments, with Andersson himself briefly on hand, are well executed but sort of beside the point. To set the powerful voice of Anne Sofie von Otter against a recasting of ABBA's songs in modern electronics might have been a more fruitful idea.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 00:47:30
- Künstler: Anne Sofie von Otter
- Komponist: Various Composers
- Label: Deutsche Grammophon (DG)
- Genre: Pop/Rock Pop
© 2006 Deutsche Grammophon GmbH, Berlin ℗ 2006 Deutsche Grammophon GmbH, Berlin
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