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Charles Munch|Franck: Symphony in D Minor; Le Chasseur Maudit; Symphonic Variations: Classic Library Series

Franck: Symphony in D Minor; Le Chasseur Maudit; Symphonic Variations: Classic Library Series

Charles Munch

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These RCA recordings of César Franck's major orchestral works vary somewhat in fidelity, resonance, and depth, but the reproduction problems are not serious enough to detract from the artistic values of the performances. The 1957 reading of the Symphony in D minor may seem too muted in timbres (except for the extremely penetrating trumpets), murky in the lower strings, and perhaps over-homogenized in the blending of sections; but Charles Münch's interpretation is so propulsive, and the Boston Symphony Orchestra's ensemble playing so incisive, that the occasionally thick sonorities become a minor distraction. What counts is the excitement and vitality Münch generates in the orchestra, a kind of rough shaking that lifts this Symphony out of the doldrums of familiarity and staid respectability. The sound improves substantially on the 1963 recording of the Symphonic Variations for piano and orchestra, and pianist Leonard Pennario is distinctly positioned in front of the orchestra. Firmly directed by Arthur Fiedler, the BSO provides a resilient, grounded accompaniment to Pennario's fluid rubato playing; this "push-me-pull-you" effect subtly points up the work's tensions. Le Chasseur maudit, recorded in 1962 with Münch, is the most luxuriant in tone and expression, and perhaps the most enjoyable for its abundant displays of the BSO's blazing brass.

© TiVo

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Franck: Symphony in D Minor; Le Chasseur Maudit; Symphonic Variations: Classic Library Series

Charles Munch

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Symphony in D Minor, FWV 48 (César Franck)

1
I. Lento - Allegro non troppo (2004 Remastered)
Charles Munch
00:16:52

Jon M. Samuels, Re-Issue Producer - César Franck, Composer - Boston Symphony Orchestra, Performer - Lewis Layton, Recording Engineer - Charles Munch, Conductor - Richard Mohr, Producer

(P) 1958 Sony Music Entertainment

2
II. Allegretto (2004 Remastered)
Charles Munch
00:09:26

Jon M. Samuels, Re-Issue Producer - César Franck, Composer - Boston Symphony Orchestra, Performer - Lewis Layton, Recording Engineer - Charles Munch, Conductor - Richard Mohr, Producer

(P) 1958 Sony Music Entertainment

3
III. Allegro non troppo (2004 Remastered)
Charles Munch
00:10:16

Jon M. Samuels, Re-Issue Producer - César Franck, Composer - Boston Symphony Orchestra, Performer - Lewis Layton, Recording Engineer - Charles Munch, Conductor - Richard Mohr, Producer

(P) 1958 Sony Music Entertainment

Symphonic Variations for Piano and Orchestra (César Franck)

4
Poco allegro (2004 Remastered)
Leonard Pennario
00:08:07

Jon M. Samuels, Re-Issue Producer - Boston Pops Orchestra, Performer - Leonard Pennario, Piano - César Franck, Composer - Arthur Fiedler, Conductor - Peter Dellheim, Producer - Anthony Salvatore, Recording Engineer

Originally Recorded 1963. All rights reserved by BMG Music

5
Molto più lento (2004 Remastered)
Leonard Pennario
00:02:53

Jon M. Samuels, Re-Issue Producer - Boston Pops Orchestra, Performer - Leonard Pennario, Piano - César Franck, Composer - Arthur Fiedler, Conductor - Peter Dellheim, Producer - Anthony Salvatore, Recording Engineer

Originally Recorded 1963. All rights reserved by BMG Music

6
Allegro non troppo (2004 Remastered)
Leonard Pennario
00:04:10

Jon M. Samuels, Re-Issue Producer - Boston Pops Orchestra, Performer - Leonard Pennario, Piano - César Franck, Composer - Arthur Fiedler, Conductor - Peter Dellheim, Producer - Anthony Salvatore, Recording Engineer

Originally Recorded 1963. All rights reserved by BMG Music

Le Chasseur maudit (César Franck)

7
Le Paysage paisible du dimanche (2004 Remastered)
Charles Munch
00:02:45

Jon M. Samuels, Re-Issue Producer - César Franck, Composer - Boston Symphony Orchestra, Performer - Lewis Layton, Recording Engineer - Charles Munch, Conductor - Richard Mohr, Producer

Originally Recorded 1962. All rights reserved by BMG Music

8
La Chasse (2004 Remastered)
Charles Munch
00:05:31

Jon M. Samuels, Re-Issue Producer - César Franck, Composer - Boston Symphony Orchestra, Performer - Lewis Layton, Recording Engineer - Charles Munch, Conductor - Richard Mohr, Producer

Originally Recorded 1962. All rights reserved by BMG Music

9
La Malédiction (2004 Remastered)
Charles Munch
00:02:49

Jon M. Samuels, Re-Issue Producer - César Franck, Composer - Boston Symphony Orchestra, Performer - Lewis Layton, Recording Engineer - Charles Munch, Conductor - Richard Mohr, Producer

Originally Recorded 1962. All rights reserved by BMG Music

10
La Poursuite des démons (2004 Remastered)
Charles Munch
00:03:02

Jon M. Samuels, Re-Issue Producer - César Franck, Composer - Boston Symphony Orchestra, Performer - Lewis Layton, Recording Engineer - Charles Munch, Conductor - Richard Mohr, Producer

Originally Recorded 1962. All rights reserved by BMG Music

Albumbeschreibung

These RCA recordings of César Franck's major orchestral works vary somewhat in fidelity, resonance, and depth, but the reproduction problems are not serious enough to detract from the artistic values of the performances. The 1957 reading of the Symphony in D minor may seem too muted in timbres (except for the extremely penetrating trumpets), murky in the lower strings, and perhaps over-homogenized in the blending of sections; but Charles Münch's interpretation is so propulsive, and the Boston Symphony Orchestra's ensemble playing so incisive, that the occasionally thick sonorities become a minor distraction. What counts is the excitement and vitality Münch generates in the orchestra, a kind of rough shaking that lifts this Symphony out of the doldrums of familiarity and staid respectability. The sound improves substantially on the 1963 recording of the Symphonic Variations for piano and orchestra, and pianist Leonard Pennario is distinctly positioned in front of the orchestra. Firmly directed by Arthur Fiedler, the BSO provides a resilient, grounded accompaniment to Pennario's fluid rubato playing; this "push-me-pull-you" effect subtly points up the work's tensions. Le Chasseur maudit, recorded in 1962 with Münch, is the most luxuriant in tone and expression, and perhaps the most enjoyable for its abundant displays of the BSO's blazing brass.

© TiVo

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