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Davy Graham|Folk, Blues & Beyond

Folk, Blues & Beyond

Davy Graham

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This was Graham's most groundbreaking and consistent album. More than his solo debut The Guitar Player (which was pretty jazzy) or his previous collaboration with folk singer Shirley Collins, Folk Roots, New Routes, this established his mixture of folk, jazz, blues, and Middle Eastern music, the use of a bassist and drummer also hinting at (though not quite reaching) folk-rock. "Leavin' Blues," "Skillet (Good'n'Greasy)," and "Moanin'" are all among his very best folk-blues-rock performances, while on "Maajun" he goes full-bore into Middle Eastern music on one of his most haunting and memorable pieces. Covers of traditional folk standards like "Black Is the Colour of My True Love's Hair" and "Seven Gypsies" combine with interpretations of compositions by Bob Dylan ("Don't Think Twice, It's Alright"), Willie Dixon ("My Babe"), Charles Mingus ("Better Git in Your Soul"), and Reverend Gary Davis ("Cocaine") for an eclecticism of repertoire that wasn't matched by many musicians of any sort in the mid-'60s. If there is one aspect of the recording to criticize, it is, as was usually the case with Graham, the thin, colorless vocals. The guitar playing is the main attraction, though; it's so stellar that it makes the less impressive singing easy to overlook. Ten of the 16 songs were included on the compilation Folk Blues and All Points in Between, but Graham fans should get this anyway, as the level of material and musicianship is pretty high throughout most of the disc.

© Richie Unterberger /TiVo

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Folk, Blues & Beyond

Davy Graham

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1
Leaving Blues
00:02:54

Gus Dudgeon, Recording Engineer, StudioPersonnel - ALAN LOMAX, Composer - Huddie 'Ledbelly' Ledbetter, Composer - John Avery Lomax, Composer - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

2
Cocaine
00:02:25

Gus Dudgeon, Recording Engineer, StudioPersonnel - Elliot, Composer - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

3
Sally Free And Easy
00:03:50

Gus Dudgeon, Recording Engineer, StudioPersonnel - Cyril Tawney, ComposerLyricist - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

4
Black Is The Colour Of My True Love's Hair
00:02:23

Traditional, Composer - Gus Dudgeon, Recording Engineer, StudioPersonnel - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

5
Rock Me Baby
00:02:47

Gus Dudgeon, Recording Engineer, StudioPersonnel - Arthur Crudup, ComposerLyricist - Big Bill Broonzy, ComposerLyricist - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

6
Seven Gipsies
00:02:40

Traditional, Composer - Gus Dudgeon, Recording Engineer, StudioPersonnel - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

7
Ballad Of The Sad Young Men
00:03:11

Frances Landesman, Composer - Gus Dudgeon, Recording Engineer, StudioPersonnel - Thomas J. Wolf Jr., Composer - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

8
Moanin'
00:02:28

Bobby Timmons, Composer - Gus Dudgeon, Recording Engineer, StudioPersonnel - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

9
Skillet
00:02:28

Traditional, Composer - Gus Dudgeon, Recording Engineer, StudioPersonnel - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

10
Ain't Nobody's Business If I Do
00:02:20

Gus Dudgeon, Recording Engineer, StudioPersonnel - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

11
Maajun (A Taste Of Tangier)
00:02:42

Gus Dudgeon, Recording Engineer, StudioPersonnel - Davy Graham, Composer, Guitar, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

12
I Can't Keep from Crying Sometimes
00:03:36

Gus Dudgeon, Recording Engineer, StudioPersonnel - Henry Johnson, Composer - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

13
Don't Think Twice, It's Alright
00:02:54

Bob Dylan, ComposerLyricist - Gus Dudgeon, Recording Engineer, StudioPersonnel - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

14
My Babe
00:02:46

Traditional, Composer - Gus Dudgeon, Recording Engineer, StudioPersonnel - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

15
Goin' Down Slow
00:02:29

Gus Dudgeon, Recording Engineer, StudioPersonnel - Champion Jack Dupree, ComposerLyricist - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

16
She Moved Through The Fair
00:03:13

Traditional, ComposerLyricist - Gus Dudgeon, Recording Engineer, StudioPersonnel - Davy Graham, Arranger, Guitar, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1963 Decca Music Group Limited

17
Mustapha
00:03:09

Traditional, Composer - Gus Dudgeon, Recording Engineer, StudioPersonnel - Davy Graham, Arranger, Guitar, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1963 Decca Music Group Limited

18
Better Git In Your Soul
00:02:26

Gus Dudgeon, Recording Engineer, StudioPersonnel - Charles Mingus, ComposerLyricist - Davy Graham, Guitar, Vocals, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1965 Decca Music Group Limited

Albumbeschreibung

This was Graham's most groundbreaking and consistent album. More than his solo debut The Guitar Player (which was pretty jazzy) or his previous collaboration with folk singer Shirley Collins, Folk Roots, New Routes, this established his mixture of folk, jazz, blues, and Middle Eastern music, the use of a bassist and drummer also hinting at (though not quite reaching) folk-rock. "Leavin' Blues," "Skillet (Good'n'Greasy)," and "Moanin'" are all among his very best folk-blues-rock performances, while on "Maajun" he goes full-bore into Middle Eastern music on one of his most haunting and memorable pieces. Covers of traditional folk standards like "Black Is the Colour of My True Love's Hair" and "Seven Gypsies" combine with interpretations of compositions by Bob Dylan ("Don't Think Twice, It's Alright"), Willie Dixon ("My Babe"), Charles Mingus ("Better Git in Your Soul"), and Reverend Gary Davis ("Cocaine") for an eclecticism of repertoire that wasn't matched by many musicians of any sort in the mid-'60s. If there is one aspect of the recording to criticize, it is, as was usually the case with Graham, the thin, colorless vocals. The guitar playing is the main attraction, though; it's so stellar that it makes the less impressive singing easy to overlook. Ten of the 16 songs were included on the compilation Folk Blues and All Points in Between, but Graham fans should get this anyway, as the level of material and musicianship is pretty high throughout most of the disc.

© Richie Unterberger /TiVo

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