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Joe Lovano|Flying Colors

Flying Colors

Joe Lovano, Gonzalo Rubalcaba

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Text in englischer Sprache verfügbar

This austere session was inspired by a fluke incident. In 1995, Rubalcaba's Cuban rhythm players were denied visas for a gig at Yoshi's in Oakland, CA, and the booker decided to bring in Lovano in their place for four nights of duos. Two years later, they went into the studio together for one day, playing live with only two microphones and no overdubs in hope that lightning might strike again. But it doesn't, for the two don't interact fluidly, and many of the tracks are awkwardly conceived and waywardly developed. Lovano's tone on "straight" tenor sax, soprano sax and alto clarinet sometimes sounds rough, exacerbated by the dry, unresonant sonics, and occasionally he tries to add interest by striking a drum kit and some "gongs" that sound like pot covers. Rubalcaba's world-class technical chops are mostly reined in, with only a few outbreaks of avant-garde temperament, and rhythmically he mostly has nowhere to go. Neither artist, nor their fans, are well-served by this admittedly gutsy gamble.

© Richard S. Ginell /TiVo

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Flying Colors

Joe Lovano

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1
Flying Colors
00:05:48

Joe Lovano, Composer, Producer, MainArtist - Gonzalo Rubalcaba, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1998 Capitol Records, Inc. ℗ 1998 Blue Note Records

2
How Deep Is The Ocean
00:05:49

Irving Berlin, ComposerLyricist - Joe Lovano, Producer, MainArtist - Gonzalo Rubalcaba, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1998 Capitol Records, Inc. ℗ 1998 Blue Note Records

3
Boss Town
00:04:14

Joe Lovano, Composer, Producer, MainArtist - Gonzalo Rubalcaba, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1998 Capitol Records, Inc. ℗ 1998 Blue Note Records

4
Bird Food
00:03:26

Joe Lovano, Producer, MainArtist - Gonzalo Rubalcaba, MainArtist - Ornette Coleman, Composer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1998 Capitol Records, Inc. ℗ 1998 Blue Note Records

5
Spontaneous Color
00:02:11

Joe Lovano, Producer, MainArtist - Gonzalo Rubalcaba, Composer, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1998 Capitol Records, Inc. ℗ 1998 Blue Note Records

6
Phantasm
00:06:17

Joe Lovano, Producer, MainArtist - Gonzalo Rubalcaba, MainArtist - PAUL MOTIAN, Composer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1998 Capitol Records, Inc. ℗ 1998 Blue Note Records

7
Ugly Beauty
00:05:15

Thelonious Monk, Composer - Joe Lovano, Producer, MainArtist - Gonzalo Rubalcaba, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1998 Capitol Records, Inc. ℗ 1998 Blue Note Records

8
Hot House
00:05:00

Joe Lovano, Producer, MainArtist - Tadd Dameron, Composer, ComposerLyricist - Gonzalo Rubalcaba, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1998 Capitol Records, Inc. ℗ 1998 Blue Note Records

9
Gloria's Step
00:05:32

Joe Lovano, Producer, MainArtist - Gonzalo Rubalcaba, MainArtist - Scott LeFaro, Composer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1998 Capitol Records, Inc. ℗ 1998 Blue Note Records

10
Mr. Hyde
00:07:02

Joe Lovano, Composer, Producer, MainArtist - Gonzalo Rubalcaba, Composer, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1998 Capitol Records, Inc. ℗ 1998 Blue Note Records

11
I Love Music
00:07:53

Joe Lovano, Producer, MainArtist - Gonzalo Rubalcaba, MainArtist - Emil Boyd, Composer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1998 Capitol Records, Inc. ℗ 1998 Blue Note Records

12
Along Came Betty
00:05:17

Benny Golson, Composer - Joe Lovano, Producer, MainArtist - Gonzalo Rubalcaba, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1998 Capitol Records, Inc. ℗ 1998 Blue Note Records

Albumbeschreibung

This austere session was inspired by a fluke incident. In 1995, Rubalcaba's Cuban rhythm players were denied visas for a gig at Yoshi's in Oakland, CA, and the booker decided to bring in Lovano in their place for four nights of duos. Two years later, they went into the studio together for one day, playing live with only two microphones and no overdubs in hope that lightning might strike again. But it doesn't, for the two don't interact fluidly, and many of the tracks are awkwardly conceived and waywardly developed. Lovano's tone on "straight" tenor sax, soprano sax and alto clarinet sometimes sounds rough, exacerbated by the dry, unresonant sonics, and occasionally he tries to add interest by striking a drum kit and some "gongs" that sound like pot covers. Rubalcaba's world-class technical chops are mostly reined in, with only a few outbreaks of avant-garde temperament, and rhythmically he mostly has nowhere to go. Neither artist, nor their fans, are well-served by this admittedly gutsy gamble.

© Richard S. Ginell /TiVo

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