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Rachel Barton Pine|Dependent Arising

Dependent Arising

Rachel Barton Pine, Royal Scottish National Orchestra and Tito Muñoz

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Musicians from the metal genre have been recruited for classical works and concerts before, but they usually end up giving more ground than do their classical collaborators. That doesn't happen in the title work here by Earl Maneein, who is the violinist in a guitar-less metal band called Resolution15 (he plays electric violin). Dependent Arising (the title seems to be derived from Buddhist thought, which plays a role in the work's inspiration) sounds like what one might imagine a classical work by a metal performer ought to. It is loud, intense, and frenetic, punctuated by periods of calm that last only a short time except in the central movement, which has some extremes of its own. It helps that both the principals are comfortable on each other's turf; Maneein is a classically trained violinist, while violin soloist Rachel Barton Pine is a longtime metal fan. Dependent Arising is not going to be everyone's cup of tea, but it is varied enough not to come off as hitting the listener over the head, and the percussion section of the Royal Scottish National Orchestra under conductor Tito Muñoz (who was also involved in the work's genesis) keeps up with the rapid flow of events. The first work on the program, Shostakovich's Violin Concerto No. 1 in A minor, Op. 77, is also quite strong; Pine plays its long, slow first movement quite somberly as if to prepare the ground for the fireworks to come. Pine's releases are rarely conventional and still more rarely boring, and she has come up with something genuinely different this time.
© James Manheim /TiVo

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Dependent Arising

Rachel Barton Pine

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1
Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne. Moderato
00:11:36

Tito Muñoz, Conductor, MainArtist - Dmitri Shostakovich, Composer - Royal Scottish National Orchestra, Orchestra, MainArtist - Rachel Barton Pine, MainArtist, AssociatedPerformer - Sikorski, MusicPublisher - James Ginsburg, Producer - Bill Maylone, MasteringEngineer, MixingEngineer, SoundEditor - Hedd Morfett-Jones, Engineer

2023 Cedille Records 2023 Cedille Records

2
Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro
00:06:26

Tito Muñoz, Conductor, MainArtist - Dmitri Shostakovich, Composer - Royal Scottish National Orchestra, Orchestra, MainArtist - Rachel Barton Pine, MainArtist, AssociatedPerformer - Sikorski, MusicPublisher - James Ginsburg, Producer - Bill Maylone, MasteringEngineer, MixingEngineer, SoundEditor - Hedd Morfett-Jones, Engineer

2023 Cedille Records 2023 Cedille Records

3
Violin Concerto No. 1 in A Minor, Op. 77: III. Passacaglia. Andante - Cadenza
00:12:55

Tito Muñoz, Conductor, MainArtist - Dmitri Shostakovich, Composer - Royal Scottish National Orchestra, Orchestra, MainArtist - Rachel Barton Pine, MainArtist, AssociatedPerformer - Sikorski, MusicPublisher - James Ginsburg, Producer - Bill Maylone, MasteringEngineer, MixingEngineer, SoundEditor - Hedd Morfett-Jones, Engineer

2023 Cedille Records 2023 Cedille Records

4
Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto
00:05:02

Tito Muñoz, Conductor, MainArtist - Dmitri Shostakovich, Composer - Royal Scottish National Orchestra, Orchestra, MainArtist - Rachel Barton Pine, MainArtist, AssociatedPerformer - Sikorski, MusicPublisher - James Ginsburg, Producer - Bill Maylone, MasteringEngineer, MixingEngineer, SoundEditor - Hedd Morfett-Jones, Engineer

2023 Cedille Records 2023 Cedille Records

5
Violin Concerto in C Minor, Op. 1 "Dependent Arising": I. Grasping at the Self
00:14:13

Tito Muñoz, Conductor, MainArtist - Royal Scottish National Orchestra, Orchestra, MainArtist - Rachel Barton Pine, MainArtist, AssociatedPerformer - Earl Maneein, Composer - James Ginsburg, Producer - Bill Maylone, MasteringEngineer, MixingEngineer, SoundEditor - Hedd Morfett-Jones, Engineer - Thin Veneer of Civilization ASCAP, MusicPublisher

2023 Cedille Records 2023 Cedille Records

6
Violin Concerto in C Minor, Op. 1 "Dependent Arising": II. The Crows Knew of Your Grief. They Will Carry Him Home
00:11:18

Tito Muñoz, Conductor, MainArtist - Royal Scottish National Orchestra, Orchestra, MainArtist - Rachel Barton Pine, MainArtist, AssociatedPerformer - Earl Maneein, Composer - James Ginsburg, Producer - Bill Maylone, MasteringEngineer, MixingEngineer, SoundEditor - Hedd Morfett-Jones, Engineer - Thin Veneer of Civilization ASCAP, MusicPublisher

2023 Cedille Records 2023 Cedille Records

7
Violin Concerto in C Minor, Op. 1 "Dependent Arising": III. Gaté, gaté paragaté parasangaté, bodhi svaha
00:06:02

Tito Muñoz, Conductor, MainArtist - Royal Scottish National Orchestra, Orchestra, MainArtist - Rachel Barton Pine, MainArtist, AssociatedPerformer - Earl Maneein, Composer - James Ginsburg, Producer - Bill Maylone, MasteringEngineer, MixingEngineer, SoundEditor - Hedd Morfett-Jones, Engineer - Thin Veneer of Civilization ASCAP, MusicPublisher

2023 Cedille Records 2023 Cedille Records

Albumbeschreibung

Musicians from the metal genre have been recruited for classical works and concerts before, but they usually end up giving more ground than do their classical collaborators. That doesn't happen in the title work here by Earl Maneein, who is the violinist in a guitar-less metal band called Resolution15 (he plays electric violin). Dependent Arising (the title seems to be derived from Buddhist thought, which plays a role in the work's inspiration) sounds like what one might imagine a classical work by a metal performer ought to. It is loud, intense, and frenetic, punctuated by periods of calm that last only a short time except in the central movement, which has some extremes of its own. It helps that both the principals are comfortable on each other's turf; Maneein is a classically trained violinist, while violin soloist Rachel Barton Pine is a longtime metal fan. Dependent Arising is not going to be everyone's cup of tea, but it is varied enough not to come off as hitting the listener over the head, and the percussion section of the Royal Scottish National Orchestra under conductor Tito Muñoz (who was also involved in the work's genesis) keeps up with the rapid flow of events. The first work on the program, Shostakovich's Violin Concerto No. 1 in A minor, Op. 77, is also quite strong; Pine plays its long, slow first movement quite somberly as if to prepare the ground for the fireworks to come. Pine's releases are rarely conventional and still more rarely boring, and she has come up with something genuinely different this time.
© James Manheim /TiVo

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