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Klaus Schulze|Body Love, Vol. 2 (Remastered 2017)

Body Love, Vol. 2 (Remastered 2017)

Klaus Schulze

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Recorded in 1976 and released the next year, Body Love, Vol. 2 was intended as a soundtrack for a pornographic film. Nothing wrong with this in and of itself, but it is hard to imagine that Schulze's trance-inducing electronic improvisations would be considered an appropriate soundtrack for sex. "Nowhere -- Now Here" has a basic beat and spacy synths, but after 18 minutes, when the harpsichord solo starts, the simple prog rock absurdity of it shows that Schulze isn't taking his assignment too seriously. The dubbed-out introduction to "Stardancer II" shows a different side of Schulze's muse, but as it gets interesting, the regular synths start up and things return to normal. "Moogetique" is an atmospheric closer, 12 minutes of slowly undulating synths and ambient echoes. Body Love, Vol. 2 does not differ greatly from the rest of Schulze's body of work from around this time, similar to contemporary albums Moondawn and X. This album is as recommended as any other of his albums from this phase of his career.
© James Mason /TiVo

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Body Love, Vol. 2 (Remastered 2017)

Klaus Schulze

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1
Nowhere - Now Here (Remastered 2017)
00:28:57

Klaus Schulze, Composer, Producer, MainArtist - Eroc, Mastering Engineer, StudioPersonnel

℗ 2017 Vertigo/Capitol, a division of Universal Music GmbH

2
Stardancer II (Remastered 2017)
00:14:14

Klaus Schulze, Composer, Producer, MainArtist - Eroc, Mastering Engineer, StudioPersonnel

℗ 2017 Vertigo/Capitol, a division of Universal Music GmbH

3
Moogetique (Remastered 2017)
00:13:13

Klaus Schulze, Composer, Producer, MainArtist - Eroc, Mastering Engineer, StudioPersonnel

℗ 2017 Vertigo/Capitol, a division of Universal Music GmbH

4
Buddy Laugh (A Rock'n'Roll Bolero) (Remastered 2016)
00:23:15

Albumbeschreibung

Recorded in 1976 and released the next year, Body Love, Vol. 2 was intended as a soundtrack for a pornographic film. Nothing wrong with this in and of itself, but it is hard to imagine that Schulze's trance-inducing electronic improvisations would be considered an appropriate soundtrack for sex. "Nowhere -- Now Here" has a basic beat and spacy synths, but after 18 minutes, when the harpsichord solo starts, the simple prog rock absurdity of it shows that Schulze isn't taking his assignment too seriously. The dubbed-out introduction to "Stardancer II" shows a different side of Schulze's muse, but as it gets interesting, the regular synths start up and things return to normal. "Moogetique" is an atmospheric closer, 12 minutes of slowly undulating synths and ambient echoes. Body Love, Vol. 2 does not differ greatly from the rest of Schulze's body of work from around this time, similar to contemporary albums Moondawn and X. This album is as recommended as any other of his albums from this phase of his career.
© James Mason /TiVo

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