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U.S. Girls|Bless This Mess

Bless This Mess

U.S. Girls

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The threads of disco and funk that fused with conceptual art rock on previous U.S. Girls songs move into the spotlight on Bless This Mess, the eighth studio album from the ever-morphing project led by mastermind Meg Remy. Remy's output as U.S. Girls has never settled in one stylistic direction, and moments of her wonderful 2020 effort Heavy Light found her leading a large cast of backup vocalists through relaxed and danceable disco-soul tunes, among various other approaches. Bless This Mess amplifies the danceability factor, beginning with the simmering groove of "Only Daedalus," a sleek assemblage of '80s synths, airtight rhythms, and powerful vocals delivering lyrics that envision figures of Greek mythology in a late-night lover's argument outside of the club. "So Typically Now" is similar, with stomping but skeletal rhythms and infectious synth lines that crisscross tough vocal melodies while backing vocalists belt out performances that recall the best early house tracks. Remy's ability to adapt her distinctive songwriting voice to whatever style she chooses remains one of her main strengths on Bless This Mess, with glittery disco-pop burners like "Tux (Your Body Fills Me, Boo)" sitting nicely alongside the acoustic guitars and airy textures of "St. James Way" or the cinematic balladry of the title track. No U.S. Girls album is limited to mere musical presentation, however, and the conceptualism that's touched all of Remy's discography continues here. Bless This Mess was written and recorded at the same time Remy was pregnant with and eventually gave birth to twins, so themes of motherhood are intrinsic to the album. The most explicit example of this is closing track "Pump," where a sample of a breast pump joins a fluid funk bass to build up the backing rhythm while the lyrics center on the intensity of delivering babies and keeping them fed once they're born. Elsewhere, "Screen Face" depicts a remote digital date over a bubbly soft rock instrumental and "Futures Bet" quotes the National Anthem on a very heavy metal guitar before evolving into a complex patchwork of catchy sounds and lyrics about accepting the fact that life invariably presents many unanswerable questions. Bless This Mess is another chapter of U.S. Girls' consistent evolution marked by pristine production and a deft balance of hooks and soul-baring beauty, with Remy pulling off the feat of intertwining some of her most emotionally complex material with what might be her most accessible sounds yet.

© Fred Thomas /TiVo

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Bless This Mess

U.S. Girls

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1
Only Daedalus
00:03:29

Neal Pogue, MixingEngineer - Sarah Register, Engineer - Alex Frankel, Composer, Producer, Programmer, StudioMusician - U.S. Girls, MainArtist - Downtown, MusicPublisher - Downtown Music Publishing, MusicPublisher - Meg Remy, Lyricist, AssociatedPerformer - Maximilian Turnbull, Lyricist - Mano Walker, MusicPublisher - Dorothea Paas, StudioMusician

2023 4AD Ltd 2023 4AD Ltd

2
Just Space For Light
00:03:56

Neal Pogue, MixingEngineer - Sarah Register, Engineer - U.S. Girls, MainArtist - Downtown, MusicPublisher - Basia Bulat, StudioMusician - Downtown Music Publishing, MusicPublisher - Meg Remy, Composer, AssociatedPerformer - Geordie Gordon, Producer, Programmer, StudioMusician - Maximilian Turnbull, ComposerLyricist - Mano Walker, MusicPublisher - Edwin de Goeji, StudioMusician - Josh Daignault, StudioMusician - Kristina Uranowski, StudioMusician

2023 4AD Ltd 2023 4AD Ltd

3
Screen Face
00:03:20

Neal Pogue, MixingEngineer - Sarah Register, Engineer - U.S. Girls, MainArtist - Downtown, MusicPublisher - Downtown Music Publishing, MusicPublisher - Meg Remy, Producer, AssociatedPerformer, ComposerLyricist - Michael Rault, FeaturedArtist, AssociatedPerformer - Maximilian Turnbull, Composer, Producer, StudioMusician - Phil Melanson, StudioMusician - Mano Walker, MusicPublisher - Edwin de Goeji, Composer, StudioMusician - Josh Daignault, StudioMusician

2023 4AD Ltd 2023 4AD Ltd

4
Futures Bet
00:04:52

Sarah Register, Engineer - Steve Chahley, MixingEngineer - U.S. Girls, MainArtist - Downtown, MusicPublisher - Basia Bulat, Lyricist, MusicPublisher - Downtown Music Publishing, MusicPublisher - Meg Remy, Producer, AssociatedPerformer, ComposerLyricist - Geordie Gordon, Composer, Producer, Programmer, StudioMusician - Maximilian Turnbull, Producer - Carlyn Bezic, Composer, StudioMusician - Mano Walker, MusicPublisher - Edwin de Goeji, Composer, StudioMusician

2023 4AD Ltd 2023 4AD Ltd

5
So Typically Now
00:03:15

Ryland Blackinton, Producer, Engineer, Programmer, ComposerLyricist, StudioMusician - Sarah Register, Engineer - Ken Sluiter, MixingEngineer, StudioMusician - Nicholas Millhiser, ComposerLyricist - Alex Frankel, Producer, Programmer, ComposerLyricist - Max Turnbull, Engineer - U.S. Girls, MainArtist - Kobalt Music Publishing, MusicPublisher - Downtown Music Publishing, MusicPublisher - Meg Remy, AssociatedPerformer, ComposerLyricist - Kyle Kidd, AssociatedPerformer - Ken Slater, Producer - Hipgnosis Songs, MusicPublisher - R. A. Washington, Engineer

2023 4AD Ltd 2022 4AD Ltd

6
Bless This Mess
00:04:02

Sarah Register, Engineer - U.S. Girls, MainArtist - Downtown, MusicPublisher - Basia Bulat, MusicPublisher, ComposerLyricist - Downtown Music Publishing, MusicPublisher - Meg Remy, Producer, AssociatedPerformer, ComposerLyricist - Maximilian Turnbull, Producer, Programmer, ComposerLyricist, MixingEngineer - Mano Walker, MusicPublisher - Kassie Richardson, StudioMusician - Edwin de Goeji, Producer, ComposerLyricist, StudioMusician

2023 4AD Ltd 2022 4AD Ltd

7
Tux (Your Body Fills Me, Boo)
00:06:26

Roger Manning, Jr., Producer, StudioMusician - Sarah Register, Engineer - Ken Sluiter, MixingEngineer - U.S. Girls, MainArtist - Ed Squires, StudioMusician - Downtown, MusicPublisher - Downtown Music Publishing, MusicPublisher - Aaron Kaplan, StudioMusician - Meg Remy, Lyricist, AssociatedPerformer - Geordie Gordon, StudioMusician - Maximilian Turnbull, Lyricist - Mano Walker, MusicPublisher - Roger Joseph Manning, Jr, Composer

2023 4AD Ltd 2023 4AD Ltd

8
R.I.P. Roy G. Biv
00:04:42

Sarah Register, Engineer - U.S. Girls, MainArtist - Ed Squires, StudioMusician - Downtown, MusicPublisher - Downtown Music Publishing, MusicPublisher - Meg Remy, Lyricist, Producer, AssociatedPerformer - Marker Starling, FeaturedArtist - Maximilian Turnbull, Producer, Programmer, MixingEngineer, StudioMusician - Mano Walker, MusicPublisher - Chris A. Cummings, Producer, Programmer, ComposerLyricist, StudioMusician - Edwin de Goeji, Programmer - Josh Daignault, StudioMusician

2023 4AD Ltd 2023 4AD Ltd

9
St. James Way
00:03:43

Sarah Register, Engineer - Steve Chahley, MixingEngineer - U.S. Girls, MainArtist - Ed Squires, StudioMusician - Brad Kilpatrick, StudioMusician - Downtown, MusicPublisher - Downtown Music Publishing, MusicPublisher - Meg Remy, Lyricist, Producer, AssociatedPerformer - Rich Morel, Composer, Producer, Programmer, StudioMusician - Mano Walker, MusicPublisher

2023 4AD Ltd 2023 4AD Ltd

10
Pump
00:03:27

U.S. Girls, MainArtist - Downtown, MusicPublisher - Alanna Stuart, FeaturedArtist, StudioMusician - Downtown Music Publishing, MusicPublisher - Meg Remy, Producer, AssociatedPerformer, ComposerLyricist - Maximilian Turnbull, Composer, Producer, Programmer, StudioMusician - Mano Walker, MusicPublisher - Edwin de Goeji, Composer, Producer, StudioMusician - Matt McClaren, StudioMusician

2023 4AD Ltd 2023 4AD Ltd

11
Outro (The Let Down)
00:03:11

Neal Pogue, MixingEngineer - Sarah Register, Engineer - U.S. Girls, MainArtist - Downtown, MusicPublisher - Meg Remy, Producer, AssociatedPerformer, ComposerLyricist - Maximilian Turnbull, Composer, Producer - Mano Walker, MusicPublisher - Edwin de Goeji, Composer, Producer, StudioMusician

2023 4AD Ltd 2023 4AD Ltd

Albumbeschreibung

The threads of disco and funk that fused with conceptual art rock on previous U.S. Girls songs move into the spotlight on Bless This Mess, the eighth studio album from the ever-morphing project led by mastermind Meg Remy. Remy's output as U.S. Girls has never settled in one stylistic direction, and moments of her wonderful 2020 effort Heavy Light found her leading a large cast of backup vocalists through relaxed and danceable disco-soul tunes, among various other approaches. Bless This Mess amplifies the danceability factor, beginning with the simmering groove of "Only Daedalus," a sleek assemblage of '80s synths, airtight rhythms, and powerful vocals delivering lyrics that envision figures of Greek mythology in a late-night lover's argument outside of the club. "So Typically Now" is similar, with stomping but skeletal rhythms and infectious synth lines that crisscross tough vocal melodies while backing vocalists belt out performances that recall the best early house tracks. Remy's ability to adapt her distinctive songwriting voice to whatever style she chooses remains one of her main strengths on Bless This Mess, with glittery disco-pop burners like "Tux (Your Body Fills Me, Boo)" sitting nicely alongside the acoustic guitars and airy textures of "St. James Way" or the cinematic balladry of the title track. No U.S. Girls album is limited to mere musical presentation, however, and the conceptualism that's touched all of Remy's discography continues here. Bless This Mess was written and recorded at the same time Remy was pregnant with and eventually gave birth to twins, so themes of motherhood are intrinsic to the album. The most explicit example of this is closing track "Pump," where a sample of a breast pump joins a fluid funk bass to build up the backing rhythm while the lyrics center on the intensity of delivering babies and keeping them fed once they're born. Elsewhere, "Screen Face" depicts a remote digital date over a bubbly soft rock instrumental and "Futures Bet" quotes the National Anthem on a very heavy metal guitar before evolving into a complex patchwork of catchy sounds and lyrics about accepting the fact that life invariably presents many unanswerable questions. Bless This Mess is another chapter of U.S. Girls' consistent evolution marked by pristine production and a deft balance of hooks and soul-baring beauty, with Remy pulling off the feat of intertwining some of her most emotionally complex material with what might be her most accessible sounds yet.

© Fred Thomas /TiVo

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