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Carolyn Sampson|A French Baroque Diva: Soprano Arias for Marie Fel

A French Baroque Diva: Soprano Arias for Marie Fel

Carolyn Sampson, Ex Cathedra, Jeffrey Skidmore

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Both the music and especially the central figure on this release by British soprano Carolyn Sampson will be largely unfamiliar to most listeners, for the vocal music of the French Baroque has received many fewer contextual studies on recordings than its English and Italian counterparts. Marie Fel was the star singer of mid-18th century Paris, a Bordeaux native who was discovered by an agent of the Paris Opera when she was 20. Roughly as Senesino was to Handel, she was an inspiration to Rameau, and many other composers wrote for her as well. Sampson tries to penetrate Fel's musicality, and the album is not just a compilation of works associated with her. She sings a sacred aria (Joseph Hector Fiocco's Laudate pueri, track 12) with the ornamentation Fel herself wrote out, and she even ventures into the Occitan language, which Fel spoke natively, for the extremely unusual Gasouillats auzeléts by Jean-Joseph Cassanéa de Mondonville (track 11). Speakers of Occitan are invited to judge her pronunciation (an English translation is included), but even those with no particular interest in the history of singing will be struck by the variety of Fel's repertoire, which ranged from the older Lully style of French opera to the bright simplicity of Jean-Jacques Rousseau's Salve regina of 1752 (not a common item either). Sampson's voice is not absolutely comfortable when forced to do acrobatics at the top of its range, but for the most part she lives up to d'Aquin's description of Fel's instrument as "always lovely, always seductive." Her range is matched by that of the instrumental group Ex Cathedra under Jeffrey Skidmore, which is called upon to deliver a variety of theatrical effects. Highly recommended.

© TiVo

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A French Baroque Diva: Soprano Arias for Marie Fel

Carolyn Sampson

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1
Philomèle, Prologue: Scene 1. Ah! quand reviendront nos beaux jours?
Jeffrey Skidmore
00:09:01

Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Pierre-Charles Roy, Author - Ex Cathedra, Ensemble, MainArtist - Louis Lacoste, Composer

℗ 2014 Hyperion Records Limited

2
Exsurgat Deus, S. 71: V. Regna terrae
Jeffrey Skidmore
00:02:29

Anonymous, Author - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Michel-Richard Delalande, Composer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist

℗ 2014 Hyperion Records Limited

3
Te Deum laudamus, S. 32: I. Sinfonie
Jeffrey Skidmore
00:01:48

Anonymous, Author - Michel-Richard Delalande, Composer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist

℗ 2014 Hyperion Records Limited

4
Te Deum laudamus, S. 32: VIII. Tu rex gloriae
Jeffrey Skidmore
00:01:57

Anonymous, Author - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Michel-Richard Delalande, Composer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist

℗ 2014 Hyperion Records Limited

5
Te Deum laudamus, S. 32: IX. Tu ad liberandum suscepturus hominem
Ex Cathedra
00:03:22

Anonymous, Author - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Michel-Richard Delalande, Composer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist

℗ 2014 Hyperion Records Limited

6
Salve regina: I. Salve regina, salve mater
Carolyn Sampson
00:04:31

Anonymous, Author - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Jean-Jacques Rousseau, Composer - Ex Cathedra, Ensemble, MainArtist

℗ 2014 Hyperion Records Limited

7
Salve regina: II. Ad te clamamus, exsules, filii Evae
Carolyn Sampson
00:00:50

Anonymous, Author - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Jean-Jacques Rousseau, Composer - Ex Cathedra, Ensemble, MainArtist

℗ 2014 Hyperion Records Limited

8
Salve regina: III. O clemens, o pia
Carolyn Sampson
00:04:17

Anonymous, Author - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Jean-Jacques Rousseau, Composer - Ex Cathedra, Ensemble, MainArtist

℗ 2014 Hyperion Records Limited

9
Castor et Pollux, Act I: Scenes 2-3. Un tendre intérêt vous appelle – Tristes apprêts
Carolyn Sampson
00:07:02

Jean-Philippe Rameau, Composer - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist - Pierre-Joseph Bernard, Author

℗ 2014 Hyperion Records Limited

10
Platée, Act III: Scene 4. Amour, lance tes traits
Ex Cathedra
00:03:07

Jean-Philippe Rameau, Composer - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Adrien-Joseph Le Valois d'Orville, Author - Ex Cathedra, Ensemble, MainArtist - Jacques Autreau, Author

℗ 2014 Hyperion Records Limited

11
Daphnis et Alcimadure, Act I: Scene 2. Gasouillats auzeléts
Ex Cathedra
00:03:48

Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist - Jean-Joseph de Mondonville, ComposerLyricist

℗ 2014 Hyperion Records Limited

12
Laudate pueri: I. Laudate pueri
Carolyn Sampson
00:01:31

Anonymous, Author - Joseph-Hector Fiocco, Composer - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist

℗ 2014 Hyperion Records Limited

13
Laudate pueri: III. A solis ortu
Jeffrey Skidmore
00:03:19

Anonymous, Author - Joseph-Hector Fiocco, Composer - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist

℗ 2014 Hyperion Records Limited

14
Laudate pueri: IV. Alleluia
Ex Cathedra
00:01:53

Anonymous, Author - Joseph-Hector Fiocco, Composer - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist

℗ 2014 Hyperion Records Limited

15
Venite, exsultemus: IV. Venite, adoremus
Ex Cathedra
00:03:03

Anonymous, Author - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist - Jean-Joseph de Mondonville, Composer

℗ 2014 Hyperion Records Limited

16
La lyre enchantée: I. Accordez vos sons et vos pas
Carolyn Sampson
00:03:43

Jean-Philippe Rameau, Composer - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist - Pierre-Joseph Bernard, Author

℗ 2014 Hyperion Records Limited

17
La lyre enchantée: II. Gavotte. Lyre enchanteresse
Jeffrey Skidmore
00:01:52

Jean-Philippe Rameau, Composer - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist - Pierre-Joseph Bernard, Author

℗ 2014 Hyperion Records Limited

18
La lyre enchantée: III. Écoutons … D'un doux frémissement
Carolyn Sampson
00:01:53

Jean-Philippe Rameau, Composer - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist - Pierre-Joseph Bernard, Author

℗ 2014 Hyperion Records Limited

19
La lyre enchantée: IV. Vole, Amour, prête-moi tes armes
Jeffrey Skidmore
00:03:35

Jean-Philippe Rameau, Composer - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist - Pierre-Joseph Bernard, Author

℗ 2014 Hyperion Records Limited

20
La lyre enchantée: V. Contredanse
Jeffrey Skidmore
00:01:44

Jean-Philippe Rameau, Composer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist - Pierre-Joseph Bernard, Author

℗ 2014 Hyperion Records Limited

21
Cantate Domino, S. 72: V. Viderunt omnes termini terrae
Carolyn Sampson
00:05:07

Anonymous, Author - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Michel-Richard Delalande, Composer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist

℗ 2014 Hyperion Records Limited

22
Venite, exsultemus: VI. Hodie si vocem
Carolyn Sampson
00:02:52

Anonymous, Author - Carolyn Sampson, Soprano, MainArtist, AssociatedPerformer - Jeffrey Skidmore, Conductor, MainArtist - Ex Cathedra, Ensemble, MainArtist - Jean-Joseph de Mondonville, Composer

℗ 2014 Hyperion Records Limited

Albumbeschreibung

Both the music and especially the central figure on this release by British soprano Carolyn Sampson will be largely unfamiliar to most listeners, for the vocal music of the French Baroque has received many fewer contextual studies on recordings than its English and Italian counterparts. Marie Fel was the star singer of mid-18th century Paris, a Bordeaux native who was discovered by an agent of the Paris Opera when she was 20. Roughly as Senesino was to Handel, she was an inspiration to Rameau, and many other composers wrote for her as well. Sampson tries to penetrate Fel's musicality, and the album is not just a compilation of works associated with her. She sings a sacred aria (Joseph Hector Fiocco's Laudate pueri, track 12) with the ornamentation Fel herself wrote out, and she even ventures into the Occitan language, which Fel spoke natively, for the extremely unusual Gasouillats auzeléts by Jean-Joseph Cassanéa de Mondonville (track 11). Speakers of Occitan are invited to judge her pronunciation (an English translation is included), but even those with no particular interest in the history of singing will be struck by the variety of Fel's repertoire, which ranged from the older Lully style of French opera to the bright simplicity of Jean-Jacques Rousseau's Salve regina of 1752 (not a common item either). Sampson's voice is not absolutely comfortable when forced to do acrobatics at the top of its range, but for the most part she lives up to d'Aquin's description of Fel's instrument as "always lovely, always seductive." Her range is matched by that of the instrumental group Ex Cathedra under Jeffrey Skidmore, which is called upon to deliver a variety of theatrical effects. Highly recommended.

© TiVo

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