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SWR Rundfunkorchester Kaiserslautern|Weill: The 7 Deadly Sins

Weill: The 7 Deadly Sins

Grzegorz Nowak, SWR Rundfunkorchester Kaiserslautern

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Anja Silja made this recording when she was well into the fourth decade of her performing career, but the role of Anna in Weill's Die sieben Todsünden is well suited to a voice that sounds like it has had some experience. Silja, in fact, sounds more polished and refined than many of the singers who have taken this part, which Weill wrote for Lotte Lenya, who was hardly noted for the tonal beauty of her instrument. If anything, Silja sounds too operatic, and her performance lacks the rough-edged bite that can heighten the pathos of the piece. Overall, the 2002 performance, with Grezegorz Nowak leading SWR Rundfunkorchester Kaiserslautern, tends to be understated, letting the work's ironies speak for themselves rather than pushing them. The orchestral playing and singing of the male vocal quartet representing Anna's family are polished and precise, but it could be argued that this piece, one of Weill and Brecht's angriest indictments of bourgeois society, could use more wildness and spirit. Just as Silja's Anna is surprisingly undercharacterized, given her track record of fiercely evocative performances, the whole undertaking seems too well-mannered to accurately convey the work's bitter tone. It's such a strong piece, though, that even in a less than ideal performance, its impact is heartbreaking. Weill's Quodlibet from 1923 is a four-movement suite taken from a children's pantomime, Zaubernacht, that he had written the year before. It's an attractive piece that demonstrates the young composer's experimentation with a variety of styles, including late Romanticism, neo-Classicism, and modernism, with glimpses of his incipient characteristic originality popping up. Hänssler's sound is clean, detailed, and spacious.
© TiVo

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Weill: The 7 Deadly Sins

SWR Rundfunkorchester Kaiserslautern

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The 7 Deadly Sins (Kurt Weill)

1
I. Prologue
00:03:51

Kurt Weill, Composer - Anja Silja, Artist - Grzegorz Nowak, Conductor - SWR Rundfunkorchester Kaiserslautern, Orchestra, MainArtist

(C) 2019 SWR Classic (P) 2019 SWR Classic

Sloth (Kurt Weill)

2
The 7 Deadly Sins: II. Sloth
00:04:06

Kurt Weill, Composer - Torsten Muller, Artist - Grzegorz Nowak, Conductor - SWR Rundfunkorchester Kaiserslautern, Orchestra, MainArtist - Julius Pfeifer, Artist - Bernhard Hartmann, Artist - Alexander Yudenkov, Artist

(C) 2019 SWR Classic (P) 2019 SWR Classic

Pride (Kurt Weill)

3
The 7 Deadly Sins: III. Pride
00:04:41

Kurt Weill, Composer - Anja Silja, Artist - Torsten Muller, Artist - Grzegorz Nowak, Conductor - SWR Rundfunkorchester Kaiserslautern, Orchestra, MainArtist - Julius Pfeifer, Artist - Bernhard Hartmann, Artist - Alexander Yudenkov, Artist

(C) 2019 SWR Classic (P) 2019 SWR Classic

Anger (Kurt Weill)

4
The 7 Deadly Sins: IV. Anger
00:04:52

Kurt Weill, Composer - Anja Silja, Artist - Torsten Muller, Artist - Grzegorz Nowak, Conductor - SWR Rundfunkorchester Kaiserslautern, Orchestra, MainArtist - Julius Pfeifer, Artist - Bernhard Hartmann, Artist - Alexander Yudenkov, Artist

(C) 2019 SWR Classic (P) 2019 SWR Classic

Gluttony (Kurt Weill)

5
The 7 Deadly Sins: V. Gluttony
00:03:41

Kurt Weill, Composer - Torsten Muller, Artist - Grzegorz Nowak, Conductor - SWR Rundfunkorchester Kaiserslautern, Orchestra, MainArtist - Julius Pfeifer, Artist - Bernhard Hartmann, Artist - Alexander Yudenkov, Artist

(C) 2019 SWR Classic (P) 2019 SWR Classic

Lust (Kurt Weill)

6
The 7 Deadly Sins: VI. Lust
00:05:38

Kurt Weill, Composer - Anja Silja, Artist - Torsten Muller, Artist - Grzegorz Nowak, Conductor - SWR Rundfunkorchester Kaiserslautern, Orchestra, MainArtist - Julius Pfeifer, Artist - Bernhard Hartmann, Artist - Alexander Yudenkov, Artist

(C) 2019 SWR Classic (P) 2019 SWR Classic

Covetousness (Kurt Weill)

7
The 7 Deadly Sins: VII. Greed
00:02:59

Kurt Weill, Composer - Torsten Muller, Artist - Grzegorz Nowak, Conductor - SWR Rundfunkorchester Kaiserslautern, Orchestra, MainArtist - Julius Pfeifer, Artist - Bernhard Hartmann, Artist - Alexander Yudenkov, Artist

(C) 2019 SWR Classic (P) 2019 SWR Classic

Envy (Kurt Weill)

8
The 7 Deadly Sins: VIII. Envy
00:04:55

Kurt Weill, Composer - Anja Silja, Artist - Torsten Muller, Artist - Grzegorz Nowak, Conductor - SWR Rundfunkorchester Kaiserslautern, Orchestra, MainArtist - Julius Pfeifer, Artist - Bernhard Hartmann, Artist - Alexander Yudenkov, Artist

(C) 2019 SWR Classic (P) 2019 SWR Classic

Épilogue (Kurt Weill)

9
The 7 Deadly Sins: IX. Epilogue
00:01:37

Kurt Weill, Composer - Anja Silja, Artist - Grzegorz Nowak, Conductor - SWR Rundfunkorchester Kaiserslautern, Orchestra, MainArtist

(C) 2019 SWR Classic (P) 2019 SWR Classic

Quodlibet Op.9 from the Pantomime "Zaubernacht" Op.4 (Kurt Weill)

10
Quodlibet, Op. 9: I. Andante non troppo
00:05:40

Kurt Weill, Composer - Grzegorz Nowak, Conductor - SWR Rundfunkorchester Kaiserslautern, Orchestra, MainArtist

(C) 2019 SWR Classic (P) 2019 SWR Classic

II Molto vivace (Kurt Weill)

11
Quodlibet, Op. 9: II. Molto vivace
00:03:55

Kurt Weill, Composer - Grzegorz Nowak, Conductor - SWR Rundfunkorchester Kaiserslautern, Orchestra, MainArtist

(C) 2019 SWR Classic (P) 2019 SWR Classic

III Un poco sostenuto (Kurt Weill)

12
Quodlibet, Op. 9: III. Un poco sostenuto
00:09:04

Kurt Weill, Composer - Grzegorz Nowak, Conductor - SWR Rundfunkorchester Kaiserslautern, Orchestra, MainArtist

(C) 2019 SWR Classic (P) 2019 SWR Classic

IV Molto agitato (Kurt Weill)

13
Quodlibet, Op. 9: IV. Molto agitato
00:06:32

Kurt Weill, Composer - Grzegorz Nowak, Conductor - SWR Rundfunkorchester Kaiserslautern, Orchestra, MainArtist

(C) 2019 SWR Classic (P) 2019 SWR Classic

Albumbeschreibung

Anja Silja made this recording when she was well into the fourth decade of her performing career, but the role of Anna in Weill's Die sieben Todsünden is well suited to a voice that sounds like it has had some experience. Silja, in fact, sounds more polished and refined than many of the singers who have taken this part, which Weill wrote for Lotte Lenya, who was hardly noted for the tonal beauty of her instrument. If anything, Silja sounds too operatic, and her performance lacks the rough-edged bite that can heighten the pathos of the piece. Overall, the 2002 performance, with Grezegorz Nowak leading SWR Rundfunkorchester Kaiserslautern, tends to be understated, letting the work's ironies speak for themselves rather than pushing them. The orchestral playing and singing of the male vocal quartet representing Anna's family are polished and precise, but it could be argued that this piece, one of Weill and Brecht's angriest indictments of bourgeois society, could use more wildness and spirit. Just as Silja's Anna is surprisingly undercharacterized, given her track record of fiercely evocative performances, the whole undertaking seems too well-mannered to accurately convey the work's bitter tone. It's such a strong piece, though, that even in a less than ideal performance, its impact is heartbreaking. Weill's Quodlibet from 1923 is a four-movement suite taken from a children's pantomime, Zaubernacht, that he had written the year before. It's an attractive piece that demonstrates the young composer's experimentation with a variety of styles, including late Romanticism, neo-Classicism, and modernism, with glimpses of his incipient characteristic originality popping up. Hänssler's sound is clean, detailed, and spacious.
© TiVo

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