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Pink Floyd|The Final Cut

The Final Cut

Pink Floyd

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The Final Cut extends the autobiography of The Wall, concentrating on Roger Waters' pain when his father died in World War II. Waters spins this off into a treatise on the futility of war, concentrating on the Falkland Islands, setting his blistering condemnations and scathing anger to impossibly subdued music that demands full attention. This is more like a novel than a record, requiring total concentration since shifts in dynamics, orchestration, and instrumentation are used as effect. This means that while this has the texture of classic Pink Floyd, somewhere between the brooding sections of The Wall and the monolithic menace of Animals, there are no songs or hooks to make these radio favorites. The even bent of the arrangements, where the music is used as texture, not music, means that The Final Cut purposely alienates all but the dedicated listener. Several of those listeners maintain that this is among Pink Floyd's finest efforts, and it certainly is an achievement of some kind -- there's not only no other Floyd album quite like it, it has no close comparisons to anybody else's work (apart from Waters' own The Pros and Cons of Hitch Hiking, yet that had a stronger musical core). That doesn't make this easier to embrace, of course, and it's damn near impenetrable in many respects, but with its anger, emphasis on lyrics, and sonic textures, it's clear that it's the album that Waters intended it to be. And it's equally clear that Pink Floyd couldn't have continued in this direction -- Waters had no interest in a group setting anymore, as this record, which is hardly a Floyd album in many respects, illustrates. Distinctive, to be sure, but not easy to love and, depending on your view, not even that easy to admire.
© Stephen Thomas Erlewine /TiVo

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The Final Cut

Pink Floyd

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1
The Post War Dream
00:02:59

Pink Floyd (Roger Waters, Lead vocals, Bass guitar, Tape effects - David Gilmour, Lead and rhythm guitars, additional backing vocals - Nick Mason, Drums & Tape effects) - Michael Kamen, Harmonium - Written by Roger Waters - Produced by Roger Waters, James Guthrie and Michael Kamen - James Guthrie, Engineering - Andrew Jackson, Engineering - Mike Nocito, Assistant Engineer - Jules Bowen, Assistant Engineer - Andy Canelle, Assistant Engineer - Doog Sax, mastering - Mastered by James Guthrie & Joel Plante at das boot recording, 2011

℗ 1983 & ℗ 2011 Pink Floyd Music Ltd., marketed and distributed by Parlophone Records Ltd., a Warner Music Group Company

2
Your Possible Pasts
00:04:26

Pink Floyd (Roger Waters, Lead vocals, Bass guitar [acoustic guitar], tape effects - David Gilmour, Lead and rhythm guitars, additional backing vocals - Nick Mason, Drums & Tape effects) - Michael Kamen, Electric piano - Andy Bown, Hammond organ - National Philharmonic Orchestra conducted and arranged by Michael Kamen - Written by Roger Waters - Produced by Roger Waters, James Guthrie and Michael Kamen - James Guthrie, Engineering - Andrew Jackson, Engineering - Mike Nocito, Assistant Engineer - Jules Bowen, Assistant Engineer - Andy Canelle, Assistant Engineer - Doog Sax, mastering - Mastered by James Guthrie & Joel Plante at das boot recording, 2011

℗ 1983 & ℗ 2011 Pink Floyd Music Ltd., marketed and distributed by Parlophone Records Ltd., a Warner Music Group Company

3
One Of The Few
00:01:17

Pink Floyd (Roger Waters, Lead vocals, Bass guitar [acoustic guitar], Synthesizers, Tape effects - David Gilmour, additional backing vocals - Nick Mason, Tape effects) - Written by Roger Waters - Produced by Roger Waters, James Guthrie and Michael Kamen - James Guthrie, Engineering - Andrew Jackson, Engineering - Mike Nocito, Assistant Engineer - Jules Bowen, Assistant Engineer - Andy Canelle, Assistant Engineer - Doog Sax, mastering - Mastered by James Guthrie & Joel Plante at das boot recording, 2011

℗ 1983 & ℗ 2011 Pink Floyd Music Ltd., marketed and distributed by Parlophone Records Ltd., a Warner Music Group Company

4
When The Tigers Broke Free
00:03:12

Pink Floyd (Roger Waters, Lead vocals, Bass guitar [acoustic guitar], Synthesizers, Tape effects - David Gilmour, Lead and rhythm guitars, additional backing vocals - Nick Mason, Drums & Tape effects) - Andy Bown, Electric piano - Written by Roger Waters - Produced by Roger Waters, James Guthrie and Michael Kamen - James Guthrie, Engineering - Andrew Jackson, Engineering - Mike Nocito, Assistant Engineer - Jules Bowen, Assistant Engineer - Andy Canelle, Assistant Engineer - Doog Sax, mastering - Mastered by James Guthrie & Joel Plante at das boot recording, 2011

℗ 1983 & ℗ 2011 Pink Floyd Music Ltd., marketed and distributed by Parlophone Records Ltd., a Warner Music Group Company

5
The Hero's Return
00:02:42

Pink Floyd (Roger Waters, Lead vocals, Bass guitar, Tape effects - David Gilmour, Lead and rhythm guitars, additional backing vocals - Nick Mason, Drums & Tape effects) - Raphael Ravenscroft, Tenor saxophone - Michael Kamen, Electric piano - Andy Bown, Piano - National Philharmonic Orchestra conducted and arranged by Michael Kamen - Written by Roger Waters - Produced by Roger Waters, James Guthrie and Michael Kamen - James Guthrie, Engineering - Andrew Jackson, Engineering - Mike Nocito, Assistant Engineer - Jules Bowen, Assistant Engineer - Andy Canelle, Assistant Engineer - Doog Sax, mastering - Mastered by James Guthrie & Joel Plante at das boot recording, 2011

℗ 1983 & ℗ 2011 Pink Floyd Music Ltd., marketed and distributed by Parlophone Records Ltd., a Warner Music Group Company

6
The Gunner's Dream
00:05:18

Pink Floyd (Roger Waters, Lead vocals, Bass guitar [acosutic guitar], Tape effects - David Gilmour, additional backing vocals - Nick Mason, Tape effects) - Michael Kamen, Piano - Andy Bown, Hammond Organ - Ray Cooper, Percussion - National Philharmonic Orchestra conducted and arranged by Michael Kamen - Written by Roger Waters - Produced by Roger Waters, James Guthrie and Michael Kamen - James Guthrie, Engineering - Andrew Jackson, Engineering - Mike Nocito, Assistant Engineer - Jules Bowen, Assistant Engineer - Andy Canelle, Assistant Engineer - Doog Sax, mastering - Mastered by James Guthrie & Joel Plante at das boot recording, 2011

℗ 1983 & ℗ 2011 Pink Floyd Music Ltd., marketed and distributed by Parlophone Records Ltd., a Warner Music Group Company

7
Paranoid Eyes
00:03:41

Pink Floyd (Roger Waters, Lead vocals, Acoustic guitar, Tape effects - David Gilmour, additional backing vocals - Nick Mason, Tape effects) - National Philharmonic Orchestra conducted and arranged by Michael Kamen - Written by Roger Waters - Produced by Roger Waters, James Guthrie and Michael Kamen - James Guthrie, Engineering - Andrew Jackson, Engineering - Mike Nocito, Assistant Engineer - Jules Bowen, Assistant Engineer - Andy Canelle, Assistant Engineer - Doog Sax, mastering - Mastered by James Guthrie & Joel Plante at das boot recording, 2011

℗ 1983 & ℗ 2011 Pink Floyd Music Ltd., marketed and distributed by Parlophone Records Ltd., a Warner Music Group Company

8
Get Your Filthy Hands Off My Desert
00:01:16

Pink Floyd (Roger Waters, Lead vocals, Bass guitar, Tape effects - David Gilmour, Lead and rhythm guitars, additional backing vocals - Nick Mason, Drums & Tape effects) - Michael Kamen, Piano - National Philharmonic Orchestra conducted and arranged by Michael Kamen - Written by Roger Waters - Produced by Roger Waters, James Guthrie and Michael Kamen - James Guthrie, Engineering - Andrew Jackson, Engineering - Mike Nocito, Assistant Engineer - Jules Bowen, Assistant Engineer - Andy Canelle, Assistant Engineer - Doog Sax, mastering - Mastered by James Guthrie & Joel Plante at das boot recording, 2011

℗ 1983 & ℗ 2011 Pink Floyd Music Ltd., marketed and distributed by Parlophone Records Ltd., a Warner Music Group Company

9
The Fletcher Memorial Home
00:04:09

Pink Floyd (Roger Waters, Lead vocals, Bass guitar [acoustic guitar], Tape effects - David Gilmour, additional backing vocals - Nick Mason, Tape effects) - Michael Kamen, Piano - National Philharmonic Orchestra conducted and arranged by Michael Kamen - Written by Roger Waters - Produced by Roger Waters, James Guthrie and Michael Kamen - Hugo Zuccarelli, Holophonics - James Guthrie, Engineering - Andrew Jackson, Engineering - Mike Nocito, Assistant Engineer - Jules Bowen, Assistant Engineer - Andy Canelle, Assistant Engineer - Doog Sax, mastering - Mastered by James Guthrie & Joel Plante at das boot recording, 2011

℗ 1983 & ℗ 2011 Pink Floyd Music Ltd., marketed and distributed by Parlophone Records Ltd., a Warner Music Group Company

10
Southampton Dock
00:02:13

Pink Floyd (Roger Waters, Lead vocals, Bass guitar [twelve-string guitar], Tape effects - David Gilmour, Lead and rhythm guitars, additional backing vocals - Nick Mason, Drums & Tape effects) - Michael Kamen, Piano & Harmonium - National Philharmonic Orchestra conducted and arranged by Michael Kamen - Written by Roger Waters - Produced by Roger Waters, James Guthrie and Michael Kamen - James Guthrie, Engineering - Andrew Jackson, Engineering - Mike Nocito, Assistant Engineer - Jules Bowen, Assistant Engineer - Andy Canelle, Assistant Engineer - Doog Sax, mastering - Mastered by James Guthrie & Joel Plante at das boot recording, 2011

℗ 1983 & ℗ 2011 Pink Floyd Music Ltd., marketed and distributed by Parlophone Records Ltd., a Warner Music Group Company

11
The Final Cut
00:04:42

Pink Floyd (Roger Waters, Lead vocals, Bass guitar [acoustic guitar], Synthetizers, Tape effects - David Gilmour, Lead and rhythm guitars, Co-lead vocals, additional backing vocals - Nick Mason, Drums & Tape effects) - Andy Bown, Hammond Organ - Written by Roger Waters - Produced by Roger Waters, James Guthrie and Michael Kamen - James Guthrie, Engineering - Andrew Jackson, Engineering - Mike Nocito, Assistant Engineer - Jules Bowen, Assistant Engineer - Andy Canelle, Assistant Engineer - Doog Sax, mastering - Mastered by James Guthrie & Joel Plante at das boot recording, 2011

℗ 1983 & ℗ 2011 Pink Floyd Music Ltd., marketed and distributed by Parlophone Records Ltd., a Warner Music Group Company

12
Not Now John
00:05:01

Pink Floyd (Roger Waters, Lead vocals, Bass guitar [acoustic guitar], Tape effects - David Gilmour, Lead and rhythm guitars, additional backing vocals - Nick Mason, Tape effects) - Raphael Ravenscroft, Tenor saxophone - Michael Kamen, Piano - Andy Bown, Hammond Organ - Andy Newmark, Drums - Ray Cooper, Percussion - Doreen Chanter & Irene Chanter, Backing vocals - Written by Roger Waters - Produced by Roger Waters, James Guthrie and Michael Kamen - James Guthrie, Engineering - Andrew Jackson, Engineering - Mike Nocito, Assistant Engineer - Jules Bowen, Assistant Engineer - Andy Canelle, Assistant Engineer - Doog Sax, mastering - Mastered by James Guthrie & Joel Plante at das boot recording, 2011

℗ 1983 & ℗ 2011 Pink Floyd Music Ltd., marketed and distributed by Parlophone Records Ltd., a Warner Music Group Company

13
Two Suns In The Sunset
00:05:14

Pink Floyd (Roger Waters, Lead vocals, Bass guitar [acosutic guitar], tape effects - David Gilmour, Lead and rhythm guitars, additional backing vocals - Nick Mason, Drums & tape effects) - Michael Kamen, Piano, Harmonium - Andy Bown, Hammond Organ - Andy Newmark, Drums - Ray Cooper, Percussion - Written by Roger Waters - Produced by Roger Waters, James Guthrie and Michael Kamen - James Guthrie, Engineering - Andrew Jackson, Engineering - Mike Nocito, Assistant Engineer - Jules Bowen, Assistant Engineer - Andy Canelle, Assistant Engineer - Doog Sax, mastering - Mastered by James Guthrie & Joel Plante at das boot recording, 2011

℗ 1983 & ℗ 2011 Pink Floyd Music Ltd., marketed and distributed by Parlophone Records Ltd., a Warner Music Group Company

Albumbeschreibung

The Final Cut extends the autobiography of The Wall, concentrating on Roger Waters' pain when his father died in World War II. Waters spins this off into a treatise on the futility of war, concentrating on the Falkland Islands, setting his blistering condemnations and scathing anger to impossibly subdued music that demands full attention. This is more like a novel than a record, requiring total concentration since shifts in dynamics, orchestration, and instrumentation are used as effect. This means that while this has the texture of classic Pink Floyd, somewhere between the brooding sections of The Wall and the monolithic menace of Animals, there are no songs or hooks to make these radio favorites. The even bent of the arrangements, where the music is used as texture, not music, means that The Final Cut purposely alienates all but the dedicated listener. Several of those listeners maintain that this is among Pink Floyd's finest efforts, and it certainly is an achievement of some kind -- there's not only no other Floyd album quite like it, it has no close comparisons to anybody else's work (apart from Waters' own The Pros and Cons of Hitch Hiking, yet that had a stronger musical core). That doesn't make this easier to embrace, of course, and it's damn near impenetrable in many respects, but with its anger, emphasis on lyrics, and sonic textures, it's clear that it's the album that Waters intended it to be. And it's equally clear that Pink Floyd couldn't have continued in this direction -- Waters had no interest in a group setting anymore, as this record, which is hardly a Floyd album in many respects, illustrates. Distinctive, to be sure, but not easy to love and, depending on your view, not even that easy to admire.
© Stephen Thomas Erlewine /TiVo

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